Pulp International

vintage and modern pulp fiction; noir, schlock and exploitation films; scandals, swindles and news

LIFE IS A CIRCUS

It's no hallucination—that's Marilyn Monroe on a pink elephant.

This colorized shot that’s made the rounds online shows Marilyn Monroe yesterday in 1955 riding a pink elephant at a Ringling Bros. and Barnum & Bailey Circus charity event at Madison Square Garden. It was a season opening show before the circus went on its national tour, and was a benefit for the Arthritis and Rheumatism Foundation. While the expression “seeing pink elephants” has a gone out of vogue, back then it was a euphemism for alcoholic hallucinations or delirium tremens. These days, most would wonder if DTs were the reason people thought of painting an entire elephant, but it was a different time in terms of animal rights. There are many photos from this event made by photographers ranging from Arthur Fellig to Erika Stone. We have a few below, and they all show Monroe doing what she did better than anyone—looking like she’s having a ball.

New York City, Ringling Brothers and Barnum & Bailey Circus, Marilyn Monroe, Arthur Fellig, Weegee, Erika Stone

URBAN DECAY

Hey, buddy! You can't be dead here. We have a zero-tolerance policy toward lifelessness in this city.

This image shows the body of New York City gangster David Beadle, aka the Beetle, outside the Spot tavern in Manhattan, where he was gunned down by men who emerged from a passing taxi. Beadle took at least a few bullets in the head and died instantly. As gangsters go he wasn’t very high in the rackets, but his fame surpassed his stature posthumously because Arthur Fellig, aka Weegee, photographed his corpse. Another shot appears below, and you can see how back then the integrity of crime scenes was a malleable concept. Changes between the shots include the sheet, the position of Beadle’s hands, and the arrangement of debris in the gutter.

And in fact, the top shot shows Weegee himself, seeming to make an adjustment to the corpse, possibly to make for a more pleasingly composed shot. The first photo, therefore, was made by an unknown, though it’s often credited to Weegee. He made the second shot himself. Most of his archive, including these, reside at NYC’s International Center of Photography, to which Weegee’s longtime companion and caretaker Wilma Wilcox donated 16,000 photos and 7,000 negatives, as well as transferring all copyrights, in 1993. You can see many of them at the Center’s website here.

New York City, International Center of Photography, David Beadle, Weegee, Arthur Fellig, Wilma Wilcox, murder

DOMINICK DONE

Gangster life has great benefits but the retirement plan leaves a lot to be desired.

It seems like the same lesson is imparted by nearly every vintage Mafia photo we run across—ambition is a double-edged sword. Dominick Didato, aka Terry Burns, who you see above in a photo made by Arthur Fellig, aka Weegee, lies dead on a New York City street where he was gunned down today in 1936. He was killed for interfering with rackets run by Lucky Luciano. It was a low percentage play. Luciano was literally the most powerful mobster in the U.S. at the time, and as the saying goes, you come at the king, you best not miss.

New York City, Dominick Didato, Terry Burns, Arthur Fellig, Lucky Luciano, Weegee, mafia, murder

JUST A LITTLE MURDER

It's not a party until someone gets their brains blown out.


The above photo shows the murder scene of a mid-level gangster named Joseph “Little Joe” La Cava, and occurred in New York City on Mulberry Street at the Feast of San Gennaro today in 1939. We’ll go out on a limb and say the festive atmosphere took a fatal hit too. Luckily, the celebration usually went for a week, so we suppose it was salvaged. La Cava was gunned down along with Rocco “Chickee” Fagio, who you see below. These images were made by Arthur Fellig, aka Weegee, and are especially well known because the ever clever lensman angled himself to get a photo of Fagio ironically sprawled beneath a scungilli restaurant sign that says O Sole Mio!—which means “my sun,” after the famous Neapolitan song. He used the same trick when shooting other murders, because hey, if it works, just roll with it. Also interesting, cops being cops, the flatfoot closest to La Cava looks incongruously jocular as he chats with a higher-up. If this wasn’t the most unforgettable Feast of San Gennaro in Little Italy’s history it had to be close.
New York City, Joseph Little, Joe La Cava, Rocco Fagio, Arthur Fellig, Weegee, murder, mafia

ROUND ROBBIN’

Gangsters try to steal Robert Ryan's boxing future.

In film noir there are procedural cop movies. The Set-Up is a procedural boxing movie. It tries to take viewers behind the scenes of the violence, bloodlust, and money to focus on the nuts and bolts of the fight game. Starring Robert Ryan as an aging heavyweight and Audrey Totter as his fretful girlfriend, most of the first half of the film takes place in a claustrophobic locker room as boxer after boxer goes out for subsequent bouts of a six card program like gladiators in Rome’s Coliseum. Ryan is the main event, and when his name is called the action shifts to the ring for his fight, which is shown in something close to real time.

Ryan is hoping a win over an up and coming young fighter will earn him one last shot at fortune and glory, but he has no idea the fix is in. Somebody should have told him, because if he wins the bout he’ll be in heaps of trouble. This is a good flick. It was helmed by Robert Wise, has some fantastic directorial extravagances, and looks spectacular in general, like the gritty documentary photos of Arthur Weegee Fellig, which is no small feat for a film shot entirely on an RKO backlot (Weegee, incidentally, has a cameo as a timekeeper). In the realm of boxing movies The Set-Up stands toe to toe with most. It premiered in the U.S. today in 1949. 

RKO Radio Pictures, The Set-Up, Robert Ryan, Audrey Totter, Robert Wise, Weegee, Arthur Fellig, poster art, cinema, boxing, film noir, movie review
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HISTORY REWIND

The headlines that mattered yesteryear.

1971—Corona Sent to Prison

Mexican-born serial killer Juan Vallejo Corona is convicted of the murders of 25 itinerant laborers. He had stabbed each of them, chopped a cross in the backs of their heads with a machete, and buried them in shallow graves in fruit orchards in Sutter County, California. At the time the crimes were the worst mass murders in U.S. history.

1960—To Kill a Mockingbird Appears

Harper Lee’s racially charged novel To Kill a Mockingbird is published by J.B. Lippincott & Co. The book is hailed as a classic, becomes an international bestseller, and spawns a movie starring Gregory Peck, but is the only novel Lee would ever publish.

1962—Nuke Test on Xmas Island

As part of the nuclear tests codenamed Operation Dominic, the United States detonates a one megaton bomb on Australian controlled Christmas Island, in the Indian Ocean. The island was a location for a series of American and British nuclear tests, and years later lawsuits claiming radiation damage to military personnel were filed, but none were settled in favor in the soldiers.

1940—The Battle of Britain Begins

The German Air Force, aka the Luftwaffe, attacks shipping convoys off the coast of England, touching off what Prime Minister Winston Churchill describes as The Battle of Britain.

1948—Paige Takes Mound in the Majors

Satchel Paige, considered at the time the greatest of Negro League pitchers, makes his Major League debut for the Cleveland Indians at the age of 42. His career in the majors is short because of his age, but even so, as time passes, he is recognized by baseball experts as one of the great pitchers of all time.

  • FEATUREd PULP

DON’T RIDE THE WHITE HORSE

Rafael DeSoto painted this excellent cover for David Hulburd's 1954 drug scare novel H Is for Heroin. We also have the original art without text.

BARN GIRLS

Two Spanish language digest novels from Argentine publishers Malinca Debora and Malinca Nueva Pandora.
Argentine publishers Malinca Debora reprinted numerous English language crime thrillers in Spanish. This example uses George Gross art borrowed from U.S. imprint Rainbow Books.

LOVES OF A BLONDE

Uncredited cover art for Orrie Hitt's 1954 novel Tawny. Hitt was a master of sleazy literature and published more than one hundred fifty novels.

INSATIABLE APPETITE

George Gross art for Joan Sherman’s, aka Peggy Gaddis Dern’s 1950 novel Suzy Needs a Man.

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