A TRIP TO AFRICKA

Yugo wherever you can to find good art.


Something unusual we ran across recently. Above you see a Yugoslavian poster for Afrička veza, an Italian film originally made in 1973 as Contratto carnale, released in English as The African Deal, and shot in Ghana. The poster is unusual because, though its text is Croatian, the actual art very much echoes vintage Ghanaian movie posters, such as here and here. We’ve never seen a Yugoslavian poster in this style. Our opinion is that because the movie was made in Ghana and was certainly released there at some point, the art was painted for a Ghanaian poster then borrowed by the Yugoslavian distributors Inex Film. We talked about Contratto carnale a few years back. It starred George Hilton, Calvin Lockhart, beautiful Anita Strindberg, and yummy Yanti Somer, was originally released in 1973, and premiered in Yugoslavia sometime in 1976.

We Ghana get outta this place if it's the last thing we ever do.

We’ve had some entertaining hours watching various whites-go-to-the-jungle movies, so when we stumbled across this poster for Contratto Carnale, aka The African Deal, we took the plunge once more. This one stars American stud Calvin Lockhart, Swedish beauty Anita Strindberg, and Finnish sweetie Yanti Somer in a story involving an interracial affair in Ghana that takes place against the backdrop of international corporate intrigue. Generally, white women in these movies are given extraordinary motivations for crossing the line. Love? Not a chance. Just wanna have fun? Never. Usually voodoo has something to do with it, or some other free-will sapping outside influence. It’s condescending of course, but you know that going in. In this case Somer goes black because she’s basically a corporate prostitute, paid to screw guys for the advantage of her employers.

We were expecting a sexploitation movie, and Contratto Carnale indeed fits the brief, but it also has a serious side, with narrative forays into slave history and scenes shot in Accra’s infamous slaver’s fortification, the Swedish-built Cape Coast Castle, which today is a museum and UNESCO World Heritage Site. The symbolism is useful, because the movie soon shows how corruption and greed make life difficult for those

in Accra who would operate by a better set of rules. But the central character played by Lockhart just may be pure enough not to be destroyed by the slimy corporate enemies arrayed against him. As for his relationship with Somer, if you’re expecting consequence free interracial boning in a 1970s movie you’re dreaming. You rarely get that even today. Something bad will happen—it’s just a question of exactly what.

But even with the considerable story depth injected into Contratto Carnale, the main attraction is female skin, with Strindberg indulging in a totally nude nap and Somer getting her kit off at several junctures, including at the aforementioned slave castle. This is actually really shocking, all things considered, but you’ll be too blinded by her hotness to contemplate that. It’s a shame there are so few decent promo images of her, but that’s how it was with low budget 1970s movies. Strindberg, at least, posed for a few magazines, and those photos, including the promos below from the film, show what a great beauty she is. There’s other beauty in Contratto Carnale too, such as exteriors shot around the Ghanaian coast and in some outlying villages. Also nice is the soundtrack, which is interspersed with a couple of classic West African tunes. Add it all together and you have a decent-not-great flick. Contratto Carnale premiered in Italy today in 1973.

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HISTORY REWIND

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