CAN’T TALK, HANDS FULL

Actually, darling, the moment you left I starting having this tremendous stiffness in my lower body.

Another day, another ripe Midwood cover. The art on these are always like visual punchlines, which is why people love them so much. This particular effort is from Victor Olson, who painted covers for many men’s magazines, including Saga, Stag, Male and others. Laura Duchamp was a pen name used by author Sally Singer, one of the few sleaze writers who was actually female. She was also prolific as March Hastings. Goodbye, Darling appeared in 1964.

In pulp you're always on the wrong side of the tracks.


We’re train travelers. We love going places by that method. It’s one of the perks of living in Europe. Therefore we have another cover collection for you today, one we’ve had in mind for a while. Many pulp and genre novels prominently feature trains. Normal people see them as romantic, but authors see their sinister flipside. Secrets, seclusion, and an inability to escape can be what trains are about. Above and below we’ve put together a small sampling of covers along those lines. If we desired, we could create a similar collection of magazine train covers that easily would total more than a hundred scans. There were such publications as Railroad Stories, Railroad Man’s Magazine, Railroad, and all were published for years. But we’re interested, as usual, in book covers. Apart from those here, we’ve already posted other train covers at this link, this one, this one, and this one. Safe travels.

Focus on the job. Eyes forward. Carry and walk. Walk and— Shit! Visually stripped her again.


This cover for Paul Cain’s long neglected but rediscovered pulp classic Fast One fronts the 1952 edition of the book, the second printing, following up the 1948 first paperback edition we showed you a few years ago. This was painted by Victor Olson. The book is interesting, well worth a read, as we describe at this link

It's not short for Louanne. It's short for Louis. She went to one of those fancy clinics. And I gotta say they did a beautiful job.


This is an interesting nightclub style cover painted by Victor Olson for Donald Henderson Clarke’s A Lady Named Lou. It would be amazing if it were actually about an entertainer who began life as a male, like mid-century trailblazers Coccinelle, Abby Sinclair, or Roxanne Alegria (if you’ve followed Pulp Intl. for a while you know we’ve written about all three—links supplied). In any case, the book is actually about a woman named, not Louanne or Louis, but Lulu Finn, who tries to make it big but marries a racketeer and gets into heaps of trouble. The cover blurb makes reference to her specialty, and you may be wondering what that is. Lulu has that intangible quality that makes people believe she can dance brilliantly, though she can’t, and sing like a thrush, though she’s average at best, and converse like a great wit, though she’s not that bright. In short, Lulu is a woman who manages to fail upward, but—unlike in the hundreds of real world examples out there—only for a while before it falls apart. This was originally published in 1946 in hardback, with this Avon paperback coming in 1952. 

Is this where I get legal medicinal weed? Great. I need eighty kilos. For my glaucoma.


The Marijuana Mob, originally published as Figure It Out for Yourself, is another Orchid City caper from James Hadley Chase starring franchise tough guy Vic Malloy, his sidekick Kerman, and of course Paula Bensinger, his girl Friday—because you’re not a real detective until you have a sizzling hot office assistant who reluctantly plays the spinster while you romance femmes fatales. Malloy runs a fixer agency called Universal Services, and this time the gig is to help a society woman pay a kidnapping ransom. Secondarily, he also tries to extricate a gambler acquaintance from a frame for murder. Drug dealers do feature prominently in the plot, but there are also many other layers and players. This tale isn’t quite on the level of You’re Lonely When You’re Dead, in our opinion, but it’s colorful and surprising. 1952 copyright, with art by Victor Olson. 

I've always had a thing for drummers but this is a major step down since I banged Gene Krupa in his tour bus.


Above, a Victor Olson cover for Eric Arthur’s Invitation to Dishonor, 1952 from Eton Books. We probably should buy this while it’s still available. From the rear cover: Her apartment, filled with weird voodoo masks and drums, was the tip-off. She gloried in the movements of her near-naked body while I played drum-rhythms for her. You can’t go wrong with voodoo in mid-century literature. 

It's my ex, if you must know. I was in love, and lower back tattoos were trendy. But then the creep really hurt me.


Reliable old Midwood graces Robert Bruce’s sleaze drama The Face of Evil with a nice piece of Victor Olson art. Though it would be funny if the book were about a woman’s tattoo mistake, it actually concerns a rich widow named Marguerite who serially dominates and destroys men. Olson’s work on her hair, with its turquoise and violet streaks, requires a second glance to really appreciate. It’s copyright 1966 

Yes, I'd like to report a murder. A man murdered every last bit of my patience.


Above, a nice cover for Day Keene’s 1954 thriller Death House Doll, with excellent art credited to Bernard Barton, who’s aka Harry Barton (Bernard was his middle name). In the story, a Korean War vet has promised his fatally wounded brother he’d look after his wife and baby daughter, but when he gets back to the world (Chicago) he’s stunned to find that she’s sitting on death row for murder, and unwilling to spill the truth even if it saves her. The attraction with this one is watching a decorated war hero run riot on hoods and thieves, while up against the always effective ticking clock gimmick—an execution date, which in this case is five days hence. The book was an Ace Double with Thomas B. Dewey’s Mourning After on the flipside, and the art on that one, just above, is by Victor Olson. We put together a nice collection of Harry Barton’s work back in May that we recommend you visit at this link

A suitcase and a sense of adventure will take you anyplace you want to go (and some places you don't).

As noted in the above post, we’ve gotten a trip together for this summer, so we thought we’d inspire ourselves by collecting a set of paperback covers featuring characters with suitcases. Just about anything can happen once you leave the comfy confines of home and we’re hoping several of the scenes depicted here come true for us. See if you can guess which. Hint: not the one above—we already did that last year when we got caught in a monsoonal downpour that shut the airport on the day we were supposed to fly. No, we’re thinking we want something more like the below cover to happen. And actually, that’s a guarantee because the Pulp Intl. girlfriends are coming with us. Anyway, this group of covers serves as a companion set to our hitchhiker collection from last year. Art is by Robert McGinnis, Mitchell Hooks, George Gross, and others.

My husband is down the chimney right now, but when he gets back you’re definitely going on his naughty list.

Switcheroo is a detective yarn set in the unlikely locale of Louisville, Kentucky, but since author Emmett McDowell lived there most of his life, it’s no surprise. Nearly all his writing featured Kentucky in some form, and he even branched out into non-fiction and wrote a Civil War history of Louisville. Switcheroo was his first book, and originally appeared in 1954 as one half of an Ace Double, with Lawrence Treat’s Over the Edge on the flipside. The edition you see above is from the Australian imprint Phantom Books and was published in 1955. Basically, low rent detective Jaimie McRae is hired to locate a missing woman. All the usual benchmarks are there—unhelpful cops, a hot secretary and girl Friday, and unexpected developments. It earned lukewarm reviews all the way around. The uncredited art for Phantom closely resembles the original Victor Olson art for the Ace Double edition, which you see above and right, but we doubt Olson had a hand in the rooftop makeover. 
 
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HISTORY REWIND

The headlines that mattered yesteryear.

1967—Ché Executed in Bolivia

A day after being captured, Marxist revolutionary Ernesto “Che” Guevara is executed in Bolivia. In an attempt to make it appear as though he had been killed resisting Bolivian troops, the executioner shoots Guevara with a machine gun, wounding him nine times in the legs, arm, shoulder, throat, and chest.

1918—Sgt. York Becomes a Hero

During World War I, in the Argonne Forest in France, America Corporal Alvin C. York leads an attack on a German machine gun nest that kills 25 and captures 132. He is a corporal during the event, but is promoted to sergeant as a result. He also earns Medal of Honor from the U.S., the Croix de Guerre from the French Republic, and the Croce di Guerra from Italy and Montenegro. Stateside, he is celebrated as a hero, and Hollywood even makes a movie entitled Sergeant York, starring Gary Cooper.

1956—Larsen Pitches Perfect Game

The New York Yankees’ Don Larsen pitches a perfect game in the World Series against hated rivals the Brooklyn Dodgers. It is the only perfect game in World Series history, as well as the only no-hitter.

1959—Dark Side of Moon Revealed

The Soviet space probe Luna 3 transmits the first photographs of the far side of the moon. The photos generate great interest, and scientists are surprised to see mountainous terrain, very different from the near side, and only two seas, which the Soviets name Mare Moscovrae (Sea of Moscow) and Mare Desiderii (Sea of Desire).

1966—LSD Declared Illegal in U.S.

LSD, which was originally synthesized by a Swiss doctor and was later secretly used by the CIA on military personnel, prostitutes, the mentally ill, and members of the general public in a project code named MKULTRA, is designated a controlled substance in the United States.

Classic science fiction from James Grazier with uncredited cover art.
Hammond Innes volcano tale features Italian intrigue and Mitchell Hooks cover art.

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