Virna Lisi made every photo amazing just by being in them, which is probably why Esquire magazine conceived this gender blurring idea in 1966 as a humorous commentary on her legendary beauty. Even with her face half covered Lisi still looks as good as ever. We doubt even a beard would have made much of a difference. We’ve included the magazine cover, as you see, and the photo is slightly different (if you can spot how, thumbs up for you). The issue is considered collectible today, and the image has even made it onto t-shirts. We’ve featured Lisi multiple times, including here, here, here, and here. All the shots are excellent.
Diana Dors smacks Patrick Allen blurry in 1957’s The Long Haul.
Mob boss George Raft menaces Anne Francis in a promo image made for 1954’s Rogue Cop.
Bud Abbott gets aggressive with Lou Costello in 1945’s Here Come the Co-Eds.
Jo Morrow takes one from black hat Jack Hogan in 1959’s The Legend of Tom Dooley.
Chris Robinson and Anita Sands get a couple of things straight about who’s on the yearbook committee in Diary of High School Bride.
Paul Newman and Ann Blyth agree to disagree in 1957’s The Helen Morgan Story.
Verna Lisi shows Umberto Orsini who gives the orders in the 1967 film La ragazza e il generale, aka The Girl and the General.
What the fuck did you just call me? Marki Bey slaps Betty Anne Rees loopy in the 1974 horror flick 
Claudia Cardinale slaps (or maybe punches—we can’t 
Audrey Totter reels under the attentions of Richard Basehart in 1949 
Anne Baxter tries to no avail to avoid a slap from heel Steve Cochran in 1954’s 
Though Alan Ladd was a little guy who Gail Russell probably could have roughed up if she wanted, the script called for him to slap her, and he obeyed in the 1946 adventure 
Peter Alexander guards his right cheek, therefore Hannelore Auer crosses him up and attacks his left in 1964’s Schwejk’s Flegeljahre, aka Schweik’s Years of Indiscretion.
Elizabeth Ashley gives Roddy McDowall a facial in in 1965’s The Third Day.
Tony Anthony slaps Lucretia Love in 1972’s 
AndreÌ Oumansky goes backhand on Lola Albright in 1964’s 
Frank Ferguson catches one from Barbara Bel Geddes in the 1949 drama Caught.
This looks like a real slap, so you have to credit the actresses for their commitment. It’s from 1961’s Raisin in the Sun and shows Claudia McNeil rearranging the face of Diana Sands.
Gloria Grahame finds herself cornered by Broderick Crawford in 1954’s 
Bette Davis, an experienced slapper and slappee, gets a little assistance from an unidentified third party as she goes Old West on Amanda Blake in a 1966 episode of Gunsmoke called “The Jailer.”
There are a few slaps in 1939’s Gone with the Wind, so we had our pick. We went with Vivien Leigh and Leslie Howard.
Virginia Field takes one on the chin from Marshall Thompson in 
Clint Eastwood absorbs a right cross from nun Shirley MacLaine in 1970’s Two Mules for Sister Sara.
Another of the movies we watched recently was Bluebeard, a castle and dungeon-style, quasi gothic horror flick about a folk tale character who murders a series of wives. Its Spanish poster was the best of those we saw, and we chose today to share it because the film premiered in Spain today in 1974, after opening in the U.S. two years earlier.
a certain point we suppose money papers over all flaws. Rich or not, though, never marry a guy who sits around with a raptor on his shoulder. And speaking of hunting, we should warn the kind-hearted that there’s an extended hunting sequence in Bluebeard, and the animals are killed for real, in detailed action. We’re talking several rabbits, a number of birds in flight, a couple of foxes, a boar, and a deer.
