Vintage Pulp Apr 6 2023
VOODOOS AND VOO-DON'TS
Except for a few quaint customs she clings to, she's a typical conservative society lady.


Love at first sight, and marriage on first night. At least a few mid-century writers worked this theme, and readers seemed to buy it. A few descriptions of how beautiful the woman was and voilà—hearts and wedding bells. But whether it actually worked as a device depended upon plot and writing skill. Eric Hatch, in his 1952 novel The Golden Woman, uses the exotic surroundings of Port-au-Prince, Haiti to weave the spell needed to make readers believe a fantastically rich young virgin named Yvette du Chambrigne and a naval officer named Walter Moore meet, fall in love, and marry over the course of a night and day. The romantic but reckless decision brings them into conflict with the Haitian elite, as Yvette has defied her powerful father's wishes to marry her off for political gain to a cruel army general named La Borde.

Yvette is Haitian, but she's also white. Well, near enough to count, though as Hatch writes the character, her smidge of African blood makes her—in some mysterious way that must have made sense to readers back in the day—primitive. We know, we know. We didn't write the thing. We just work here. Hatch's protagonist Walter Moore says he wouldn't care if Yvette were fully and visibly black, but since she's by any realistic measure fully and visibly white, he would say that, wouldn't he? Whether the young lovers are culturally compatible becomes a key question of the story, and this brackets a central plotline in which Moore becomes swept up in—you guessed it—revolution. We've read a few books now that have used the same idea. In this case, Moore basically leads the revolution. While riding a horse. And carrying a sword. While under the protection of the voodoo god Mala. Sounds silly, right? It is. But we have to admit it's also fun.

Eric Hatch is remembered today for his books 1101 Park Avenue (filmed in 1936 as My Man Godfrey) and The Year of the Horse (filmed as The Horse in the Gray Flannel Suit). With The Golden Girl he reminds readers that if you got one drop of ink in the milk, the milk was perceived to be fully ink. Even today, someone who is three quarters white and one quarter black is going to be seen as black. The Golden Woman is, in the Year of Our Division 2023, a reminder that ideas around "purity" still predominate—even if unconsciously—for many people. But leaving that fraught discussion aside and judging the book solely as a thriller, it's worth a read, absurd though the story may be. If you're interested in island adventures in general, or Haiti in particular, we say go for it. The art on this Gold Medal edition is by Barye Phillips, influenced by a Life magazine photo from 1948, which you see below.
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History Rewind
The headlines that mattered yesteryear.
May 27
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".
May 25
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
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