A FINE TIME

When the Belle rings you better be ready.

Something pretty for you now, a Japanese poster (or actually a two-sided flyer which they call chirashi) for the Italian sexploitation flick La fine dell’innocenza, known in English speaking countries as Annie, and in the U.S. mainly as Teenage Emanuelle. Why not just translate the original title and call it “the end of innocence”? That’s a good question. Maybe the U.S. marketers thought “teenage” was the ticket. In Japan it was called 愛の妖精, which means “love fairy.” See the difference?

Anyway, this starred the beautiful French pixie Annie Belle, aka Annie Brilland, who was twenty years old at the time. She made more than thirty films, largely in this Eurogirl-in-the-tropics vein, and posed for magazine and book covers. We have some production images below that will get your exotic juices moving, we have have another Japanese poster for La fine dell’innocenza here, and we have a write-up about the actual movie here. It premiered in Japan today in 1977.

She's not quite as innocent as she looks.


This Japanese poster was made for Annie Belle’s 1976 erotic romp La fine dell’innocenza, and it makes us wonder: Do erotic stars even exist anymore? We don’t mean porn stars. We mean stars of erotic films. Have the reactionaries made them extinct, even on late night cable? Well, if so that’s terribly sad, because if one believes cinematic sex and nudity are automatically exploitative (or worse, that all nudity in media derives from coercion), in our opinion that person has led a tragic or sheltered life. Sometimes such movies are exploitative, of course, but oftentimes they’re life affirming and fun. Just like regular films, there’s a range. La fine dell’innocenza, which was also titled simply Annie, falls somewhere in the middle. It has its exploitative elements, but ultimately is about Belle being far too rare and free a bird to be caged by small-minded men. Once upon a time, but not long ago, women struggled and protested and advocated in order to be free birds sexually, to express their sexuality in any way they saw fit after centuries of repression. La fine dell’innocenza is an artifact of that time period.
Annie Belle streaks across Hong Kong and stardom follows.

Above you see an Aller, aka Carlo Alessandrini, poster for La fine dell’innocenza, which premiered in Italy today in 1976 and was titled in English Annie, after the lead character Annie Belle. The star of the film had acted under her real name Annie Brilland up to this point, but adopted Annie Belle as her stage name for this film and the rest of her career. Yes, technically she acted as Annie Belle in an earlier movie—Laure, which came out about a week before Annie, but we strongly suspect that made-in-Manila sex romp was shot later and simply went through post production more quickly. Another small movie from 1975 is credited to Belle, but we’re sure that was done much later. Annie is the film that made her Belle.

It’s a coming of age story in which she proves to be too independent for all—male and female—who wish to possess her. She begins the film under the wing of her incest-minded father, travels with him to Hong Kong, where he’s arrested for money laundering, forcing her to fend for herself. From there she makes the inevitable sexual splash in upper crust expat circles around the island. And who can fault them for their interest? In real life Belle is a tiny, tomboyish figure, certainly no more than 5′ 2”, but onscreen she comes across as even lusher than the Hong Kong hills. There’s no disputing it: the camera loves her. She’s one of the most striking stars of any era of cinema.

La fine dell’innocenza is remembered for its extended sequence depicting Belle’s escape from a brothel. She pulls it off—no body double—by sprinting starkers through the Hong Kong streets, leaping onto the back of a motorcycle driven by an associate, careening through traffic as she wantonly flouts local helmet laws, leaping off the bike and running again, now chased by cops, to a public fountain, where she’s finally apprehended. The scene is worth rewinding just to see all the locals gawking from the backgrounds of the shots. They must have thought, watching this platinum blonde boy-woman with the jet back muff running through their city—what the hell do these foreigners smoke?

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The headlines that mattered yesteryear.

1945—Franklin Roosevelt Dies

U.S. President Franklin D. Roosevelt dies of a cerebral hemorrhage while sitting for a portrait in the White House. After a White House funeral on April 14, Roosevelt’s body is transported by train to his hometown of Hyde Park, New York, and on April 15 he is buried in the rose garden of the Roosevelt family home.

1916—Richard Harding Davis Dies

American journalist, playwright, and author Richard Harding Davis dies of a heart attack at home in Philadelphia. Not widely known now, Davis was one of the most important and influential war correspondents ever, establishing his reputation by reporting on the Spanish-American War, the Second Boer War, and World War I, as well as his general travels to exotic lands.

1919—Zapata Is Killed

In Mexico, revolutionary leader Emiliano Zapata is shot dead by government forces in the state of Morelos, after a carefully planned ambush. Following the killing, Zapata’s revolutionary movement and his Liberation Army of the South slowly fall apart, but his political influence lasts in Mexico to the present day.

1925—Great Gatsby Is Published

F. Scott Fitzgerald’s novel The Great Gatsby is published in New York City by Charles Scribner’s Sons. Though Gatsby is Fitzgerald’s best known book today, it was not a success upon publication, and at the time of his death in 1940, Fitzgerald was mostly forgotten as a writer and considered himself to be a failure.

1968—Martin Luther King Buried

American clergyman and civil rights leader Martin Luther King, Jr., is buried five days after being shot dead on a Memphis, Tennessee motel balcony. April 7th had been declared a national day of mourning by President Lyndon B. Johnson, and King’s funeral on the 9th is attended by thousands of supporters, and Vice President Hubert Humphrey.

Edições de Ouro and Editora Tecnoprint published U.S. crime novels for the Brazilian market, with excellent reworked cover art to appeal to local sensibilities. We have a small collection worth seeing.
Walter Popp cover art for Richard Powell's 1954 crime novel Say It with Bullets.
There have been some serious injuries on pulp covers. This one is probably the most severe—at least in our imagination. It was painted for Stanley Morton's 1952 novel Yankee Trader.

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