Vintage Pulp May 25 2024
MEDICAL CARE FOR ALL
She's a true professional. She doesn't care who shot who. She just gives to the utmost of her ability.


We have yet another issue of Adam magazine for you, published this month in 1971, with a cover illustrating Dick Love's story, “Night Nurse.” Generally the magazine's covers showed literal scenes from the fiction, but this one is more of a composite, with the nurse superimposed atop a scene of earlier violence. The story is about a cop who's shot multiple times and almost killed, is nursed to health during two months in the hospital, and upon his release tracks down his almost-killer. It has a present-moment framing device in which, first, a shotgun blast tears open a door he's standing just to one side of, sending his mind into a long reverie about the earlier wounding and recovery, before returning to him crashing through the door and taking down his quarry. The nursing aspect involves some sexual healing, but isn't cheesy or obvious. Instead, there are weeks of talking at bedside before the deed happens, and the mood and pacing are generally good. So it's nice work from “Dick Love,” whoever he or she may have been in reality. We have thirty-plus scans below, and those with sharp eyes and good memories will notice British glamour beauty Susan Shaw in the middle pages and again at the end. More from Adam soon.
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Vintage Pulp May 14 2024
SILK STALKING
I've never been a fan of lingerie, but your nightgown elevates this whole abduction into something really special.


This issue of Australia's greatest men's magazine Adam reached newsstands this month in 1974. The cover illustrates Alexander Tait's story “The Catch,” about a boat captain who's given a slow-acting poison in order to ensure his compliance in a smuggling scheme. Adam covers were always painted to order, and that's especially clear here because not only does this lingerie bondage scene occur in the narrative, but the woman is described as having hair that “stuck out in all directions in some kind of afro style.”

What didn't stick out in the story was a lot of talent or imagination, but that's okay—there's always another thing to enjoy in these mags. For example, we thought “Sex and Serpents” was rather interesting. It's a factual story written by Paul Brock about snakes and sexual symbolism. Brock discusses cultures from ancient Egypt to modern Burma, and reveals that snakes are sometimes pickled or powdered. Our favorite anecdote involves an Appalachian preacher who allegedly used a live snake to beat three men and a woman into repentance for sexual sins. Afterward he probably beat his own snake. You know how it goes with these types.

Elsewhere in the magazine are the expected assortment of nude and semi-nude models, but one of them (panel eight below) is a photographed head and arms atop an illustrated torso. Can't say we've seen that before. Maybe she had a rash that day. Or maybe she refused to pose nude. Imagine her surprise when the issue hit the racks. We can only hope she beat the photographer with a snake. Moving on, there's art by Jack Waugh, and few cartoons that made us smile. Not laugh, mind you. Just smile. Scans below, and we'll be revisiting Adam later this month.

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Vintage Pulp Apr 21 2024
STOPPING POWER
This is what's called in the realm of answers a hard no. Don't let the door hit you in the dick on the way out.

To say that Adam magazine is an interest of ours is an understatement, but we haven't shared an issue for eight months. That's been a result of our drawn out and complicated move, which we initiated last summer, thought we'd have finished by November, but actually just completed to the point of unpacking our scanner last month. Lesson: buying a house in the south of Spain takes three times longer than you anticipate. Rest assured, though, we're still collecting Adam, and today we're sharing our eighty-fourth issue, which takes us down to fifty-four more we need to upload.

This particular example, which was published this month in 1965, was tightly bound, so we have only a handful of scans because we didn't want to destroy the magazine by flattening it. Apparently there's such a thing as a triangle scanner meant for such situations, but we never heard of one until this week. Anyway, the cover here of a woman holding off a prospective assailant was painted to illustrate Walter S. Bratu's story, “Ice That Burns,” in which a random everyman runs afoul of a Nordic femme fatale, and gets snared in a blackmail and bribery plot. In a twist he eventually uses his car to bash hers off a cliff, but it didn't surprise us. In vintage men's magazines women who are sexually unavailable to the hero usually come to bad ends.

There's also a story from Carl Ruhen that wins the award for best title of the issue, if not all of 1965: “So Ineffably Sad.” It's about a man named Jacky Ryan who accidentally kills a woman and must somehow cover up the crime. This issue also has signed work from Jack Waugh (he'd give up on signatures as the years progressed), and of course a couple of pictorials, both with unidentified models. As we said, we can't show you everything because of our desire to preserve the magazine, but if we ever get a triangle scanner we'll add to this post. For now, we have a mere fifteen panels below.

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Vintage Pulp Jan 30 2024
HIGH CONCEPT
It's a beautiful Window even if it doesn't illuminate the identity of the cover artist.


Above: a cover scan of Raymond Chandler's thriller The High Window. This book sold on Sotheby's a while back for more than 5K. It was published in 1943 in identical editions by British imprint Hamish Hamilton and Australia's George Jaboor with cover art that's signed but uncredited inside. It's possibly the work of British painter John Hewitt. He was born in 1922, which would make this an (extremely) early effort. But maybe he was a prodigy. With connections that could get him into the commercial art scene by age twenty-one. Okay, no. Alternatively, this could be the work of Don Hewitt, a British painter born in 1904. He repatriated with his parents to the U.S. in 1907, but could have later worked for an across-the-pond publisher, we suppose. Publishing continued there even during World War II. How Hewitt got his art to London we can't speculate. So, probably not him either. Call it unattributed, then. If you want to know what The High Window is about, check our earlier musings here.

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Vintage Pulp Sep 18 2023
FARRINGTON ENOUGH
Horwitz Publications perfectly red the paperback market.


For a while we were tracking the possibly unlicensed usage by Australian imprint Horwitz Publications of celebrities on its paperback covers. We fell down on the job a bit. The last one we looked at was two years ago.
 
The red-haired model used above on Carter Brown's thriller No Halo for Hedy is Playboy centerfold and nightclub performer Colleen Farrington, who was the mother of actress Diane Lane. The book originally appeared in 1956, and the above reprint came in 1959. This photo used for the cover is rare. We've seen no other shot of Farrington in these capri pants. Presumably, at one point multiple frames from the session existed, but time disposes of such items. However, it can't diminish the beauty of this cover. You can see all of our Horwitz celeb covers by clicking here.

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Vintage Pulp Aug 8 2023
GONE OVERBOARD
I see a tiny island! If we make it there we can recite captions from classic castaway cartoons until we're rescued!

We have another issue of Adam today, with a fun cover illustrating Ron Rawcliffe's story, “The Nine Strippers.” Obviously, with a title like that we had to read it, and it deals with a charter boat captain hired to take nine exotic entertainers upriver into the wilderness under mysterious circumstances, and it turns out they've been hired by an organized crime cabal. When the gathering is raided by federal police the captain must escape intact with bullets flying, strippers fleeing, and mafiosi trying to hijack his boat. Also in this issue of Adam you get fiction by Leonard Calhoun and John P. Gilders, plus a bit of boxing and a lot of models, including German born Israeli actress Helena Ronée just below, and French actress Catherine Rouvel in the feature "She Wins Them All." And circling back to the cover and its two potential castaways, look forward to this: we have another set of castaway cartoons coming up.

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Vintage Pulp Jul 28 2023
BATTLE OF THE SEXES
To the inexperienced eye she looks unarmed, but her moral outrage and certainty that men are always wrong will prevail.


This cover of Adam magazine dates from July 1969, and as always there's conflict depicted. The art illustrates Ted Schurmann's story, “Deadly Efficient,” which is about a disgruntled secretary who helps rob her employer. What's she disgruntled about? Well, it's a story from a 1969 men's magazine, so what do you think the problem would be? That's right—her boss doesn't love her. But the very hour after the robbery, the boss calls up the secretary (not knowing yet that his office has been ransacked) and admits he has feelings for her, which leaves her to try to undo the theft before it's discovered. That effort backfires in the expected ways, leaving the corpse of her accomplice and a lot of questions behind. It's a decent story, so we weren't surprised Schurmann also published a couple of novels. But it looks as if Adam may have given him his first shot. Its role as a platform for new writers is yet another reason it was one of the best men's magazine around. We have twenty-five scans below, including a shot of British model/actress Eve Eden in panel twelve.
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Vintage Pulp Jul 24 2023
A COLORFUL MAN
Interesting, full of stories, and very well read.

As much as we love K.G. Murray Publishing's men's magazine Adam, especially during its early 1970s period, we have to admit that the succinctly titled Man is probably the prettiest magazine ever produced by the Aussie company. Today's issue from this month in 1964 is an example. The colors explode from the pages. The art, some of which is by Jack Waugh and the single-monikered Humph, is detailed and lovingly rendered. The format is large (so much so that we had to scan every page you see here in two parts and assemble them in GIMP). And the stories are pure male wish fulfillment.

The magazine was such a popular offering that K.G. Murray even published a pocket edition, which we've already shown you. In today's full-sized edition, as always you get several beautiful models, including one supposedly named Van Leman posing on a sea turtle like it's a coin-operated ride outside a Kwik-E-Mart. We imagine the turtle wasn't happy about it, but how can you tell? It's a turtle. They never look happy. Man also provides a few celebrity shots, including of British actress Gloria Paul, and Danish flash-in-the pan Heidi Hansen. All that and more in many scans down under.
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Vintage Pulp Apr 22 2023
CLIFF HANGERS
The story's on the verge of ending badly for all of them.


The above issue of Adam once again features two men about to fall to their deaths while fighting. The magazine used this idea often, including on our last example. The art, which is probably by Jack Waugh, illustrates Eric. J. Drysdale's tale, “Ransom Double-Cross,” about a rich man whose wife is kidnapped for $200,000 ransom. He later learns that she's in on the scheme and wants to have him murdered so she can inherit everything. But you can't keep a good man down. His wife goes over a cliff, as do her two accomplices. The inside front cover of this issue is graced by Italian actress and occasional space femme Ornella Muti, while the rear cover model, just above, is familiar, but unidentified for now. We'll have more from Adam later.

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Femmes Fatales Apr 5 2023
A SERIOUS SPLAYER
Ever since I started wearing a holster in front like this I've really started to see the point of manspreading.

This odd promo image of Australian actress Linda Marlowe was made for her 1973 British made thriller The Big Zapper. She plays a private detective hired for a missing persons case. The ’70s brought a wave of women detectives and fixers to movie screens, and we hear that Marlowe's character Harriet Zapper fits in with Foxy Brown, Cleopatra Jones, Pepper Anderson, and creations of that ilk. Those are pretty good ilk, but The Big Zapper had generally bad reviews. We have a copy of the movie, so we'll soon see for ourselves. 

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Next Page
History Rewind
The headlines that mattered yesteryear.
May 25
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
May 24
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
May 23
1934—Bonnie and Clyde Are Shot To Death
Outlaws Bonnie Parker and Clyde Barrow, who traveled the central United States during the Great Depression robbing banks, stores and gas stations, are ambushed and shot to death in Louisiana by a posse of six law officers. Officially, the autopsy report lists seventeen separate entrance wounds on Barrow and twenty-six on Parker, including several head shots on each. So numerous are the bullet holes that an undertaker claims to have difficulty embalming the bodies because they won't hold the embalming fluid.
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