EXTREME HEAT

Is there really such a thing as too much?

Elke Sommer front and center on a vintage poster claiming she’s “almost too hot”? Sign us up. Sweet Ecstasy was originally made in France as Douce Violence—“sweet violence”—and fits loosely into a cycle of films characterized as nouvelle vague, or the French new wave. Director Max Pécas, however wasn’t a new wave director. He was better known for his work at the forefront of the cinéma Z style, also known as the nanar sub-genre, films loosely equivalent, we gather, to eroticized b-movies, meaning sex and stupidity. Pécas is also remembered for a trilogy of 1970s Saint-Tropez erotic comedies. But for Douce Violence he’s an art director, trying to make a significant statement in the same broad category as La dolce vita or À bout de souffle, aka Breathless.

To that end, what you get here is a group of idle twenty-somethings for whom entitled boredom is the order of the day, as they rip around the French Riviera near and within Cannes, seeking thrills and not caring about the future. When Olivier (Christian Pezey) finds himself drawn into this clan of troublemakers living on their parents’ money, their leader Maddy (Pierre Brice) enlists his own girlfriend to be the soft edge of the wedge in a scheme to corrupt the newcomer. It’s for Olivier’s own good, you see, because he’s too bourgeois.

The girlfriend is Sommer, playing a character also named Elke, and she’s in vamp mode here, which means cat-eyed make-up and cumulonimbus hair, as she taunts and teases poor Olivier in her efforts to make him into a fellow disaffected youth. Is she too hot? No. Elke is always just hot enough. She and her pals go water-skiing (really Elke in some of the shots), swimming, boating, driving, and most of all, partying. They question convention, conformity, society, mortality, and all the rest. Like other movies of this type, there isn’t much plot. Also as in similar films, an event galvanizes and changes the group—or seems as though it might.

The main attraction in the film is Elke, and she delivers what early ’60s audiences wanted—an envelope pushing performance amidst a growing wave of censorship-destroying movies. Like Bardot and others, Sommer shows a lot of skin, and almost—almost—goes topless. Though it’s supposed to be gauche to say so about a woman these days (but we don’t care, because sex is why we’re all here, and it’s ultimately all that matters, despite modern attempts to obfuscate it, hide it, police it, and shame it), Elke’s very stimulating. And she doesn’t even look her best here, due to the crazy make-up and hair.

As a final note, we suspect the movie was censored in the U.S. to remove some revealing bikini scenes, some shots of Elke’s asscrack, a bare breast caress by a male character, and (probably) some or all of a sweaty, open-shirted dance by a black character. The poster certainly was censored—no doubt about that. The word “ecstasy” was placed to cover the word “violence.” You can just see it if you squint. So the movie’s title was set to be literally translated, but that was deemed too much for Americans—or at least some Americans (southerners, we suppose). Douce Violence opened in France and Belgium in early 1962, and reached the U.S. today the same year.

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HISTORY REWIND

The headlines that mattered yesteryear.

1944—Velez Commits Suicide

Mexican actress Lupe Velez, who was considered one of the great beauties of her day, commits suicide by taking an overdose of sleeping pills. In her note, Velez says she did it to avoid bringing shame on her unborn child by giving birth to him out of wedlock, but many Hollywood historians believe bipolar disorder was the actual cause. The event inspired a 1965 Andy Warhol film entitled Lupe.

1958—Gordo the Monkey Lost After Space Flight

After a fifteen minute flight into space on a Jupiter AM-13 rocket, a monkey named Gordo splashes down in the South Pacific but is lost after his capsule sinks. The incident sparks angry protests from the American Society for Prevention of Cruelty to Animals, but NASA says animals are needed for such tests.

1968—Tallulah Bankhead Dies

American actress, talk show host, and party girl Tallulah Bankhead, who was fond of turning cartwheels in a dress without underwear and once made an entrance to a party without a stitch of clothing on, dies in St. Luke’s Hospital in New York City of double pneumonia complicated by emphysema.

1962—Canada Has Last Execution

The last executions in Canada occur when Arthur Lucas and Ronald Turpin, both of whom are Americans who had been extradited north after committing separate murders in Canada, are hanged at Don Jail in Toronto. When Turpin is told that he and Lucas will probably be the last people hanged in Canada, he replies, “Some consolation.”

1964—Guevara Speaks at U.N.

Ernesto “Che” Guevara, representing the nation of Cuba, speaks at the 19th General Assembly of the United Nations in New York City. His speech calls for wholesale changes in policies between rich nations and poor ones, as well as five demands of the United States, none of which are met.

2008—Legendary Pin-Up Bettie Page Dies

After suffering a heart attack several days before, erotic model Bettie Page, who in the 1950s became known as the Queen of Pin-ups, dies when she is removed from life support machinery. Thanks to the unique style she displayed in thousands of photos and film loops, Page is considered one of the most influential beauties who ever lived.

1935—Downtown Athletic Club Awards First Trophy

The Downtown Athletic Club in New York City awards its first trophy for athletic achievement to University of Chicago halfback Jay Berwanger. The prize is later renamed the Heisman Trophy, and becomes the most prestigious award in college athletics.

Barye Phillips cover art for Street of No Return by David Goodis.
Assorted paperback covers featuring hot rods and race cars.

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