Remember our set of paperback covers featuring women who had died with their eyes agape? Here’s another to add to the list, which we saw over at Bill Crider’s blog. It’s Robert O. Saber’s The Affair of the Frigid Blonde, published in 1950 by the Handi-Books imprint of Quinn Publishing Company, Inc. This one is a bit strange, though, because of the three men seemingly hovering in mid-air to get a look through the deceased’s skylight. We chalk the bizarre perspective up to artistic license, or maybe we’re just not seeing it right. In fact, maybe she’s not even dead. Maybe she’s just in a state of shock. If we saw three guys floating above our skylight we’d fall into a stupor too. But no, the synopsis makes clear she’s dead. 

Anyway, Robert Saber was a pseudonym used by Milton K. Ozaki, who also published frequently under his own name. The book also appeared in Australia as The Deadly Blonde in 1953, published by the Australian imprint Phantom Books, with slightly altered art. Among other details, what looks like a robot but is probably supposed to be a lamp was removed from the background, a clock disappeared, a humanoid shadow at the far right edge vanished, and the woman’s undies were made less sheer (though the floating guys still get a pretty interesting angle). All in all, this is very instructive example of how cover art changes between editions of pulp paperbacks. We’ll dig up more examples later.