DELUXE SWEET

Overindulge and you'll start to feel a little queasy.

Above you see more art from Italian illustrator Averado Ciriello, whose effort here was for the cult farce Candy, known in Italy as Candy e il suo pazzo mondo—“Candy and her crazy world.” The cast of this, first of all, is tremendous. In addition to Aulin, featured are Richard Burton, Charles Aznavour, Marlon Brando, James Coburn, John Huston, Ringo Starr, Walter Matthau, Elsa Martinelli, Sugar Ray Robinson, Anita Pallenberg, Florinda Bolkan, Marilù Tolo, and Nicoletta Machiavelli. That’s unreal.

The film is a sort of coming of age tale that spirals off into various weird realities, with Aulin becoming a passenger on a military plane, getting a front row seat in an operating theatre attended by the black tie set, and other imaginings from screenwriter Buck Henry, based on Terry Southern and Mason Hoffenberg’s 1958 source novel. That sounds like it has potential, but the movie goes wide of the mark, with Aulin’s voice seemingly dubbed, Walter Matthau as a military crank wearily channelling Buck Turgidson, Ringo Starr playing a Mexican, accent and all, and Brando as a bindi laden guru who travels the land inside a semi-trailer layered with shells and broken mirror glass.

These characters are all supposed to be part of a satire about female sexuality and men, but its deeper meaning has been lost across the decades, and its humor is deflated by stagy overacting that stopped working for film audiences probably the very year the film was released. For such a movie to remain worthwhile it has to remain relevant, but its take on male-female relations has aged poorly. A man doesn’t have to be outwardly weird to be predatory. We’ve all learned that by now, hopefully.

The movie is long, too—a full two hours before Aulin finally trods through the final highly symbolic set piece and possibly into a realm of cosmic mysticism. Candy is one those films that supporters will say is over the heads of detractors, but not according to Hoffenberg—he considered his own co-creation half joke and half junk. Those qualities certainly filtered into the film. Candy premiered this week in the U.S. in 1968 and finally reached Italy today in 1970.

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The headlines that mattered yesteryear.

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1977—Carter Pardons War Fugitives

U.S. President Jimmy Carter pardons nearly all of the country’s Vietnam War draft evaders, many of whom had emigrated to Canada. He had made the pardon pledge during his election campaign, and he fulfilled his promise the day after he took office.

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Albert DeSalvo, the serial killer who became known as the Boston Strangler, is convicted of murder and other crimes and sentenced to life in prison. He serves initially in Bridgewater State Hospital, but he escapes and is recaptured. Afterward he is transferred to federal prison where six years later he is killed by an inmate or inmates unknown.

Two Spanish covers from Ediciones G.P. for Peter Cheyney's Huracan en las Bahamas, better known as Dark Bahama.
Giovanni Benvenuti was one of Italy's most prolific paperback cover artists. His unique style is on display in multiple collections within our website.
Italian artist Sandro Symeoni showcases his unique painterly skills on a cover for Peter Cheyney's He Walked in Her Sleep.

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