JOY AND PAIN

It's all the same to the shogun.

Tokugawa onna keibatsu-shi was known in English as Shogun’s Joy of Torture. What you get is a film featuring three vignettes highlighting cruel methods of punishment used in Edo (later known as Tokyo) during the shogun era. In the first segment an indebted worker tries to keep his sister, who he’s in love with romantically, from paying his creditors with her body. When he fails, shame and jealousy drive him to suicide, a move that totally backfires when his sister is accused of his murder. In the second segment, a nun, an abbess, and a monk in are a love triangle that leads to jealousy, followed by consequences for everyone in the nunnery. And the third segment involves a famed tattoo artist whose pieces depict violence, and who goes to shocking extremes in order to complete a masterwork.

In all three instances the local shogun, who has a function similar to that of a circuit judge, shows up to mete out punishment, and various cruel methods of execution are on display (being torn in half by oxen occurs in a prologue sequence). So what you have here in the end is basically a bdsm fetish film cranked up to ten. It isn’t something we can recommend. We should note though, that the believability of the torture scenes relies more on good acting than gore, so the movie probably wouldn’t be considered unwatchably bloody by most people. Take that for what it’s worth, and we’ll mark another cult Japanese classic down as watched. Tokugawa onna keibatsu-shi premiered today in 1968.

We recommend that you keep your distance—from the movie.

Japanese posters for U.S. film productions are sometimes so good we forget that the movies might not be. Case in point: the above poster was painted by the famed Japanese artist Seito, who was behind promos for films like Star Wars and Flesh Gordon. He produced this for the horror movie Rattlers, which premiered in the U.S. today in 1976 and reached Japan on an indeterminate date sometime afterward. The Japanese title is to the point:恐怖 ! 蛇地獄 means “Horror! Snake Hell.” The movie is its own special hell. It’s about a bunch of rattlesnakes that run wild, and it’s sssssssssssssssso bad. University of California herpetologist Sam Chew figures out how to deal with the offending reptiles, with the help of intrepid reporter Elisabet Chauvet, but nobody figured out how to deal with a bad script, a weak director, and a zero-charisma lead. You can let this one slide.

Oshida makes her mark and it looks like a swastika.

Above is a bo-ekibari style poster for the pinky violence actioner FuryoÌ‚ banchoÌ‚: Ikkaku senkin, aka Wolves of the City: Fast Money. This piece is cousin to the standard sheet for the film we shared a couple of years ago. Just as when we showed you that one we haven’t located the movie yet, but we’ll keep working on it, if only to find out why star Reiko Oshida has a swastika on her back. We’re guessing she’s in a motorcycle gang, and it’s their emblem. FuryoÌ‚ banchoÌ‚: Ikkaku senkin premiered today in 1970. You can see the other poster here, and that entry also discusses briefly the swastika symbol in Japanese culture.

Three times the danger, three times the fun.

We talked about Reiko Ike’s 1974 pinky violence flick Kyôfu joshi kôkô: Animal dôkyôsei—known in English as Terrifying Girls High School: Animal Courage—a long while ago, but we wanted to highlight this rare promo in tateken format. You can see the original poster and learn a bit about the film here.


Oshida and her friends run riot in the capital.

We’re sticking with Japanese posters today. Here’s one for the 1970 pinky violence flick Zubekô banchô: yume wa yoru hiraku, aka Tokyo Bad Girls, aka Delinquent Girl Boss: Blossoming Night Dreams. We showed you two other promos for this film, which were the standard and always fun tateken sizes. This is a rare bo-ekibari. 

This flower is toxic—to thieves and killers.


We’ve been on a movie binge, so we have one to discuss for the third day in a row. Above is a poster for the 1968 action-drama Hibotan bakuto, aka Red Peony Gambler. It’s fair to call the film a classic. It was directed by the legendary Norifumi Suzuki, and starred Junko Fuji and Ken Takakura. Fuji plays a wandering gambler seeking retribution for her father, who was murdered by an unknown bandit. The killer left behind one clue—a distinctive cloth wallet that Fuji now carries with her. Ultimately she finds her father’s killer. No surprise there—that’s the entire point. But revenge, unsurprisingly, is more complicated than she’d imagined.

When a movie spawns multiple sequels it’s a safe bet it’s good, and this one had seven follow-ups. Hibotan bakuto has nearly everything you want from a sword opera. The choreographed action, while not fully convincing, is fun. The direction and cinematography are excellent. And Fuji crafts an interesting performance, staring unblinkingly into the middle distance, looking grim, exuding a compelling coolness and self-containment. Overall, we found the movie very worthwhile. We’ll check out at least one or two of the sequels and report back. Hibotan bakuto premiered in Japan today in 1968.
Zero to crazy in under ninety minutes.
We first shared a poster for the pinky violence movie Sukeban gerira, aka Girl Boss Guerrilla, years ago and said at that time we’d get around to talking about the movie. We subsequently shared a tateken style poster, but still didn’t get around to the film itself. Well, it’s finally later. Eleven years later, to be exact. We refreshed our memory with a new screening last night, and to accompany today’s thoughts we’re sharing a rare bo-ekibari style poster of this classic pinky violence actioner from Toei Company.

Miki Sugimoto and three friends, who comprise the small but spirited Red Helmet Motorcycle Gang, take a trip from Tokyo to Kyoto to see if they can hustle up some yen by whatever means they can manage—grifts, graft, blackmail, whatever. They make some cash but quickly run afoul of Ryôko Ema of the Kyogoku Group, head boss of all Kyoto’s girl gangs, which leads to a Ryôko-Miki showdown for control of the city. Our advice: never fight in flip-flops. But then again, we’re not as tough as Miki. She loses her flip flops, but wins the fight.

There’s always a set of bad men in the background of a pinky violence movie, and it turns out that though Kyoto’s girl gangsters are now under Miki’s hard won control, all operate under the umbrella of the Tsutsui Gang, who are basically the Kyoto branch of the yakuza. Miki has to give regular tribute to the boys, obey the rules, or pay the price. She’swilling to toe the line, but her situation is quickly complicated when she makes a new pal played by Reiko Ike, who’s disinclined to obey anybody, but particularly the local yakuza clan, one of whose higher ups is her big brother.

Along the way to settling this mess you get fights, captures, torture, and nudity. Comedy and romance are part of the equation too, as is a bit of social commentary (a Red Helmet girl picking up gonorrhea from a priest is particularly biting). In the end a final throwdown is inevitable but how it turns out is anyone’s guess. Nothing is guaranteed in a pinky violence movie—well, except violence.

Pinky violence movies can be fun, but the misses tend to be well wide of the mark, if not psychologically disturbing. Sukeban gerira is a nice example of the genre. It’s wild, but never quite to the extent that it makes you want to run from the room. An excellent moment comes just a few minutes in, when Sugimoto aggressively bares a tattooed breast at a set of macho assholes, causing them to physically recoil. That sums up the best pinky violence: a new brand of feminine power that overcame any opposition set against it. Sukeban gerira premiered today in 1972.
She's someone you really don't want to cross.

Above: two excellent posters for Onna shikaku manji, aka Mankiller, aka Eternal Killer Woman, which premiered today in 1969 starring Junko Miyazuno. You notice the swastika-looking graphic and the simlar tattoo on Junko’s thigh? It’s actually a symbol that predates Adolf and the Hitlerians, as we explained a while back at this post. We’ve had these posters for several years but had no luck finding the movie, so we finally gave up and decided to just upload the art. We think it’s worth sharing even without info about the film, and hopefully you think so too. 

We deal in human slaughter. But when the killing business is slow we also hire out to open Champagne bottles at parties.

We ran across this menacing promo image online showing the titular quintet of delinquent girl bosses from Delinquent Girl Boss: Worthless To Confess, originally titled Zubekô banchô: zange no neuchi mo nai, and which premiered in Japan today in 1971. Reiko Oshida is front and center, flanked by Yukie Kagawa, Mieko Tsudoi, Masumi Tachibana, and Yumiko Katayama. We’ve shared plenty of promo art from the film, and discussed what it’s about. You can see all that by clicking its keywords below. And if you get the urge to be trendy and open a Champagne bottle with a sword, try to do better than these people.

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HISTORY REWIND

The headlines that mattered yesteryear.

1966—LSD Declared Illegal in U.S.

LSD, which was originally synthesized by a Swiss doctor and was later secretly used by the CIA on military personnel, prostitutes, the mentally ill, and members of the general public in a project code named MKULTRA, is designated a controlled substance in the United States.

1945—Hollywood Black Friday

A six month strike by Hollywood set decorators becomes a riot at the gates of Warner Brothers Studios when strikers and replacement workers clash. The event helps bring about the passage of the Taft-Hartley Act, which, among other things, prohibits unions from contributing to political campaigns and requires union leaders to affirm they are not supporters of the Communist Party.

1957—Sputnik Circles Earth

The Soviet Union launches the satellite Sputnik I, which becomes the first artificial object to orbit the Earth. It orbits for two months and provides valuable information about the density of the upper atmosphere. It also panics the United States into a space race that eventually culminates in the U.S. moon landing.

1970—Janis Joplin Overdoses

American blues singer Janis Joplin is found dead on the floor of her motel room in Los Angeles. The cause of death is determined to be an overdose of heroin, possibly combined with the effects of alcohol.

1908—Pravda Founded

The newspaper Pravda is founded by Leon Trotsky, Adolph Joffe, Matvey Skobelev and other Russian exiles living in Vienna. The name means “truth” and the paper serves as an official organ of the Central Committee of the Communist Party between 1912 and 1991.

1957—Ferlinghetti Wins Obscenity Case

An obscenity trial brought against Lawrence Ferlinghetti, owner of the counterculture City Lights Bookstore in San Francisco, reaches its conclusion when Judge Clayton Horn rules that Allen Ginsberg’s poetry collection Howl is not obscene.

1995—Simpson Acquitted

After a long trial watched by millions of people worldwide, former football star O.J. Simpson is acquitted of the murders of ex-wife Nicole Brown Simpson and her friend Ronald Goldman. Simpson subsequently loses a civil suit and is ordered to pay millions in damages.

Classic science fiction from James Grazier with uncredited cover art.
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