STARDOM CALLING

Marilyn had a little lamb, but soon she'd have the world.

By now we shouldn’t be surprised where Marilyn Monroe turns up. Still though, we never thought we’d see her befrocked and befrilled, fondling livestock in a field. Yet there she is on the April 26, 1946 cover of the women’s magazine The Family Circle. At the time, Monroe was modeling just about anywhere she could find work, going by her real name Norma Jeane Daugherty. She was twenty years old, one year away from her first film appearance, and two years away from her first minor film contract with Columbia Pictures. The year after that, in 1949, still trying to make ends meet, she posed nude for photographer Tom Kelley. In 1952 one photo from that session ended up on a Western Lithograph Co. pin-up calendar. Monroe was a contract player with 20th Century Fox by then, and the studio feared the photos would cause a scandal. They were wrong. Monroe admitted posing nude to pay the rent, and the public was fine with it. The next month she appeared on the cover of Life. Said Monroe: “Oh, the calendar’s hanging in garages all over town. Why deny it? You can get one anyplace. Besides, I’m not ashamed of it. I’ve done nothing wrong.”

Monroe’s career took off from there, but there’s a modern postscript to the story—namely, with the internet being what it is (a massive repository of misinformation the likes of which we never could have imagined a mere fifteen years ago), there are many shots of Monroe out there that are misidentified as the one that ended up on that 1952 calendar. So we took the liberty of posting a scan of the Life story, with its inset of the Monroe calendar. The shot you see there—and not the several others appearing on assorted websites—is the one that scandalized Monroe’s bosses but was shrugged off by the public. The nude image is pretty small in Life, but the internet being what it is (a massive repository of nakedness the likes of which we could never have imagined—but always hoped for), we were able to simply grab a larger version of Kelley’s shot and post it below so that, for purely academic interest, you can have a closer look. The photo will disappear if we get a cease and desist order, but for now it’s there.

Where have all the flowers gone?

These are pretty cool. You’re seeing the front and rear cover of He magazine, yet another American men’s publication from the 1950s. It has Lili St. Cyr on the front and Lilly Christine on the reverse. They were arguably the two most famous performers in the field of burlesque at that time. The art of burlesque has died, save for a precious few revues here and there, but you can see more Lili here and here, and more Lilly here and here. And if you missed it, our comprehensive photo post on burlesque—the first of several we’ll be doing, by the way—is here. 

French starlet Brigitte Bardot turned heads in Saint-Tropez more than half a century ago.

Continuing the process of cleaning off our French shelf, we have an issue of the pin-up magazine Stop. This one, issue #18 from 1962, is devoted entirely to Brigitte Bardot, and inside you get studio and outdoor photography of the legendary sex symbol, plus production stills from several of her films.

The cover image of her in front of the Eiffel Tower is iconic, but the image in panel sixteen, just above, is one of the most famous ever made of her. It was shot by Willy Rizzo in Saint-Tropez during the 1956 production of Roger Vadim’s Et Dieu… crea la femme, aka And God Created Woman, and it pretty much sums up the quality of Bardot’s sex appeal.

Saint-Tropez was just a sleepy seaside village back then, so you can imagine what all those crusty fishermen in the cafés thought the first time they saw this woman walking barefoot along their waterfront. Mermaid? Tramp? Angel? Waif? Bardot had all those elements and more, which is a large part of why—in addition to her copious talent—she became such a transcendent star.

Today she remains in the public eye, if controversially, and it’s ironic that someone who once united people in their appreciation of her beauty, acting and singing is now such a polarizing figure. The above photo isn’t the only image that survives from that famed Rizzo session, so just for the fun of it, we’ve posted a few more below to help you dream about springtime.

The National Police Gazette looks up to Raquel Welch.

This National Police Gazette from January 1970 features bombshell sex symbol Raquel Welch on the cover photographed from an odd up-the-nose angle you don’t often see. This was also, we are almost certain, the first Gazette to feature a full color cover photo, as the magazine was trying to upgrade its staid image. Inside you get Linda Harrison, Sugar Ray Robinson, Rocky Graziano, Grace Kelly and a dubious report on the 200,000 legally insane teachers working in America’s schools. Welch’s bikini shoots were always a major event, and images from this particular session ended up on or inside scores of publications, including an issue of the Japanese film magazine Screen we shared last year. We have several more frames from the shoot, and we’ll get around to posting those soonish. 

Sommer time is always the right time.

Above is German actress Elke Sommer, looking her stunning best in two scans from Belgium’s Ciné-Revue that we stumbled across in an online forum. The issue was published forty years ago today, during a period when the magazine was upping its skin quotient. In this case, they wisely chose photos by Angelo Frontoni, who was one of the foremost glamour photographers of the day. Ciné-Revue still exists, more or less, as Ciné-Télé-Revue. We’ve been meaning to do an entire feature on the publication, because it has a tangled history we haven’t quite puzzled out yet. It definitely began in Belgium during the mid-1940s, but also published in France for a time. Also, there was another Ciné-Revue published in France back in the 1920s, but we aren’t sure if it has the same provenance as the one above. We’ll figure all that out later, now that these great images have reminded us to do so. 

Christina Lindberg gets cut in half by a blind poster designer.


If you know anything about Christina Lindberg, you may be asking yourself how on Earth a poster designer ever decided it was a good idea to cut the most famous breasts of the era in half. Well, don’t judge too harshly—Lindberg didn’t become known as “The Girl with Them” and “The Sensation Girl” until her debut outing Rötmånad, aka Dog Days, aka What Are You Doing After the Orgy? earned an English-language release in 1971. Like many of the sexploitation stars, Lindberg wasn’t an expert actress, but she personified the sexual liberation that had swept the West. Sex was suddenly acknowledged as a healthy part of being human, and it was acceptable to explore erotic themes in the open via cinema. By the time the seventies were over video would take depictions of sex to places undreamt of, all of them fetishistic, and mainstream cinema would begin to shy away from the subject of even romantic, loving sex. But for a while Christina Lindberg was the muse of international erotic cinema, and it all began when Rötmånad premiered in Sweden, today in 1970. Pretty soon we’ll share some Lindberg images that have never appeared on the internet before. 

Marisa Allasio's bikini created unforeseen fallout—of the judicial kind.


Here’s a new tabloid in our collection—Pic, which like Whisper and a few other publications evolved from a pin-up magazine into a scandal sheet during the 1950s. The cover star on this November 1958 issue is Marisa Allasio, and the photo is one that originally appeared in the Italian magazine Il Borghesi and landed the publishers in court on obscenity charges. As anyone who has ever been to a beach can attest, there is a big difference between almost falling out of a bikini and actually doing it, and that difference is where all the fun lies. But the shot was nonetheless deemed too sexual by Italy’s moral watchdogs, and all the newsstand copies of Il Borghese were confiscated. In the end, the magazine was able to prove that the image was a promo still from Allasio’s forgettable 1956 film Poveri ma belli, aka Poor but Beautiful. Since Il Borgese was not responsible for the image, charges against the magazine were dropped. If you’d like to read a scathing contemporary review of the film, we found one by Bosley Crowther at the New York Times, and just because it’s Saturday, we have the almost-obscene bikini photo below, in its original unreversed state. We’ll have more from Pic later. 

On the Ege of survival.

Above are selected pages from an October 1972 issue of The National Police Gazette, with cover star Solvi Stubing, who appeared in many films, including Strip Nude for Your Killer, Pussycat Pussycat I Love You, and Yearning for Love. You also get Norwegian beauty Julie Ege in the centerspread. The Ege shots are handouts, part of a larger set that had appeared a year earlier in the Swedish magazine FIB Aktuellt leading up to her starring role in Creatures the World Forgot. To prepare for the movie she supposedly spent a weekend on a deserted island, alone save for a photographer documenting her experience—i.e., here’s Julie gathering wood while wearing only a loincloth, and here’s Julie gnawing on some hearts of palm she’s managed to forage, etc. All in all, we think it was one of the cleverest publicity stunts ever. Producers of Survivor take note—loincloths for everyone. But we digress. We’ve re-posted clearer versions of some of the Gazette’s borrowed images below, and perhaps down the line we’ll even post the entire FIB Aktuellt shoot. In the meantime, you can see one more Ege photo here. 

Thirty days of summer.

Summer is dwindling in the parts of the world that have actual seasons. As a reminder of everyone’s favorite time of year we’ve searched the internet and cobbled together a collection of thirty vintage images featuring some of yesteryear’s fittest femmes and hommes enjoying the sun, and sometimes each other. If you haven’t had a summertime moment like one of those below, there’s still time. Get to it.

Femme Fatale Image

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HISTORY REWIND

The headlines that mattered yesteryear.

1918—Sgt. York Becomes a Hero

During World War I, in the Argonne Forest in France, America Corporal Alvin C. York leads an attack on a German machine gun nest that kills 25 and captures 132. He is a corporal during the event, but is promoted to sergeant as a result. He also earns Medal of Honor from the U.S., the Croix de Guerre from the French Republic, and the Croce di Guerra from Italy and Montenegro. Stateside, he is celebrated as a hero, and Hollywood even makes a movie entitled Sergeant York, starring Gary Cooper.

1956—Larsen Pitches Perfect Game

The New York Yankees’ Don Larsen pitches a perfect game in the World Series against hated rivals the Brooklyn Dodgers. It is the only perfect game in World Series history, as well as the only no-hitter.

1959—Dark Side of Moon Revealed

The Soviet space probe Luna 3 transmits the first photographs of the far side of the moon. The photos generate great interest, and scientists are surprised to see mountainous terrain, very different from the near side, and only two seas, which the Soviets name Mare Moscovrae (Sea of Moscow) and Mare Desiderii (Sea of Desire).

1966—LSD Declared Illegal in U.S.

LSD, which was originally synthesized by a Swiss doctor and was later secretly used by the CIA on military personnel, prostitutes, the mentally ill, and members of the general public in a project code named MKULTRA, is designated a controlled substance in the United States.

1945—Hollywood Black Friday

A six month strike by Hollywood set decorators becomes a riot at the gates of Warner Brothers Studios when strikers and replacement workers clash. The event helps bring about the passage of the Taft-Hartley Act, which, among other things, prohibits unions from contributing to political campaigns and requires union leaders to affirm they are not supporters of the Communist Party.

Classic science fiction from James Grazier with uncredited cover art.
Hammond Innes volcano tale features Italian intrigue and Mitchell Hooks cover art.

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