|Vintage Pulp||Oct 2 2012|
We haven’t been there but we’re pretty sure it’s nothing like this.
Today we have a Stag magazine from October 1967 with cover art by Mort Kunstler illustrating Emile C. Schurmacher’s exotic yarn about sex crazed women in Kashgai, Iran. Apparently free love was flowing like crude oil in the Fertile Crescent—or maybe it was just flowing in Schurmacher’s fertile imagination. That’s un-retouched color, by the way. Somehow, the magazine took some wear and tear over the years but did not fade. Content-wise, it follows the time-honored men’s magazine form, with tales of loose women, righteous violence, and international adventure, all while hitting the political hot buttons of the moment—Vietnam, hippies, and drugs. Fifteen years earlier it would have been Korea, commies, and the Mafia. The semi-gloss, two-color interior illustrations have a wonderful impact, including Charles Copland’s nice spread for W. J. Saber’s centerpiece story “The Big Frame.”
Also of interest is an exposé on Wallace Groves, a Wall Street exec/felon who, after serving a prison term for mail fraud, jetted down to the Bahamas, bought 214 square miles of wilderness and turned it into the resort and gambling haven known today as Freetown. Apparently crime really does pay, especially on Wall Street, but we digress. We love how the Bahamian wilderness is described in the text as useless. One day not too very far in the future, everyone—not just scientists and environmentalists—will think of resorts and gambling havens as useless and pristine swaths of trees and wetlands as indispensable. When that day inevitably comes, stories like these will seem like profiles in civilizational lunacy, but we digress again.
IranBahamasKashgaiFreetownNew York CityStag MagazineMort KunstlerCharles CoplandMilton HelpernF. Lee BaileyEmile C. SchurmacherW. J. Sabermagazine artliterature