Bette Davis was born with the first name Ruth, but nicknamed Betty from childhood. As an actress she changed the spelling to Bette after Honoré de Balzac's La Cousine Bette, and people mangled the pronunciation routinely until she became a huge star. Speaking of letters, this promo photo is from her 1940 drama The Letter, based on a play by W. Somerset Maugham. Remember how we talked about how outward looking Hollywood was during its golden period, how it set so many films in exotic corners of the world? The Letter is another prime example. It's set on a rubber plantation in Malaya. Thanks largely to Davis's golden touch the film was nominated for numerous Academy Awards, including Best Picture, Best Director, Best Actress, Best Supporting Actor, and Best Score. It won nothing, but we assume the film is good anyway. We'll watch it and report back. 

Above is an absolutely vibrant cover for Charles Higham’s vampire anthology The Curse of Dracula and Other Terrifying Tales, published by the Aussie imprint Horwitz in 1962. Inside you get six stories by Theophile Gautier, H.T.W. Bousfield, Ambrose Bierce, E. Nesbit, Honoré de Balzac, and that one guy, er, what’s his name? Ah! Bram Stoker. The cover artist was Frank Benier, who was Australian by birth but Basque by ancestry and saw his first piece published when he was but fourteen. Apparently, he was primarily a cartoonist, but this is a top tier pulp painting he’s put together here. Hopefully we’ll run across more of his work down the line.