|Femmes Fatales||Oct 21 2020|
Or she did until she went into the Bermuda Triangle.
Above is a sultry shot of Julie Woodson, a U.S. born model and actress whose modeling work consisted of fashion and an April 1973 Playboy centerfold, and whose acting career consisted of only one credited role—1978's giant monster flick The Bermuda Depths. Basically, in the Bermuda Triangle, where legend claimed boats disappeared, a giant turtle is discovered to be the culprit. Woodson was pretty bad in the movie, though no worse than anyone else in the cast, in our opinion. But in the end, her film career disappeared into the Bermuda Triangle too, because it was her first and only shot at movie stardom. Well, at least she can have more than one shot on Pulp Intl. See below.
|Femmes Fatales||Oct 14 2020|
I'd like a medium pizza, thin crust, with mice, birds, and extra cheese.
Julie Newmar has some catnip, comes down with a case of the munchies, and uses her special cat phone to get some food delivered to the crib in this trippy promo shot from the television series Batman. She played the iconic villainess known as the Catwoman, guest starring on the show in 1966 and ’67.
|Femmes Fatales||Oct 9 2020|
I don't mean to smile, but it's just really fun being so much hotter than everyone else.
They say it takes a confident woman to wear a red dress. Tunisian born Italian actress Claudia Cardinale, with her giant smile, may even be overconfident. This shot is from the Japanese cinema and pop culture magazine Roadshow. We don't have a date on it, but figure around 1968, when Cardinale was at the height of her fame.
|Femmes Fatales||Oct 4 2020|
For me, at least, this thing brings to mind making love, not war.
Barbara Bach has had three distinct periods of fame. The first was as an actress in numerous Italian movies during the late 1960s and the entire decade of the 1970s. Her second stage came when she starred as Anya Amasova in 1981's James Bond adventure The Spy Who Loved Me. This was the third Bond outing for Roger Moore, and the last before he stopped taking the role seriously and began smirking and mugging his way through the role. Not that we disliked it. The smirky Moore was fun. Bach became globally recognized in that film, as all Bond girls do. Her third stage of fame was as the wife of one of the most recognized men in the world—Ringo Starr of the Beatles. Mixed into all of that were a few American movies, and one of them was a 1980 comedy called Up the Academy, from which the above promo photo came. The movie arrived on the heels of a string of successful comedies like Animal House that slayed at the box office, but Up the Academy bombed with critics and ticket buyers. We absolve Bach of any blame, though. We haven't seen Up the Academy, but we have zero doubt she was one of the best things in it.
|Femmes Fatales||Sep 29 2020|
She's very angry with all of you.
Though we're a vintage art site, we sometimes look forward all the way into the 1980s for material, so today we have a brilliant photo and zoom of Japanese actress Mami Fujimura looking like trouble incarnate. Fujimura starred in several pinku movies in 1985 and 1986, notably the Nikikatsu roman porno Hana to hebi: Jigoku-hen, aka Flower and Rope: Sketch of Hell, and OL yûkaihan – Hagu!, which was part of the popular Office Lady series. Despite her short career, she's well remembered by Japanophiles thanks to her work in other areas. As we've noted before, Japanese actresses were relentlessly cross-marketed, and photo books were a go-to medium to raise a performer's profile. Fujimura starred in a photo book called Jōnetsu Airando, or “Passion Island,” but subtitled in English Sexual Message. It came from the publishers Shishobo in 1985, and we consider it one of the better examples of the photo book phenomenon. It's where the above image came from, and numerous others are noteworthy. To prove that, we've included the cover and a few interior pages below. No further words are needed.
JapanNikkatsuHana to hebi: Jigoku-henFlower and Rope: Sketch of HellOL yûkaihan – Hagu!Mami Fjuimura藤村マミpinkuroman pornonudity
|Femmes Fatales||Sep 26 2020|
And possibly Arne Jacobsen's greatest feat.
It's never a bad time for Raquel Welch. Here you see her nestled into an egg chair, circa 1970, proving that she's special work from the bottoms of her feet to the crown of her head. These chairs, by the way, were designed by Arne Jacobsen in 1958 for the SAS Royal Copenhagen Hotel in Denmark. He designed the building, its furniture, its fittings and fixtures, its souvenirs, and even its airport shuttle. But it was not within even his considerable powers to design Welch.
The shot makes us realize we've posted images of other famous women in iconic chairs, for example, Catherine Deneuve in an inflatable Quasar Khanh chair in 1969, Sylvia Kristel and Mia Nygren in wicker peacock chairs, and a gloriously nude Pam Grier in a Le Corbusier lounge in 1974. Well, we can add Welch to the chair list. Maybe even top of the list.
|Femmes Fatales||Sep 20 2020|
Now would be a good time for Tiffin to act her age.
You would think U.S. born actress Pamela Tiffin would be too old for dolls at this point in her life, but here she is hanging onto one for dear life at age twenty-seven in this promo photo from 1969. The session was originally staged for Playboy, and this image is a clean version of one that had a seam across it in the magazine. We think Tiffin should ditch the doll. It would be better for her. And us. But it's an amazing shot anyway, with the dark green grass and the curly, golden locks, possibly extensions or a wig. Tiffin popped up in some American films, but really made her mark in Italy, where she landed leading roles in films such as Amore mio, uccidimi!, aka Kill Me, My Love!, and Il vichingo venuto dal sud, aka The Blonde in the Blue Movie, aka No One Will Notice You're Naked. This is her third appearance on Pulp as a femme fatale due to the fact that she made unusually interesting photos. See two more examples here and here. She also appears at the bottom of this page.
ItalyPlayboyAmore miouccidimi!Kill MeMy Love!Il vichingo venuto dal sudThe Blonde in the Blue MovieNo One Will Notice You're NakedPamela Tiffin
|Femmes Fatales||Sep 14 2020|
Don't let her name fool you—she wreaks Havoc all year round.
Above, a very nice promo photo of Vancouver born actress June Havoc from her 1949 drama The Story of Molly X. Also among her long list of films were Gentleman's Agreement, Once a Thief, Lady Possessed, and The Iron Curtain. Though her real name obviously wasn't Havoc, it was close—she was originally Ellen June Hovick. Molly X looks interesting, so we'll see if we can track that down and report back.
CanadaVancouverThe Story of Molly XGentleman's AgreementOnce a ThiefLady PossessedThe Iron CurtainJune Havoc
|Femmes Fatales||Sep 3 2020|
She barely stomached Hollywood.
Adele Jergens, who appeared in I Love Trouble, The Corpse Came C.O.D., The Dark Path, and numerous other films, got her start in show business, like so many actresses of her era, when she won the a beauty contest—Miss World's Fairest, at the 1939 New York World's Fair. Later, as one of the famed Rockettes dancing troupe, she was named the number one showgirl in New York City. This led to her serving as understudy to burlesque dancer Gypsy Rose Lee in the Broadway production Star and Garter, and from there Jergens never looked back. That's probably why she forgot half of her sweater. This fun image of her with bare midriff was made in Los Angeles in 1946, by the pool at the famed Town House Hotel, a locale we've talked about more than once. Find out why by clicking its keywords below and scrolling through those posts, and you can do the same with Jergens if you want to see what else we've posted about her.
New York CityLos AngelesBroadwayTown House HotelStar and GarterI Love TroubleThe Corpse Came C.O.D.The Dark PathAdele JergensGypsy Rose Leeburlesque
|Femmes Fatales||Aug 29 2020|
Suddenly petroleum products don't seem so bad.
Above, a beautiful photo of model Inga Vasa, who was touted as a soon-to-be-star for a hot minute back during the late 1960s. This shot was made by photographer Rico May, and came from a 1968 issue of the Dutch magazine De Lach. Was Vasa Dutch? We can't say. More likely Swedish. But she's so obscure we can't be sure either way. Nice shot, though.