CARTOONISHLY BEAUTIFUL

Just the sight of her makes people feel more animated.

The immortal Pam Grier, star of seminal ’70s action cinema, ’80s cinema and television, and an underrated ’90s Quentin Tarantino crime movie, watches a portable television in this semi-nude promo image made in 1971. We have another shot from this session and we can see what she’s watching. It’s The Flintstones. Which makes sense—sometimes Grier seems like she must have come out of an animator’s imagination like Jessica Rabbit. At this point she’d appeared on the big screen in Beyond the Valley of the Dolls, The Big Doll House, and, depending on what time of year this was shot, maybe Women in Cages. She’d soon graduate to starring roles and become the brightest light in blaxploitation cinema.

The only rehabilitation going on here is by the poster artist.

Above you see a striking color poster for the Roger Corman produced women-in-prison flick Women in Cages, one of the many sexploitation epics filmed in the Philippines during the 1970s. For an entertaining ninety minutes on that subject, by the way, you should watch the documentary Machete Maidens Unleashed. It’s the final word on the chaos of Philippine movie production and covers everything from Savage! to Apocalypse NowWomen in Cages is one of the earlier Philippine women-in-prison flicks, coming after The Big Doll House.

Despite the fact that the poster is signed R. Engel and dated ’72, it’s actually a piece of modern pulp made within the last several years. The person behind it is German artist Rainer Engel, who put it together borrowing the DVD box cover art from Subkultur-Entertainment’s 2013 re-issue of the movie, which in Germany was called Frauen hinter Zuchthausmauern. We ran across the re-styled poster on the artist’s website, decided his mock-up beats the hell out of the 1971 original art, and thought it was worth sharing.

When we wrote about the film a while ago we said we thought it was a bit much. Specifically, it’s relentlessly grim. Of the trilogy that includes The Big Doll House and The Big Bird Cage this middle entry is the one that forgot the first rule of the 1970s women-in-prison genre—the movie should be absurd and fun. When it isn’t—i.e. when it shades into depressing realism—you come away wondering if there’s something wrong with you for having watched it in the first place. You can read our post on the film here, and you can visit the artist’s website here.

Women on the verge of a nervous breakout.

When Pam Grier goes bad, she goes all the way bad. In the Roger Corman produced Women in Cages, she’s the head matron of a hellhole prison somewhere in the Philippines and spends the movie permanently covered in a sheen of sweat as she sneeringly tortures her beautiful female convicts. The girls endure every manner of humiliation—the rack, rats, snakes, the hole, leeches, electric shocks, and some really harsh words. Oh, and the whole prison is basically a racket to sell the women into sexual slavery, so there’s that problem too.

After enough of this treatment the jailbirds finally decide it’s time to escape into the jungle, but unforeseen circumstances result in them taking Grier hostage, leading directly to her death via gang rape and strangulation. The audience is supposed to feel she’s gotten what she deserved, but all we felt was our lunch coming up. Such are the vicissitudes of ’70s b-cinema.

Women in prison movies are misogynist by definition, but there is still a line somewhere and, though it’s difficult to know exactly where it is, it isn’t difficult to know when it’s been crossed. Anyway, once Grier has been disturbingly dispatched, the escape takes a few more turns which we won’t give away. We’ll just sum up by voting thumbs down on this one, and footnote by adding that we’re glad Pam went on kill so many men in her later movies. Women in Cages premiered in the U.S. today in 1971.

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HISTORY REWIND

The headlines that mattered yesteryear.

1937—H.P. Lovecraft Dies

American sci-fi/horror author Howard Phillips Lovecraft dies of intestinal cancer in Providence, Rhode Island at age 46. Lovecraft died nearly destitute, but would become the most influential horror writer of all time. His imaginary universe of malign gods and degenerate cults was influenced by his explicitly racist views, but his detailed and procedural style of writing, which usually pitted men of science or academia against indescribable monsters, remains as effective today as ever.

2011—Illustrator Michel Gourdon Dies

French pulp artist Michel Gourdon, who was the less famous brother of Alain Gourdon, aka Aslan, dies in Coudray, France aged eighty-five. He is known mainly for the covers he painted for the imprint Flueve Noir, but worked for many companies and produced nearly 3,500 book fronts during his career.

1964—Ruby Found Guilty of Murder

In the U.S. a Dallas jury finds nightclub owner and organized crime fringe-dweller Jack Ruby guilty of the murder of Lee Harvey Oswald. Ruby had shot Oswald with a handgun at Dallas Police Headquarters in full view of multiple witnesses and photographers. Allegations that he committed the crime to prevent Oswald from exposing a conspiracy in the assassination of President John F. Kennedy have never been proven.

1925—Scopes Monkey Trial Ends

In Tennessee, the case of Scopes vs. the State of Tennessee, involving the prosecution of a school teacher for instructing his students in evolution, ends with a conviction of the teacher and establishment of a new law definitively prohibiting the teaching of evolution. The opposing lawyers in the case, Clarence Darrow and William Jennings Bryan, both earn lasting fame for their participation in what was a contentious and sensational trial.

1933—Roosevelt Addresses Nation

Franklin D. Roosevelt uses the medium of radio to address the people of the United States for the first time as President, in a tradition that would become known as his “fireside chats”. These chats were enormously successful from a participation standpoint, with multi-millions tuning in to listen. In total Roosevelt would make thirty broadcasts over the course of eleven years.

This idyllic scene for Folco Romano’s 1958 novel Quand la chair s’éveille was painted by Alain Gourdon, aka Aslan. You'd never suspect a book with a cover this pretty was banned in France, but it was.
Hillman Publications produced unusually successful photo art for this cover of 42 Days for Murder by Roger Torrey.
Cover art by French illustrator James Hodges for Hans J. Nording's 1963 novel Poupée de chair.

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