Modern Pulp Jun 22 2020
AULLIDO VISUAL PRESENTATION
Today our seminar for giant monsters will cover how to get human heads unstuck from your mouth.


How can you not love this? This startling poster that looks like someone has bitten off more than they can chew was made for Aullidos, a movie better known as The Howling. It was painted by Macario Gomez Quibus, an artist who also crafted promos for the horror movies The Fog and Murder Mansion, among others. After opening in the U.S. in 1981, Aullidos premiered in Spain today in 1982. Have you seen it? No? You might need to. Read about it here.

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Modern Pulp Jun 14 2020
YOU ARE WHAT YOU'RE EATEN BY
Obscure ’80s horror flick turns the idea of consumerism on its head.


Above you see a poster for Larry Cohen's The Stuff, an interesting piece of modern pulp cinema that premiered in the U.S. today in 1985. It's obviously a horror movie, and though it fails to be scary it succeeds as a wickedly clever anti-consumerist metaphor. Its underlying critique is that Americans will buy anything that's marketed with snazzy visuals and a good jingle, even things that are bad or even deadly for them. The Stuff takes that idea and runs with it, showing a nation addicted to a dessert that's actually a dangerous unknown organism. People eat it and it hollows them out physically and takes over their minds. While some victims succumb by snarfing the Stuff, others fall prey by being attacked by those infected. In this way entire towns are replaced, then the monsters move on to bodysnatch even more people.

Along the way Cohen's film takes swipes at regulatory capture by featuring FDA officials who approve the Stuff, at militias by casting a paramilitary group as the heroes, then exposing them as racist clowns, and at corporate greed by having the whole fiasco engineered by a shady cabal of one percenters. Yes, quite a lot of thought went into this baby. What didn't go into it was sufficient budget. And despite Cohen and company's obvious deeper intent, it's pretty safe to say most filmgoers didn't absorb the subtext. That fact can be confirmed by taking a glance at any of the numerous dayglow health killers on supermarket shelves today. So technically The Stuff flops both as a fright flick and a consumer warning. But it offers food for thought that remains relevant today, thirty-five years later, and it's certainly a movie unlike any other.

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Modern Pulp May 29 2020
KNOT ENOUGH
Once is bad luck. Twice is a trend. Six times looks more like a career choice.


Yes, Junko's back. Counting this movie—Dan Oniroku onna hisho nawa chyokyo, also known as Secretary Rope Discipline—we've now watched six of Miss Mabuki's roman porno outings, and what can we say? They're all crazy. In fact, sources say she retired because her body couldn't stand up to all the kinbaku in these flicks. This time around she's a worker at a fashion house, mostly filing and typing her days away. But she's also stealing trade secrets. When she's caught, she refuses to reveal who put her up to it, and to make her talk, the company's chairman... well, you can figure out what happens next. It involves ropes, whips, and enemas.

There's a subplot. Does anyone care? Okay, her boyfriend is a cheating dawg. He even does it right in front her because he's a terrible guy. It gets worse and worse for Junko. Later the chairman's son takes a liking to her and assumes the duties of disciplining her, which leads to her being forcibly tattooed—a standard and terribly disturbing motif in these films. The two plot streams intertwine, so to speak, in a final manic orgy. We knew fashion was a tough industry, but we had no idea it was anything like this. Next time you buy a new outfit, try to remember the pain and suffering that went into it. Dan Oniroku onna hisho nawa chyokyo premiered today in 1981.
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Modern Pulp May 20 2020
HART OF THE MATTER
Always put your best foot forward.


It's been a while, so here's another Japanese poster for an American x-rated movie. We have many of these and really should share more. Consider that a pledge. This one was made to promote A Scent of Heather, starring Veronica Hart. We shared a different poster for this film a while back, but this one is for the foot fetishists out there. We took a glance at the movie when we made that previous post, and we can attest that Hart's allure extends beyond her feet. A Scent of Heather opened in the U.S. in 1980, but reached Japan considerably later, today in 1983. Below is promo shot of Hart for the non-foot fetishists out there, and you can see that previous poster we mentioned here. We'll see more from her later.

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Modern Pulp Jan 28 2020
THEY STILL LIVE
And at this rate it looks like they'll outlast us all.


Is it one of the greatest allegorical science fiction films ever made? Well, sci-fi is conducive to metaphor, so the list of contenders is long, but certainly John Carpenter's They Live is somewhere in the mix. You see its Japanese poster above. The film invaded Japan today in 1989, after premiering in the U.S. during November of the previous year. We suspect this one falls into the category of movies many have been told they should see, but few have bothered to make the time for. We're here to suggest that you make the time. The premise is ingenious—Earth's ruling class are actually aliens in human form. What do these offworld one-percenters want? Mainly for humans to obliviously embrace behavior that is beneficial to the maintenance of elite power. To that end the everyday world people see is a mere curtain over a deeper reality totally geared toward making humans obey, consume, conform, and reproduce.

Carpenter said about the film, which is based on the 1963 short story, “Eight O'Clock in the Morning,” by Ray Nelson, “The picture's premise is that [our current economic system] is run by aliens from another galaxy. Free enterprisers from outer space have taken over the world, and are exploiting Earth as if it's a third world planet. And as soon as they exhaust all our resources, they'll move on to another world.” The idea is certainly poignant in this age of inequality, low wage employment, population explosion, environmental ruin, and all-powerful international corporate overlords that somehow are regarded by U.S. courts as “people.”
 
The aliens of They Live, not unlike corporations, want to go unchallenged while they suck the planet dry. But Roddy Piper, playing a drifter passing through Los Angeles, happens upon a small resistance who have made special sunglasses that penetrate the disguise laid over the world. When he dons these glasses his mind is simply blown by what they reveal. Even the money people work so hard for is nothing more than plain white paper bearing the message: “This is your god.” Carpenter builds the drama of They Live slowly, and plays it for laughs on multiple occasions, but the sense of dread mounts as Piper and co-star Keith David realize the illusions that maintain order are broadcast from a massive fleet of hovering drones, and if they don't expose the truth perhaps nobody will.

We've seen They Live several times, and loved it more on each occasion. Generally, people who don't like it find it too slow, which is ironic considering it's a film that suggests people are deliberately being prevented from taking the crucial time needed to see what's real and what isn't. They Live makes us imagine what would happen if aliens really did arrive on Earth. Most likely they would be sifting through the ruins of what was once here, and they'd say, “This strange species had diverse art that often discussed hostile alien invasions, but it appears they didn't realize the thing that would destroy them was already here—it was their own economics.”

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Modern Pulp Jan 27 2020
BARRED FOR LIFE
Welcome to Wilson's house of pain and leather.


American actress Ajita Wilson was born in Brooklyn but became a big star in Italian sexploitation and porn movies. She was transsexual, having been born George Wilson, but opting for gender reassignment in the mid-1970s. She launched her career in New York City, making a name for herself in the red light district of the era, which back then was centered around Times Square, these days aka Disneyland east. Not long after she launched her adult career she was seen by a European producer and offered a chance to work across the pond in historic Rome. She jumped at the chance.

Wilson appeared in close to fifty movies, starting with 1976's The Nude Princess. In Perverse oltre le sbarre, which is known in the U.S. as Hell Behind Bars, she plays a killer and jewel thief named Conchita who gets tossed in the prigione and has to negotiate the usual women-in-prison staples—corruption, violence, lesbianism, and a sadistic warden. Oh, and let's not forget screechy girl fights, and sexual harassment showers. Did we leave anything out? Ah, cavity searches. Can't forget those. Torture by high voltage shock. Illicit drugs. Karate chopping double-crossers. Breathy sexploitation soundtrack. Maybe that doesn't count, though, because the prisoners theoretically can't hear it.

Yes, this prison Ajita ends up in is pretty bad, but it could be worse—at least the warden lets the women wear lingerie. Rita Silva and Linda Jones co-star in what becomes a standard WIP escape drama, and of course the escape is more fraught than anyone expected. As prison sexploitation Perverse oltre le sbarre is the same as most others, with the exception that the budget is obviously lower. With nearly fifty films to her credit Wilson almost certainly made something better. We'll take a look and see if we can find which efforts those might be, and you'd be advised to do the same and skip this one. We'll see Wilson again, though. Perverse oltre le sbarre opened in Italy today in 1984.

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Modern Pulp Jan 20 2020
SLAYED IN TAIWAN
Classic ninja movie Ren zhe da is a kick in the head.

This chaotic poster was made for a 1986 Taiwanese kung fu movie called Ren zhe da, which in English was renamed Ninja: The Final Duel. It stars Wang Chi Chung acting under the name Alexander Lo, along with Alan Lee and Alice Tseng. We gather the film is distilled from an eight hour television series. Cutting all that footage down to a ninety minute adventure makes for a final product that's choppy (see what we did there?), but the basic idea is the Ji Ho Clan wishes to defeat the Shaolin Temple, which is protected by the heroic Lo, two Hare Krishna martial arts experts, a renowned African American monk from Harlem, and others.
 
The film is notable for Alice Tseng's pivotal fight scene, in which—à la Reiko Ike in Sex & Fury—she battles a group of men while naked. If you unrepentantly use the freeze frame feature on your telly the fight is a vulva memorable sequence. Also memorable is the Harlem monk, played by Eugene Thomas acting under the name Eugene T. Trammel. His dialogue is dubbed by a voice actor imitating black vernacular English, but with an appalling Taiwanese accent. As surprising as the explicitness of Tseng's nude sword battle is, the black monk's ghettofied dialogue is, in a way, even crazier. We can't imagine why the filmmakers thought that was a good idea, but as unintentional humor goes, it's top tier.
 
The fighting between Ji Ho Clan and Shaolin Temple builds to a climax, with various good guys making the uiltimate sacrifice, until finally, as in many kung fu movies, the grizzled (but surprisingly spry) Shaolin master shows up to restore order by whipping ass on the best enemy fighter. Why doesn't the old master just fight this guy immediately and save his loyal underlings a lot of effort and pain? The Buddha once famously said, and we're paraphrasing, "Be loathe to pull thine disciples' bacon from the fire, because, after all, there is nothing more replaceable than a loyal follower." Or something like that. In any case, Ren zhe da is a movie kung fu aficionados must see.

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Modern Pulp Nov 25 2019
REMOTE DROME
Have you had a hallucination yet today?


We're really living up to the Intl. part of Pulp Intl. today with this fascinating promo poster from far away Ghana. It was made for Canadian horror filmmaker David Cronenberg's 1983 freakshow Videodrome, starring Debbie Harry and James Woods in a wild story about video-triggered hallucinations that become real. We found this on a website called Deep Fried Movies, and they found it at Deadly Prey Gallery on Instagram. It's signed O.A. Heavy J. Teshie, if we're reading that right. Well, good job, O. Since you worked in the ’80s you may still be out there, and if you are, FYI, dealers in the U.S. are selling your posters for up to $4,000 a pop. If you've got any pieces hanging around, we strongly urge cutting out the middlemen.

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Modern Pulp Nov 11 2019
YUNO WHO
What's a crime? Being unable to identify the artist.


Has the Mexican crime art revival passed? Maybe, but not on Pulp Intl. We've talked about this niche quite a bit, and today we're veering back in that direction to share this piece entitled “Crimen Perfecto,” painted during the early 1980s by someone who signed as Yuno. Yuno who? We dunno. Do you? You do? Let us know. Actually, we don't expect you to know, because these artists were rarely properly credited, nor properly compensated, we suspect.
 
For that reason they never could have expected interest in their work to rekindle, but it did, and for a while auctions in these were pretty active, both online and in brick-and-mortar. The technical execution on display isn't what you'd usually find in classic paperback art, but as critic Ken Johnson wrote in the New York Times in 2015, “The value of [Mexican crime] paintings isn’t to be found in their aesthetic sophistication or refinement. This is truly art for the masses, as kitschy as it is amusing.”
 
He forgot to mention horrifying and violent. A smart person once said that violent societies have violent amusements, and Mexico, like the U.S., has certain strains in its culture that persistently glorify mayhem. Art such as this gives you a glimpse of that, put to pasteboard via brush and paint. While the artists remain mostly unknown, what they produced resonates all these decades later. See more wild Mexican crime art here, here, here, and here.

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Modern Pulp Oct 9 2019
UP CLOSE AND PERSONAL
The more you Zoom the weirder everything looks.


Above is a poster for Zûmu appu: Bôkô hakusho, aka Zoom Up: Sexual Crime Report, the fourth film in the Zoom Up series. This installment starred Yuki Kazamatsuri and Rie Hirase, and premiered in Japan today in 1981. Where do we start with this? Kazamatsuri plays a disc jockey married to a powerful businessman. One night on her way to the radio station she's raped by a gang of creeps on motorcycles, and it turns out this was not a random attack. That's already a spoiler, so we'll stop there.

As always, we try to remember that Nikkatsu Studios was in the business of making money. The directors and screenwriters had a lot of artistic freedom, and occasionally tried to embed social commentary and deep metaphor in these films. But you know how it goes with metaphor—if you suspect it's there you'll look for it until you strain your brain. Broadly speaking, roman porno avoids the feminist patriarchy smashing of pinky violence films, usually denying women any sort of cathartic retribution. We stress usually. Even in this retrograde genre women sometimes get the opportunity to make men eat cold steel, or hot lead, as the case may be. Which path does Zûmu appu: Bôkô hakusho take? We ain't saying.

If you look around the internet the very few reviews of roman porno films you find are by males, usually in Japanese. We sometimes add to the all-male chorus, but just as often we keep our write-ups vague, focusing mainly on the poster art. We hope one day there'll be a more diverse online analysis of these, particularly of two types: in English from Japanese viewers who can provide social context we can't; and from women. The latter you might expect us to get from PI-1 and PI-2 (did we mention they're out of town?), but they refuse to watch these. Maybe, truly, that's the most incisive analysis of all.

Wait, so this is all a cinematic metaphor?

Ahh, a wonderful, relaxing metaphor for womblike security.

Oh no! A terrible, disturbing metaphor for survival in a hostile world!

Lalalala... slurp.... gurgle... metaphor.... lalalalalala...

Shhh... trust me. This is a metaphor you're really going to enjoy.
 
Maybe these metaphors will be clearer without my glasses.
 
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History Rewind
The headlines that mattered yesteryear.
August 13
1995—Mickey Mantle Dies
New York Yankees outfielder Mickey Mantle dies of complications from cancer, after receiving a liver transplant. He was one of the greatest baseball players ever, but he was also an alcoholic and played drunk, hungover, and unprepared. He once said about himself, "Sometimes I think if I had the same body and the same natural ability and someone else's brain, who knows how good a player I might have been."
August 12
1943—Philadelphia Experiment Allegedly Takes Place
The U.S. government is believed by some to have attempted to create a cloak of invisibility around the Navy ship USS Eldridge. The top secret event is known as the Philadelphia Experiment and, according to believers, ultimately leads to the accidental teleportation of an entire vessel.
1953—Soviets Detonate Deliverable Nuke
The Soviet Union detonates a nuclear weapon codenamed Reaktivnyi Dvigatel Stalina, aka Stalin's Jet Engine. In the U.S. the bomb is codenamed Joe 4. It is a small yield fission bomb rather than a multi-stage fusion weapon, but it makes up for its relative weakness by being fully deployable, meaning it can be dropped from a bomber.
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