The superstition is true—it's bad luck to cross her path.
This impressive promo poster was made for the pinku actioner Kuroi Mehyô M, aka Black Panther Bitch M, in which Japanese superstar Reiko Ike plays an assassin tasked with getting rid of a troublesome gangster. This is far easier said than done, but she has all the skills a good killer-for-hire needs—she can run fast, climb well, throw knives (and handily placed pitchforks), read lips, perform acrobatics, crush testicles, endure pain, and wear a pantsuit like a boss. We'd love to tell you the film is great, but it's all pretty silly, truthfully. But when Reiko and her soulful eyes and shiny café au lait skin are onscreen does the plot really matter? It might to you, but it doesn't to us. The Japanese title of this, by the way, is actually “Black Rose M.” We don't know where the panther thing came from, but it's an apt description for Reiko. Kuroi Mehyô M premiered in Japan today in 1974.
She's just wading for something to happen.
Above, a pretty poster for Hito natsu no kankei, which starred Minako Mizushima, along with Izumi Shima and Tamaki Katsura. There's no English title for this, but if you were to translate ひと夏の関係 it would mean something like “summer relationship.” On the other hand, Hito natsu no kankei means something like “one person's life.” So there you go. This premiered in Japan today in 1978.
Good interior design is about finding the perfect accessories.
Reiko Ike, always a favorite here at Pulp Intl., relaxes on a cool modern sofa and tries to decide if she'll get fully dressed at any point during the day. This image, which we've cleaned a little to get rid of an inset box that was obstructing the view, came from a 1974 photo magazine called Young • Idol • Now. However, a similar shot was used on the rear of her collectible LP The World of Ecstasy, so it turns out the photo actually dates from that session, which was three years earlier. See below.
Reiko Ike gives fans a dose of ecstasy.
Like many 1970s Japanese actresses Reiko Ike took advantage of her cinema stardom by releasing music. In 1971 she and Teichiku Records got together put out the album Kôkotsu No Sekai, which as we mentioned above was called in English The World of Ecstasy. Here you see the front cover with its famed topless photo of Reiko, and the rear and inside covers are below. The rear cover is almost identical to the photo in the above post, with the difference being in the direction of her gaze.
The album was basically a novelty release. Only a thousand copies were ever pressed. At least initially. It's since been released as a remastered CD. The original vinyl can be expensive. In the U.S. people try to sell it at anywhere from $100 to $1,000, but in Japan it usually goes for less. The cost differs depending on whether it's a first or later pressing, and whether the gatefold poster is inside, which you see at right.
For the kind of cash people ask for this platter, Reiko can obviously sing like a lark, right? That came across as flip, we know, but actually she's better than you probably suspect. Her voice is low, mellifluous, and quite confident, and interestingly, a lot of the vocals are orgasmic moans and sighs.
She does all this backed by Masami Kawahara & The Exotic Sounds, who had released a 1970 album with orgasmic vocals, so apparently this was a trend. It's weird at first, but after a while it's pretty effective. That may be a good way to describe Reiko's movies too. You can listen to a couple of songs from the disc here and here.
She gets her best work done during overtime.
Above, a beautiful poster for Danchizuma wasureenu yoru, known in English as Apartment Wife: Unforgettable Night. The wife in this third entry in the Apartment Wife series is Junko Miyashita. The plot is typically convoluted, but basically she's sexually unfulfilled by her hubby and finds pleasure in an anonymous office encounter. Her repeated trysts with this person leave her vulnerable to blackmail of sorts, and— Actually, it's really hard to describe this without giving everything away. Let's just call it a twisted sexual awakening tale with an ironic ending. Which is what most of the Apartment Wife movies are. This one premiered in Japan today in 1972.
Mari Atsumi goes searching for her place in the sun.
Above, two beautiful posters for Taiyo wa mita, aka I Saw the Sun, with Mari Atsumi. We couldn't track this one down but we know it's a drama set in a seaside town and know it premiered in Japan today in 1970. We already shared a really nice promo image for the film here, and if we learn more we'll report back.
Whoever said she was in mourning might need to double check their info.
This is a pretty nice poster, which was made to promote the roman porno film Inzesu mibojin, known in English as Lusty Widow. It starred Rumi Tama, Reika Maki, and our favorite nude motorcycle rider Yuri Yamashina in a story about a woman widowed at twenty-six, which of course makes her fair game for assorted orbiting males. Unsurprisingly, having lost her man she isn't feeling very lusty at all, at least until she finds herself drawn into assorted intrigues and associated sexual kinks, including voyeurism and illicit photos, both of which the poster makes clear. Sadly, we were unable to track the film down, which is an occupational hazard with these things. On the other hand, they nearly always turn up eventually. We'll keep an eye out. Inzesu mibojin premiered in Japan today in 1976.
When they say they're getting together to enjoy some girl time it may not be as innocent as it sounds.
Above, a poster for Tsumatachi no Gogo Wa Yori: Kano no Ori, which is quite a mouthful that in English was simplified to Cage of Lust: Wives’ Afternoon. The movie was adapted from a novel by Hiroko Nakayama and starred Junko Miyashita in a tale of infidelity, deception, lesbianism, etc. It's a typical Nikkatsu Studios effort, quick and easy at 72 minutes from end to end. It premiered in Japan today in 1976.
Sometimes there's nothing to do but wait to be freed.
You've probably noticed that other than the post we made two days ago (a test, really), there hasn't been any new content on Pulp intl. for over a week. Don't blame us. Blame our server company—again. Different one than last time. Not Thorbjorn and the gang. But still, same bad service. Basically, they made an unannounced upgrade on their end that booted us off the internet. Partly it's our fault. We've been rebuilding the back end of the site for four years, which is way too long, yet at the same time, usually it's a good idea for a server company to send an e-mail blast to its clients warning of important changes. But we fell through the cracks somehow. Were you worried? Just a little? All good now. But you know who loved the fact that we got thrown offline? The Pulp Intl. girlfriends.
Anyway, once we noticed the outage we got the front end of the site back up quickly, but the back end that allows us to post material remained scrambled for longer. Call it an unplanned intermission. An unexpected vacation. An improvisational hiatus. But like we said, we're back to normal now, and on the bright side, at least it wasn't a guy with a machete that caused this interruption. Although interestingly, we're currently being stalked by three guys a friend of ours punched in the eye. So another interruption could occur if they catch either of us alone without our discourager (wooden club). Neither here nor there. We're getting back up to full pulp speed with this naked apology™ featuring a great photo of Japanese actress Miki Sugimoto that appeared in Pocket Punch magazine around 1972. We hope to have few—or even no—problems until at least 2072. Fingers and toes crossed.
How many wrongs finally make a right?
This poster was made to promote a Nikkatsu Studios roman porno flick titled Osoe!, which in Japanese means “attack.” In typical roman porno fashion, the plot is pretty twisted. In brief, Erina Miyai plays a woman who wants revenge on a corporation for its role in the death of her parents. She goes to a disco and deliberately allows herself to be taken home and gangbanged, all for the purpose of later informing the guys who did it she'll accuse them of rape if they don't kidnap the corporation's CEO for her.
We'll say this much for Nikkatsu—their ideas were certainly creative. In this case, there's a subtext of turning male power against itself, which is all to the good, but of course things never come off quite how the protagonists intend in roman porno. Which is to say, Miyai's plot goes pear shaped. Osoe! is super obscure in the West but was a successful release and even played a few years ago at the famed Laputa Asagaya revival cinema in Tokyo. Its original premiere was today in 1978.
The headlines that mattered yesteryear.
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle
commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
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