UNCENSORED AND UNCUT

Times may change but sex always sells.

Above is the front of a copy of Uncensored magazine that appeared today in 1965 with cover stars Jackie O., Blaze Starr, and—in a sign of changing times—the Beatles. Inside the magazine you get sin and skin in the form of East German sex camps, nudity in international cinema, exotic dancer Marlene MacLane, transgender entertainer Christine Jorgensen, and call girl Christine Keeler, who, Uncensored reminds readers yet again, had lovers with skin darker than hers. And according to journalist Bill Jeffree, so did thousands of other British women. What had the world come to? These old tabloids often contain photos that haven’t made it online yet, and from this one we’re happy to upload a cool shot of Keeler, a snap of John F. Kennedy, Jr. as a toddler, and a rare vision of Elizabeth Taylor strolling a Mediterranean boardwalk in her bikini. We have about twenty scans below and more from Uncensored to come.

The Jack Paar-Ed Sullivan feud was sometimes polite and sometimes ugly—but it was always must-see television.

Above you see a Whisper magazine cover from July 1961. We mentioned in our previous post on this tabloid that it was published by Confidential owner Robert Harrison, and here you see a more typical visual motif, pretty much duplicating the Confidential style. The tabloid formula always calls for a little sex (which you get in the person of Julie Newmar), a little crime (which you see in the banner about vice), and a little absurdity (Richard Boone the television cowboy is afraid of horses). Those three stories are self-explanatory, so we won’t bother to elaborate, but the centerpiece item about a feud between Jack Paar and Ed Sullivan may require a bit of explanation.

Everyone knows who Ed Sullivan was, but Paar is less famous these days. However it was Paar who really established the modern blueprint of late night talk shows, taking over a Tonight Show that was floundering, and within a year turning it into such a hit that it was renamed The Jack Paar Tonight Show. But there was a flipside to his brilliance—he was an emotional man who shot from the hip and dealt with the consequences later. Once, when one of his jokes was cut, he waited until the next night, replaced his monologue with a verbal broadside at the network, and walked off the show, leaving his astonished announcer Hugh Downs to finish the taping. It wasn’t the first or last time Paar did something shocking—he often cried on air. When you consider that Ed Sullivan was an emotionally distant figure known as “old stone face,” it’s clear he and Paar were probably destined to hate each other—if for no other reason than their diametrically opposed personalities.

Part of the Paar-Sullivan feud revolved around the Beatles. In January 1964 on his show The Jack Paar Program, Paar featured the Fab Four in a series of film clips leased form the BBC. When Sullivan had the real-life Beatles on his program later that year people forgot that Paar had ever broadcast Beatles clips and Sullivan became the man who introduced the band to America. Paar believed this was blatant revisionism, but here his vanity kept him from understanding the obvious truth that film clips are nothing compared to a live performance. Besides, Paar didn’t like the Beatles’ music, and had used the film clips to joke about the band. It was only after they became a phenomenon that he publicly sought to usurp Sullivan’s credit.

There were other occasions when the feud spilled into the open. For instance, Sullivan’s guests received several thousand dollars for their appearances, but Paar’s got a measly $320. He fought his network to try and change that, word got to the tabloids, and the tabs spun it as yet more personal animus between the two hosts, when in this case it could be argued Paar was standing up for his guests and the reputation of his show. But there was no doubt Paar and Sullivan hated each other. They were even talked into having a public debate, but it fell apart. At first, word was Sullivan had backed out, but a bit later CBS exec Douglas Edwards said it was actually Paar who had gotten cold feet. The news set Paar off. He spent nearly fifty minutes of The Tonight Show trashing Ed Sullivan. He began by facetiously describing his rival as a man who was “as honest as he is talented,” and ended by flatly calling him a liar.

The Paar-Sullivan rivalry only lost its steam when Parr retired, and Sullivan’s show declined and was finally axed June 6, 1971. Parr made a brief comeback in 1973, but quit for good shorty thereafter. None of us at Pulp Intl. are old enough to have seen the Paar-Sullivan blood feud, but there’s plenty of text about it on the web to give a sense of what it was like. When we try to think of a comparable modern day dust-up between two relevant, powerful, and brilliant personalities we come up blank—and don’t even try to put O’Donnell-Limbaugh in the same class. The Paar-Sullivan feud was a clash of beloved titans who, even in the midst of their battles, tried to entertain, educate, and elevate their audiences. American television hasn’t been the same since.

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HISTORY REWIND

The headlines that mattered yesteryear.

1971—Corona Sent to Prison

Mexican-born serial killer Juan Vallejo Corona is convicted of the murders of 25 itinerant laborers. He had stabbed each of them, chopped a cross in the backs of their heads with a machete, and buried them in shallow graves in fruit orchards in Sutter County, California. At the time the crimes were the worst mass murders in U.S. history.

1960—To Kill a Mockingbird Appears

Harper Lee’s racially charged novel To Kill a Mockingbird is published by J.B. Lippincott & Co. The book is hailed as a classic, becomes an international bestseller, and spawns a movie starring Gregory Peck, but is the only novel Lee would ever publish.

1962—Nuke Test on Xmas Island

As part of the nuclear tests codenamed Operation Dominic, the United States detonates a one megaton bomb on Australian controlled Christmas Island, in the Indian Ocean. The island was a location for a series of American and British nuclear tests, and years later lawsuits claiming radiation damage to military personnel were filed, but none were settled in favor in the soldiers.

1940—The Battle of Britain Begins

The German Air Force, aka the Luftwaffe, attacks shipping convoys off the coast of England, touching off what Prime Minister Winston Churchill describes as The Battle of Britain.

1948—Paige Takes Mound in the Majors

Satchel Paige, considered at the time the greatest of Negro League pitchers, makes his Major League debut for the Cleveland Indians at the age of 42. His career in the majors is short because of his age, but even so, as time passes, he is recognized by baseball experts as one of the great pitchers of all time.

Rafael DeSoto painted this excellent cover for David Hulburd's 1954 drug scare novel H Is for Heroin. We also have the original art without text.
Argentine publishers Malinca Debora reprinted numerous English language crime thrillers in Spanish. This example uses George Gross art borrowed from U.S. imprint Rainbow Books.
Uncredited cover art for Orrie Hitt's 1954 novel Tawny. Hitt was a master of sleazy literature and published more than one hundred fifty novels.
George Gross art for Joan Sherman’s, aka Peggy Gaddis Dern’s 1950 novel Suzy Needs a Man.

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