They say money isn't everything but it sure feels like it sometimes.
Above, an alternate poster for the pinku heist movie Nora-neko rokku: Wairudo janbo, which starred Meiko Kaji and Bunjako Han, and premiered in Japan today in 1970. We watched it, we liked it, and we explained why here, where you can also have a look at the film's tateken sized poster.
Our boyfriends have no clue our slumber parties involve absolutely zero slumbering.
Above is an amazing photo published in the Japanese pop culture magazine Weekly Playboy in 1972. It's uncaptioned, as you can see. Two of the women pictured are pinku actresses Miki Sugimoto and Yuri Yamashina, next to each other at bottom, looking at you rightside up. We have plenty of material on both of them in the website. We can't identify the other models. Feel free to enlighten us.
If you're going to have a fantasy make it a doozy.
We have two exceptionally beautiful Japanese posters today. These were made for Hakujitsumu, known in English as Daydream. That's an unusually concise Japanese title, but this won't be a concise post. The movie is loosely based on a 1926 novel by Junichir Tanizaki, and was one of the first films classified as pinku eiga, as well as one of the first erotic productions to have a big budget and a run in mainstream cinemas. It also played outside Japan, with a screening at the 1964 Venice Festival and a release in Stateside cinemas. And because of its success, director Tetsuji Takechi remade the film in hardcore style, not once, but twice, in 1981 and 1987, both times starring Kyōko Aizome, who we've talked about before.
The premise of this is fascinating. Akira Ishihama meets Kanako Michi in their dentist's waiting room. Later, as both of them are receiving anesthesia, Ishihama looks over and sees—because apparently Japanese dentistry meant placing two patients into the same room—the dentist and a nurse strip Michi, then seemingly suck her blood like vampires. Was it an anesthetic dream, or a real occurrence? Ishihama needs to uncover the truth. He goes to a nightclub where Michi sings, sees the dentist approach her and demand that she leave with him. Ishihama follows—or actually sort of teleports after them—and later sees Michi submit to various forms of kinky bondage. But is any of what he's seeing real? The title of the film gives that away, doesn't it?
We wonder if Hakujitsumu used the plot device of fantasy because it softened the idea of the bondage and weirdness Michi goes through. Well, all that would soon become routine in Japanese cinema. In addition this was the first Japanese film to show an actress fully naked—which happens for extended periods. Most write-ups say there's even pubic hair shown, but we'll admit we blinked and missed it if that was the case. What we didn't miss was what a clear precursor to the pinku genre of roman porno Hakujitsumu is. Here those elements seem novel; by the 1970s, they wouldn't be, and as a result filmmakers were by then pushing the envelope with violence, water sports, and enemas. That envelope could have stayed flat, as far as we're concerned. Hakujitsumu premiered in Japan today in 1964.
Once is bad luck. Twice is a trend. Six times looks more like a career choice.
Yes, Junko's back. Counting this movie—Dan Oniroku onna hisho nawa chyokyo, also known as Secretary Rope Discipline—we've now watched six of Miss Mabuki's roman porno outings, and what can we say? They're all crazy. In fact, sources say she retired because her body couldn't stand up to all the kinbaku in these flicks. This time around she's a worker at a fashion house, mostly filing and typing her days away. But she's also stealing trade secrets. When she's caught, she refuses to reveal who put her up to it, and to make her talk, the company's chairman... well, you can figure out what happens next. It involves ropes, whips, and enemas.
There's a subplot. Does anyone care? Okay, her boyfriend is a cheating dawg. He even does it right in front her because he's a terrible guy. It gets worse and worse for Junko. Later the chairman's son takes a liking to her and assumes the duties of disciplining her, which leads to her being forcibly tattooed—a standard and terribly disturbing motif in these films. The two plot streams intertwine, so to speak, in a final manic orgy. We knew fashion was a tough industry, but we had no idea it was anything like this. Next time you buy a new outfit, try to remember the pain and suffering that went into it. Dan Oniroku onna hisho nawa chyokyo premiered today in 1981.
That whole prison rehabilitation thing doesn't seem to be working.
Well, this completes the collection of posters we have for Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs, starring Miki Sugimoto as a vigilante cop released from prison to take on a gang of kidnappers. We've shown you the limited edition poster panted by Toru Shinohara, and the tateken sized promo. This is the standard sized poster and finishes up all the promo material we have on this iconic film. Don't worry, though. We have more on Sugimoto and even some rare promo images of her never before seen online. We'll get to those later.
They finally figured out a way to convince their boyfriends to go hiking.
Above, a poster for Joshi daigaku maruhi report: Nikutai nyûgaku-shiki. This never had a U.S. release, thus no English title, but the Japanese would translate to something like Women's University (Secret) Report: Body Entrance Ceremony. This one is super obscure, and we were unable to find a copy. Again? Yes, again. It premiered in Japan today in 1977.
The most important entrance requirements are proper positioning and good lubrication.
Roman porno filmmakers used every possible Japanese social niche and professional realm for sexploitation fodder, so there's no chance they would overlook a milieu as ripe as higher education. Above are two pretty posters for Joshidaisei: sex hōteishiki, aka College Girls: Sex Equation, with roman porno goddesses Mari Tanaka and Hitomi Kozue. It premiered in Japan today in 1973. Basically, they're attending university but decide to do some nude modeling as a side hustle and things go weird in that roman porno sort of way. We looked around for a copy of it with no success, so we'll have to hope we see it later.
Want some bonus images? Alrightee, we are always happy to comply. Below you see Tanaka reacting with embarrassment after getting busted raiding the fridge when she's supposed to studying for her poli-sci exam. Meanwhile Kozue's study session has been so intense she doesn't even have the strength to make it to the kitchen. This is more or less how we've felt the last few weeks of this lockdown thing, but there's light at the end of the tunnel, or so we're being told. We shall see. Plenty more Tanaka and Kozue in the website. Just cllick their keywords below.
She just about lost her shirt gambling.
This is a brilliant promo photo of Japanese actress Kemi Ichiboshi. During an amazing cinematic run she appeared in more than sixty films in six years spanning 1966 and 1972. And for all that output, we don't remember noticing her before this photo popped up, but we'll try to check her out. If that happens we'll for sure report back.
She gets into these situations so you don't have to.
This poster is an addendum to our earlier write-up on this film, Osoe!, a hit roman porno from Nikkatsu Studios starring Erina Miyai, who spent her entire career getting into pickles like this one. This is basically the original promo poster, reversed and with all the text removed except the title. It was unusual for title-only art like this to be produced, which is why when we found it we thought we'd better share. We also share some thoughts on the film. Just look here. Osoe! premiered in Japan today in 1978.
Like Einstein said, if you want to understand relativity, watch a bad roman porno film and time will slow to a crawl.
Ever get sexually aroused when having your teeth drilled? No? Us either. But Nikkatsu Studios' infamous roman porno films leave no fetish unexplored, so in the opening sequence of Hirusagari no onna: chohatsu! aka Woman of the Afternoon: Incite!, Yûko Asada gets turned on when a dentist drills her teeth. Weird, right? But we aren't disparaging the dental masochists among us. If inner ear vibrational resonance floats your boat, we say just do it.
Later Natusko Yashiro gets plain drilled in a dentist's chair. This dentist is her husband, and she doesn't want to bear children because it will ruin her body. After being pressured on this issue she flees in her car, and thus begins an odyssey of Grecian proportions. During her travels she has several bizarre mishaps and stumbles upon assorted weirdos who, for reasons ranging from persistent neurosis to sheer psychopathy, all bring her to harm. The harm escalates to degradation, most of which takes place at a rural restaurant several bad men take over and turn into a carnival of violence and rape.
You'd suspect the point of all this is something about social decay, but we're not qualified to venture a guess. We just know that by the end credits, which arrive a mere sixty-seven minutes after Nikkatsu's opening logo but feel fifty reels too late, we thought we'd had our teeth drilled—with zero sexual arousal involved. Roman porno films may be softcore, but they sure can be hard on the psyche. Hirusagari no onna: chohatsu! premiered in Japan today in 1979.
The headlines that mattered yesteryear.
1995—Mickey Mantle Dies
New York Yankees outfielder Mickey Mantle dies of complications from cancer, after receiving a liver transplant. He was one of the greatest baseball players ever, but he was also an alcoholic and played drunk, hungover, and unprepared. He once said about himself, "Sometimes I think if I had the same body and the same natural ability and someone else's brain, who knows how good a player I might have been."
1943—Philadelphia Experiment Allegedly Takes Place
The U.S. government is believed by some to have attempted to create a cloak of invisibility around the Navy ship USS Eldridge. The top secret event is known as the Philadelphia Experiment and, according to believers, ultimately leads to the accidental teleportation of an entire vessel.
1953—Soviets Detonate Deliverable Nuke
The Soviet Union detonates
a nuclear weapon codenamed Reaktivnyi Dvigatel Stalina, aka Stalin's Jet Engine. In the U.S. the bomb is codenamed Joe 4. It is a small yield fission bomb rather than a multi-stage fusion weapon, but it makes up for its relative weakness by being fully deployable, meaning it can be dropped from a bomber.
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