URSULA ON THE MENU

They may be cannibals but you have to credit their exquisite culinary taste.


The above poster for was made to promote Sergio Martino’s La montagne du dieu cannibale, which was originally filmed in Italy as La montagna del dio cannibale, and in English was known as Slave of the Cannibal God and The Mountain of the Cannibal God. Basically, Ursula Andress ventures into the New Guinean jungle to find her husband, who disappeared during an expedition to Ra Ra Me Mountain, considered by native tribes to be cursed. The movie was actually shot in Sri Lanka, but details, details. Andress is accompanied on her quest by her brother, played by Antonio Marsina, a professor, played by Stacy Keach, and some unlucky locals. Their jungle trek brings on interpersonal strife, native attacks, gruesome murders, eventual capture, and additional gruesome murders, all to the accompaniment of creepy drum and synth music.

You’ll sometimes see this movie classified as horror, but it’s really a mondo revulsion flick, padded with real animal deaths that most people will find unwatchable. These gross-outs are somewhat balanced by the imminently watchable Ursula Andress, who’s forty-two here and looking just fine. We don’t mention that in passing. The entire point of this gorefest is to get her tied to a stake, stripped, and caressed by hot native girls. The plot about her missing husband—which morphs into a scheme to get rich with uranium—is just a fig leaf. We don’t recommend the movie even with Andress undressed in it, but if you watch it maybe don’t eat lunch beforehand. After originally premiering in West Germany, La montagne du dieu cannibale opened in France today in 1978.

Sharp curves and unexpected twists in road next 1,000 miles.


Every once in a while we come across a pleasant surprise of a film and Road Games is an example of that perfect nexus where no expectations meet good filmmaking to greatly improve our day. Starring Stacy Keach and Jamie Lee Curtis, Road Games is about an American hitchhiker making her way across the Australian outback the same time a depraved serial killer is loose on the road. She’s picked up by truck driver Keach and the two of them come to believe they’re following the same route across the country as the murderer.

Keach and Curtis are great in this. Even though Curtis’s attraction to a porno mustached forty-something can only be explained as a case of outback fever, the May/December storyline is deftly handled and reasonably believable, and the entire movie is given extra dimensionality by vast Australian vistas and witty dialogue. We highly recommend this one. It seems to have been mismarketed as a horror movie back in its day, but really it’s just a thriller. Straightforward, well made, and starring two appealing performers, Road Games premiered in Australia today in 1981. You see the Aussie poster above, while the U.S. promo, along with some production photos, is below.

Three Italian covers offer three visions of Mickey Spillane’s hard-boiled Mike Hammer classic.

The top cover for Mickey Spillane’s Ti ucciderò was painted by the excellent Giovanni Benvenuti for Garzanti in 1957. You can see the artist’s signature more or less in the middle of the cover. The title Ti ucciderò means “I will kill you,” which is considerably less evocative than the original title I, the Jury, but maybe that just doesn’t translate well in Italy for some reason. The second cover is also from Garzanti and dates from 1972. The shifty eyes at top were a design element on all the Spillane covers from Garzanti during the period. Last you see a 1990 edition of I, the Jury published by Oscar Mondadori, and though we don’t know the artist, it’s interesting to see a book appear so late with a painted cover.

The detective on that one, if you take a close look, is the actor Stacy Keach. He was starring as Mike Hammer on an American television show called The New Mike Hammer, from which you see a still at right, and the Mondadori book was a tie-in for when the show hit Italian television. All three covers are nice, but Benvenuti is tops, as always.

James M. Cain’s incest-themed pulp loses its power as a movie thanks to Pia Zadora.

James M. Cain was never one to shy away from provocative subject matter, and The Butterfly, published in 1946, is no exception. In this one a middle-aged coal miner arrives at his backwoods home one day to find a nineteen year-old girl sitting on his stoop. It turns out she’s his long lost daughter, who he’s never known because his wife left him eighteen years ago.

The girl, Kady, is precocious to say the least, which means seduction inevitably follows and, just as inevitably, dangerous complications pile up rather quickly. But nothing is quite what it seems and by the end, paternity is in doubt all over the place. The Butterfly isn’t considered one of Cain’s best, but we thought it was a diverting read, certainly worth the time spent. As with most Cain books, it had many editions, but this one is the 1964 Dell paperback, which we think has the best cover art.

Moving on to the 1982 film adaptation, entitled simply Butterfly, we find ourselves running out of kind words. The film starred Pia Zadora, and while it generated some good reviews and a lot of publicity owing to its supposed steaminess, time has since rendered a judgment and it isn’t a kind one. Zadora was not the person for the role of Kady. We have little doubt she’s alluring in real life, but cinema is not real life and it takes more than just ordinary beauty to light up the screen as a femme fatale.

It’s the same with men, typically. Bogart wasn’t a classic looker, but he had that thing. Zadora doesn’t. The critics who defended her in this role are still answering for it today, and her award as Newcomer of the Year ranks as one of the Golden Globes’ biggest embarrassments. Despite her unwonderful performance, Butterfly is worth a glance for its camp factor, as well as for appearances by Orson Welles as a smalltown judge and Ed McMahon as a boozehound. But if you really want to be entertained, read the book instead.

Hush-Hush News publisher Myron Fass was the king of sleaze.

Hush-Hush News is a fresh addition to the Pulp Intl. tabloid collection, and though it’s an obscure imprint, it was owned by Myron Fass, who was one of the kings of American sleaze publishing during the sixties and seventies. He started as a comic book artist in 1946, and worked in that field until the mid 1950s. The satire magazine Lunatickle was his first publishing venture, and he moved into tabloid publishing soon afterward. Fass specialized in one-offs—editions meant to be printed only once. During the height of his empire he published fifty titles a month, covering any subject matter he thought would sell—wrestling, UFOs, punk music, horror movies, conspiracy, psychic phenomena, and so forth. His celebrity mags included Cockeyed, Exposed, National Mirror, and Pic, all of which we’ll show you later. The above paper hit the streets today in 1971, and it features the usual combination of sexual teasing and race-baiting, but the most interesting thing to us is the shift we see inside from old to new school Hollywood. People like Stacy Keach, Patty Duke, and Steve McQueen are featured, while Hollywood gods like Frank Sinatra and Cary Grant have virtually faded from the scene. But the new school stars perhaps didn’t capture imaginations like the old guard, because in a few more years, a market that had once been glutted with tabloids would feature only a few. We’ll have more issues of Hush-Hush News in the future. 

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HISTORY REWIND

The headlines that mattered yesteryear.

1916—Richard Harding Davis Dies

American journalist, playwright, and author Richard Harding Davis dies of a heart attack at home in Philadelphia. Not widely known now, Davis was one of the most important and influential war correspondents ever, establishing his reputation by reporting on the Spanish-American War, the Second Boer War, and World War I, as well as his general travels to exotic lands.

1919—Zapata Is Killed

In Mexico, revolutionary leader Emiliano Zapata is shot dead by government forces in the state of Morelos, after a carefully planned ambush. Following the killing, Zapata’s revolutionary movement and his Liberation Army of the South slowly fall apart, but his political influence lasts in Mexico to the present day.

1925—Great Gatsby Is Published

F. Scott Fitzgerald’s novel The Great Gatsby is published in New York City by Charles Scribner’s Sons. Though Gatsby is Fitzgerald’s best known book today, it was not a success upon publication, and at the time of his death in 1940, Fitzgerald was mostly forgotten as a writer and considered himself to be a failure.

1968—Martin Luther King Buried

American clergyman and civil rights leader Martin Luther King, Jr., is buried five days after being shot dead on a Memphis, Tennessee motel balcony. April 7th had been declared a national day of mourning by President Lyndon B. Johnson, and King’s funeral on the 9th is attended by thousands of supporters, and Vice President Hubert Humphrey.

1953—Jomo Kenyatta Convicted

In Kenya, Jomo Kenyatta is sentenced to seven years in prison by the nation’s British rulers for being a member of the Mau Mau Society, an anti-colonial movement. Kenyatta would a decade later become independent Kenya’s first prime minister, and still later its first president.

1974—Hank Aaron Becomes Home Run King

Major League Baseball player Hank Aaron hits his 715th career home run, surpassing Babe Ruth’s 39-year-old record. The record-breaking homer is hit off Al Downing of the Los Angeles Dodgers, and with that swing Aaron puts an exclamation mark on a twenty-four year journey that had begun with the Indianapolis Clowns of the Negro League, and would end with his selection to Major League Baseball’s Hall of Fame.

Edições de Ouro and Editora Tecnoprint published U.S. crime novels for the Brazilian market, with excellent reworked cover art to appeal to local sensibilities. We have a small collection worth seeing.
Walter Popp cover art for Richard Powell's 1954 crime novel Say It with Bullets.
There have been some serious injuries on pulp covers. This one is probably the most severe—at least in our imagination. It was painted for Stanley Morton's 1952 novel Yankee Trader.

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