Modern Pulp Nov 30 2009
ALIEN INVASION
Giger retrospective taps into sexual obsessions and primal fears.

We’ve always liked the work of biomechanical airbursh artist H.R. Giger—it reminds us of high school, and the anguished sexual obsessions of that time. Most people associate his art with the Alien franchise because he did the production design for the original film, and all the sequels have built upon that foundation. But Giger is about more than just slimy, vicious monsters. For instance, the piece you see above, “Birth Machine,” is quintessential Giger. The crucial clue to its meaning comes from the title. And as we look closely at the piece, we see a pistol in which the bullets are half human creatures who themselves are holding pistols. If we assume each of their pistols in turn contain little bullet men with more guns loaded with more bullet men, we understand that Giger is making a statement about us killing ourselves through overpopulation. In a sense, each of us is a weapon, loaded with deadly ammunition and lacking any sense of restraint that might help us see that our state of perpetual war and environmental destruction derives from the fact that there are simply too damned many of us. Or something like that.
 
We bring all this up because we saw a Giger exhibit in person at the Kuba Art Gallery in Donostia-San Sebastián, Spain, and the pieces were extremely interesting. They’re otherworldly, yes. Biologically weird, certainly. Relentlessly vaginal, absolutely. Giger is well known for those things. But there’s also a darkness and density to the pieces that is very impressive in person. Their geometry and the physics implied within are Lovecraftian in a sense, which is why we weren’t surprised when we saw that two of Giger’s early pieces were in fact representations from the great horror writer H.P. Lovecraft’s fiction. The exhibit also included a larger than life movie alien menacingly perched on a wall, as well as a macabre dinner table with six biomechanical chairs. If a Giger exhibit ever comes to your town, by all means, go. Any effort will be worth the time and energy spent to see this unique master’s nightmarish work in person. We have more images below, and we apologize for their blurriness, but we were too terrified by the art to focus.

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History Rewind
The headlines that mattered yesteryear.
March 31
1930—Movie Censorship Enacted
In the U.S., the Motion Pictures Production Code is instituted, imposing strict censorship guidelines on the depiction of sex, crime, religion, violence and racial mixing in film. The censorship holds sway over Hollywood for the next thirty-eight years, and becomes known as the Hays Code, after its creator, Will H. Hays.
1970—Japan Airlines Flight 351 Hijacked
In Japan, nine samurai sword wielding members of the Japanese Communist League-Red Army Faction hijack Japan Airlines flight 351, which had been en route from Tokyo to Fukuoka. After releasing the passengers, the hijackers proceed to Pyongyang, North Koreas's Mirim Airport, where they surrender to North Korean authorities and are given asylum.
March 30
1986—Jimmy Cagney Dies
American movie actor James Francis Cagney, Jr., who played a variety of roles in everything from romances to musicals but was best known as a quintessential tough guy, dies of a heart attack at his farm in Stanfordville, New York at the age of eighty-six.
March 29
1951—The Rosenbergs Are Convicted of Espionage
Americans Ethel and Julius Rosenberg are convicted of conspiracy to commit espionage as a result of passing nuclear secrets to the Soviet Union. While declassified documents seem to confirm Julius Rosenberg's role as a spy, Ethel Rosenberg's involvement is still a matter of dispute. Both Rosenbergs were executed on June 19, 1953.
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