SLIP INTO SOMETHING

It's an extravagant look because if she ever needs to shoot someone she wants them to notice the gun last.


Above is a publicity image featuring the legendary Rita Hayworth made when she was filming 1947’s The Lady from Shanghai. We shared a promo from the movie several years back. This is another frame from the same session, showing Hayworth in the same slippery sheath. She plays a slippery character too. 

There are worse fates than being Shanghaied by Hayworth.

This beautiful poster was made for Argentina to promote the film noir The Lady from Shanghai, which starred Rita Hayworth and Orson Welles. There’s no official Argentine premiere date, but since the movie reached Mexico in April 1948 and Uruguay in July 1948, it’s a reasonable bet that it hit Argentina sometime during the summer of that year. Read a bit about the film here.

Famed director ends up with too many cooks in his kitchen.


The film noir The Lady from Shanghai, starring Hollywood icons Rita Hayworth and Orson Welles, and directed by Welles, premiered in 1947 but reached Australia today in 1948, with this stunning promo poster having been distributed Down Under to help attract audiences. This film had amazing promos in many countries, some of which we’ll show you later, and they all spelled Welles’ last name correctly, which this one didn’t. All the brilliant poster work around this movie is ironic, because Harry Cohn, who was the shot-caller at Columbia Pictures, hated it. He even shelved the flick for a year while he waited for what he deemed to be the best date to release it. When he finally did, what audiences saw was a radically altered version of Welles’ original edit.

What did Cohn specifically hate about the film? Foremost there was its length, which was 155 minutes, and which Cohn ordered condensed, with the final running time coming to a mere 88 minutes. He also felt Hayworth didn’t have enough close-ups, so he had those shot during extensive re-takes. Hayworth also didn’t have a song, which was standard for film noir leading ladies, so Cohn had a number added and had Hayworth’s voice dubbed. He hated the lighting, which he felt was a negative result of Welles choosing location work over controlled studio conditions. And he especially hated that Hayworth had agreed to chop off her auburn hair and dye it platinum. The list goes on but you get the point—clashing creative visions. Nothing new in Hollywood.

The Lady from Shanghai finds Welles playing a typical film noir schmo who falls in love with a femme fatale and is drawn into a murder plot. Other familiar film noir tropes include a trip to Mexico (not in the original novel by Sherwood King) and a tense court showdown. But what’s decidedly uncommon here is Welles’ visual mastery of the cinematic form. His abilities there have been exhaustively discussed and are in no way overrated, but visuals are only part of the filmic equation. There’s also narrative pace and story cohesion and emotional tone, and those are areas where the movie runs into a bit of trouble. Since Welles’ cut was so much longer (and presumably better) than what has ever been seen by the public, many of those problems were probably introduced by clumsy third parties.

But we can only judge what we see. Since all that missing footage is thought to have been destroyed, it takes a major leap of faith to see a masterpiece in what Welles himself thought was a diced up travesty of his original vision. We don’t understand how anyone can truly revere him, yet disregard his artistic opinion. But that’s exactly what some contemporary film writers do. We recently read a review that discussed how well the visuals and music work together, but Welles hated the score, which he had no control over and which lacked the subtlety he wanted it to have. We suggest that a critic is trying way too hard when they lavish praise upon a director for something he didn’t even do. Welles was a genius—agreement on that point is universal. But even geniuses are not so magical that their abilities can overcome the artistic myopia and careless scissors of studio heads.

The Lady from Shanghai received mixed reviews when released, and ultimately, those reviews strike us as fair. There’s plenty here worth seeing, particularly the ravishing Hayworth and nice location work in Acapulco and Sausalito, and of course Welles makes shots like Steph Curry makes 3s. But even so, the final result is good but not great. Not a failure, but not a top notch film noir. Calling The Lady from Shanghai one of the best of the genre is just unfair to the many, many great noirs that were made. Still, if you’re a noir fan you should see it. And we’re confident you’ll enjoy it like we did. On the other hand, if you’ve never watched a film noir and this happens to be first one you see, we can easily picture you giving a shrug and drifting away from the genre, never to return.

It’s good to be top of the heap.

Above, the iconic Rita Hayworth, star of such films as the incomparable Gilda, as well as The Lady from Shanghai, Cover Girl, and the musical You Were Never Lovelier, seen here looking comfy at the height of her fame in a photo made at her home, by her rather astonishing pool with its central island and palm tree, in 1945.

Femme Fatale Image

ABOUT

SEARCH PULP INTERNATIONAL

PULP INTL.
HISTORY REWIND

The headlines that mattered yesteryear.

1941—DiMaggio Hit Streak Reaches 56

New York Yankees outfielder Joe DiMaggio gets a hit in his fifty-sixth consecutive game. The streak would end the next game, against the Cleveland Indians, but the mark DiMaggio set still stands, and in fact has never been seriously threatened. It is generally thought to be one of the few truly unbreakable baseball records.

1939—Adams Completes Around-the-World Air Journey

American Clara Adams becomes the first woman passenger to complete an around the world air journey. Her voyage began and ended in New York City, with stops in Lisbon, Marseilles, Leipzig, Athens, Basra, Jodhpur, Rangoon, Bangkok, Hong Kong, Wake Island, Honolulu, and San Francisco.

1955—Nobel Prize Winners Unite Against Nukes

Eighteen Nobel laureates sign the Mainau Declaration against nuclear weapons, which reads in part: We think it is a delusion if governments believe that they can avoid war for a long time through the fear of [nuclear] weapons. Fear and tension have often engendered wars. Similarly it seems to us a delusion to believe that small conflicts could in the future always be decided by traditional weapons. In extreme danger no nation will deny itself the use of any weapon that scientific technology can produce.

1921—Sacco & Vanzetti Convicted

Nicola Sacco and Bartolomeo Vanzetti are convicted in Dedham, Massachusetts of killing their shoe company’s paymaster. Even at the time there are serious questions about their guilt, and whether they are being railroaded because of their Italian ethnicity and anarchist political beliefs.

1933—Eugenics Becomes Official German Policy

Adolf Hitler signs the Law for the Prevention of Hereditarily Diseased Offspring, and Germany begins sterilizing those they believe carry hereditary illnesses, and those they consider impure. By the end of WWII more than 400,000 are sterilized, including criminals, alcoholics, the mentally ill, Jews, and people of mixed German-African heritage.

1955—Ruth Ellis Executed

Former model Ruth Ellis is hanged at Holloway Prison in London for the murder of her lover, British race car driver David Blakely. She is the last woman executed in the United Kingdom.

1966—Richard Speck Rampage

Richard Speck breaks into a Chicago townhouse where he systematically rapes and kills eight student nurses. The only survivor hides under a bed the entire night.

Rafael DeSoto painted this excellent cover for David Hulburd's 1954 drug scare novel H Is for Heroin. We also have the original art without text.
Argentine publishers Malinca Debora reprinted numerous English language crime thrillers in Spanish. This example uses George Gross art borrowed from U.S. imprint Rainbow Books.
Uncredited cover art for Orrie Hitt's 1954 novel Tawny. Hitt was a master of sleazy literature and published more than one hundred fifty novels.
George Gross art for Joan Sherman’s, aka Peggy Gaddis Dern’s 1950 novel Suzy Needs a Man.

VINTAGE ADVERTISING

Things you'd love to buy but can't anymore

Vintage Ad Image

Around the web