OPPOSING FORCES

A long time ago, light years ahead of their time.

Above are three tateken sized posters for the first three films in George Lucas’s galaxy spanning Star Wars series: Star Wars, The Empire Strikes Back, and The Return of the Jedi. Posting these today was a direct consequence of our recent move—new house, fresh reorganization, all sorts of forgotten items turning up, both physically and in our hard drives. Once we get in a solid scanner groove we have some amazing stuff to show you. In the meantime, we’re pretty sure you won’t see these anywhere else.

Not exactly your average princess.

No introduction needed here. Carrie Fisher portrayed one of the most iconic characters in cinema history when she became the double hair-bunned Princess Leia Organa of the planet Alderaan for 1977’s blockbuster space opera Star Wars (we’re not going to bother with the unwieldy chapter title foisted onto the public afterward). Fisher memorably begged Obi-Wan Kenobi for help, saying, “You’re our only hope,” but she was pretty useful herself—good with a blaster, infused with the Force, and determined as hell. We’re pretty sure Leia Organa and Carrie Fisher will be well remembered for as long as cinema exists.

She's tougher than Tarzan, meaner than Sheena, and lustier than Gungala.

You can look at this cover and correctly assume that we’ve shared it because it was painted by Frank Frazetta, considered by many to be the master of sword and sorcery art. It’s a beautiful piece, rightly famous. Alan Dean Foster is a master too. He isn’t what you’d call a significant author in the sense that he’s produced lauded original material, but he may be the king of movie novelizations. Amongst his output: The Black HoleClash of the TitansOutlandStarmanPale Rider, and The Chronicles of Riddick, as well as novelized series based on Star Wars, Star Trek, and Alien.

We love Foster for his Star Wars sequel Splinter of the Mind’s Eye, which came out before The Empire Strikes Back (notice we don’t bother with that Episode nonsense) and followed Luke and Leia—not siblings in Foster’s universe—as they adventured on strange worlds and discovered their love for each other. We still think the film series should have followed Foster’s lead, but whatever.

His Luana is a novelization of the 1968 movie of the same name starring Mei Chen Chalais, which we talked about a while back. Sometimes novelizations are published before the film, sometimes after. Foster published Luana six years after the film in 1974 for reasons that are obscure. It was among his first published books. While template for a novelization is provided by the filmmakers, the author is who gives it color and life.

Foster fulfills that duty with obvious relish, mining literary and cinematic antecedents like TarzanTarzanaGungalaSheenaShuna, and Ka-Zar for familiar tropes. A kilometer long pit filled with army ants? A lion and panther, both larger than any ever seen before, working in tandem with a huge chimp? A pitched battle between blowgun wielding Tanzanian tribesmen and an expedition of white explorers? A secret city of solid gold buildings? As lost world tales go, by standing on the shoulders of his predecessors, Foster crafts something better than average. And far better than the movie too.

Cinematic encounters of the worst kind.

The sci-fi adventure Starcrash was made to copy the success—as well as the basic blueprint—of Star Wars. But the only aspect of the movie that’s comparable is the promo art. We already showed you the great U.S. poster. This is the Colombian poster made for the movie’s premiere there today in 1979 as Ataques estelar del tercer tipo. Elsewhere in Latin America the film had titles like Infierno en el cosmos (Argentina), and Starcrash: Ataque interstelar (Mexico).

Looking more closely, you’ll notice a ship similar to the Millennium Falcon. The engines are at the opposite end, but it’s basically the same design. These guys were shameless. In addition, Ataques estelar del tercer tipo would translate as “star attacks of the third type.” Obviously, not content to merely rip off Stars Wars the producers decided to also borrow from Steven Spielberg’s Close Encounters of the Third Kind. But what you get is a cinematic encounter of the worst kind, though a very funny one. We talked about it already. Check here.

Stars Wars conceptual artist Ralph McQuarrie dies.

Sci-fi artist Ralph McQuarrie died yesterday due to complications from Parkinson’s disease. McQuarrie’s concepts for Darth Vader, R2-D2, C-3PO and other characters indelibly shaped the Star Wars franchise, and, closer to Earth, he was also a go-to paperback cover artist during the 1980s. Below is one of our favorite McQuarrie pieces, the cover of Alan Dean Foster’s excellent Star Wars sequel Splinter of the Mind’s Eye. McQuarrie was eighty-two. 

Some movies just can’t be improved upon.

Somehow, the fact that this original Star Wars promo photo is filled with pinholes and dings adds to its charm, since it mirrors the condition of Luke Skywalker’s landspeeder. There are some who would say the franchise drowned in cynicism, that it collapsed under the weight of fast food tie-ins, and fuzzy toys, and ill-considered digital revisionism. Those people would be right. Like this photo, and like Skywalker’s landspeeder, the original Star Wars had some scratches and dings, but cinematic believability derives from a well-known viewer psychology aptly described as willing suspension of disbelief. The key word is willing. You can’t bludgeon people into acceptance, no matter how slick the fx are. People willingly believe because the story and characters work. And in Star Wars, the simple story of a boy rising from his dusty roots to battle impossibly powerful galactic foes—and yet win—worked on every level. It still works. That’s why people who loved it as kids still watch it today as adults. Anyway, we’re just going to go ahead and call this photo one of the coolest artifacts we’ve ever found. 

Hungarian graphic designers re-imagine promo art for a classic American series.

We have something a little different today, a bit of modern pulp from Central Europe. These are Hungarian posters for George Lucas’s Star Wars, The Empire Strikes Back, and Return of the Jedi, which incidentally were going for the equivalent of $350.00. Yes, seriously. Premiere dates on these are a little obscure, but the Hungarian re-releases took place in 1997, so we’ll go with that. Of course, it’s worth pointing out again that the main reason wonderful posters like these make it to the foreign marketplace is that the designers are freed from the anti-artistic influence of Hollywood marketing departments, which tend to be hands off when promoting big re-releases overseas (new films, of course, have the same promo art as in America, i.e. incredibly bad, which in turn leads to the sad sight of your humble authors trying to slink unnoticed past displays for Saw 3D and Zookeeper, but that’s another post entirely). See a great Star Wars poster from Poland here. 

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HISTORY REWIND

The headlines that mattered yesteryear.

1925—Mein Kampf Published

While serving time in prison for his role in a failed coup, Adolf Hitler dictaes and publishes volume 1 of his manifesto Mein Kampf (in English My Struggle or My Battle), the book that outlines his theories of racial purity, his belief in a Jewish conspiracy to control the world, and his plans to lead Germany to militarily acquire more land at the expense of Russia via eastward expansion.

1955—Disneyland Begins Operations

The amusement park Disneyland opens in Orange County, California for 6,000 invitation-only guests, before opening to the general public the following day.

1959—Holiday Dies Broke

Legendary singer Billie Holiday, who possessed one of the most unique voices in the history of jazz, dies in the hospital of cirrhosis of the liver. She had lost her earnings to swindlers over the years, and upon her death her bank account contains seventy cents.

1941—DiMaggio Hit Streak Reaches 56

New York Yankees outfielder Joe DiMaggio gets a hit in his fifty-sixth consecutive game. The streak would end the next game, against the Cleveland Indians, but the mark DiMaggio set still stands, and in fact has never been seriously threatened. It is generally thought to be one of the few truly unbreakable baseball records.

1939—Adams Completes Around-the-World Air Journey

American Clara Adams becomes the first woman passenger to complete an around the world air journey. Her voyage began and ended in New York City, with stops in Lisbon, Marseilles, Leipzig, Athens, Basra, Jodhpur, Rangoon, Bangkok, Hong Kong, Wake Island, Honolulu, and San Francisco.

1955—Nobel Prize Winners Unite Against Nukes

Eighteen Nobel laureates sign the Mainau Declaration against nuclear weapons, which reads in part: “We think it is a delusion if governments believe that they can avoid war for a long time through the fear of [nuclear] weapons. Fear and tension have often engendered wars. Similarly it seems to us a delusion to believe that small conflicts could in the future always be decided by traditional weapons. In extreme danger no nation will deny itself the use of any weapon that scientific technology can produce.”

Uncredited art for Poker de blondes by Oscar Montgomery, aka José del Valle, from the French publisher Éditions le Trotteur in 1953.
Rafael DeSoto painted this excellent cover for David Hulburd's 1954 drug scare novel H Is for Heroin. We also have the original art without text.
Argentine publishers Malinca Debora reprinted numerous English language crime thrillers in Spanish. This example uses George Gross art borrowed from U.S. imprint Rainbow Books.
Uncredited cover art for Orrie Hitt's 1954 novel Tawny. Hitt was a master of sleazy literature and published more than one hundred fifty novels.

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