Vintage Pulp Apr 8 2021
LITTLE RED RIDING WITH HOODS
This absolutely sucks. Next time grandma needs a basket of food I'm telling her to order it from Uber Eats.


Have you heard the story of Little Red Riding with Hoods? It's a classic. Little Red Riding with Hoods leaves her cottage one day intent on buying a gift with a cashier's check. She crashes into a carload of bank robbers, and since their vehicle is now disabled, they steal hers—with her in it. They flee to their hideout, and thereafter are divided over what to do with Red. But the debate is short. They all know she's a witness and must be killed, which makes efforts by the cops a race against time. Crucially, they've lost some of that time because when the cops find out about the cashier's check they think Red has run away to start a new life. But they finally uncover a salesman who's owed for the gift Red ordered, and at that point realize she has indeed been kidnapped and probably doesn't have long to live. How does it all end? Well, we can tell you this—the book could have gone all sorts of places, but in 1957 when Lionel White published it, is there any doubt Red lives happily ever after? You sense it early and grow more certain with each page. But don't yell spoiler at us—Hostage for a Hood is still a good read, foregone conclusion and all.

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Vintage Pulp Mar 26 2021
WHY THE HELL NOT
I know it isn't exactly Tahiti, baby, but it's warm, cheap, and there aren't any COVID restrictions.


We're fans of illustrator James Meese. His covers are easy to caption. Remember Fort Everglades? How about Amazon Head-Hunters? We don't know if credit goes to him for the interesting moments his chose for his work, or if the publishers who employed him were responsible, but we'll take it. Above is another—Gil Brewer's 1953 novel Hell's Our Destination, with a couple who look like they've just realized their non-refundable AirBnB is right over a country/western dance bar that stays open until sunrise. 

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Vintage Pulp Mar 15 2021
PHOTO GRAPHIC NUDITY
These shots are surprisingly revealing. This shaving thing you do—call me crazy but I think that could really catch on.


Above, a Barye Phillips cover for Bodies in Bedlam by Richard S. Prather, the second entry in his forty-one novel series (or maybe it was forty-two) starring detective Shell Scott, for Gold Medal Books, 1951. We have a couple, so we'll circle back to Prather and Mr. Scott a bit later. 

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Vintage Pulp Feb 18 2021
BOATMAN AND ROBBIN'
When ragtag crooks hook up with a bevy of Bahama mamas a tropical storm breaks.


Basil Heatter 1963's novel Virgin Cay was an enjoyable tale, so when we saw this Robert McGinnis cover for Harry and the Bikini Bandits we couldn't resist. The novel, which came in 1969 with Fawcett/Gold Medal's edition appearing in 1971, is the story of seventeen-year-old Clayton Bullmore's trip to the Bahamas to see his nutty uncle Harry, who lives on a raggedy ketch and has a magic touch with women of all types. This is where the bikinis come in, but the bikini-wearers are not the bandits (except, technically, one). The bandits are Harry, a couple of his acquaintances, and Clay, who's dragged into a scheme to rob the big casino in Nassau. The combination of coming-of-age story and casino caper is fun, and Heatter mixes in humor, sex, and action, and folds it all into a winning waterborne milieu. He even manages to add a shipwreck, a deserted island, and buried treasure, so we'd say he includes all the most beloved tropes of tropical adventures. It'll make you want to run away to the Caribbean. Heatter is two-for-two in our ledger.

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Vintage Pulp Feb 4 2021
IF NOT NAO WHEN
Everybody's gotta go sometime.


We don't find much Brazilian pulp, but above is an interesting—if battered—cover for Tarn Scott's, aka Walter Szot and Peter G. Tarnor's Não Me Deixem Morrer, which is a translation of their U.S. released 1957 kidnapping tale Don't Let Her Die, a book we read and enjoyed a few years ago. This was put out by the Rio de Janeiro based imprint Ediex for its Selecrimes series in 1964. We gather that Ediex was a branch of the Mexico City publisher Editormex Mexicana, and that the company released quite a few translations of English crime books during the 1960s.

The art, which is by an unknown, is a low rent copy of that found on the cover of 1958's The Lusting Drive by Ovid Demaris, which you see below. That cover is also uncredited, but some think it's by Ernest Chiriaka. We agree. In fact, we don't think there's any doubt. Not only is the style—particularly of the female face—a dead match, but Chiriaka was pumping out illos by the cartload for Gold Medal during the mid- to late-1950s. So we're going to go ahead and call this one a lock. We may share a few more Brazilian paperback covers in a bit. Stay tuned.
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Vintage Pulp Dec 8 2020
FALLEN ANGELS
Yup, that's them, but do they have to go to jail? I felt like they brought a real touch of class to skid row.


A line-up of women at the mercy of a witness and the police? You know this isn't going to end well. Angels in the Gutter is classic scare fiction (i.e. if you're not careful this could happen to someone you know—or even you!) originally published in 1955 by Fawcett Publications for its Gold Medal line, with this second printing coming in 1959. We really should have bought this book. It's cheap and there are no reviews online. That's the daily double for us. Plus the wraparound cover (below) is excellent. But we have about ten times as many books lined up as women lined up at this police station, and that's no exaggeration, so this one was a difficult pass.

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Vintage Pulp Dec 3 2020
DEAD IN THE WATER
A favor turns fatal in MacDonald mystery.


This is just the sort of eye-catching cover any publisher would want from an illustrator, an image that makes the browser immediately curious about the book. Since so many John D. MacDonald novels were illustrated by Robert McGinnis, and the female figure here has the sort of elongation you usually see from him, you could be forgiven for assuming at a glance that this is another McGinnis, but it's actually a Stanley Zuckerberg effort, clearly signed at lower left. We've run across only a few of his pieces, namely The Strumpet City and Cat Man. This is by far the best we've seen.

The story here is interesting. It begins with a woman having drowned in a lake and a sister who disbelieves the verdict of accidental death. She's right, of course, and the detective she hires soon agrees with her. The mystery is quickly revealed to involve taxes, deception, and money—specifically money the dead woman was supposed to keep safe and which has now disappeared. In an unusual move, MacDonald unveils the killer two thirds of the way through the tale, and the detective figures it out shortly thereafter. The final section of the book details his efforts to trap the villain.

This is the last book MacDonald wrote before embarking on his famed Travis McGee franchise. It was within the McGee persona that MacDonald indulged himself in often tedious sociological musings. In The Drowner his characters ring more true, but you can see signs of what is to come in several existential soliloquies concerning the state of the world and the various frail personality types that inhabit it circa 1963. For all our misgivings about the McGee books, they're still good. But we especially recommend any novel MacDonald wrote that came earlier, including this one.

Update: We got an e-mail from Pamela, who told us, "The plot seemed familiar, and sure enough - it was an episode of Kraft Suspense Theatre back in 1964."

We had a look around for it, with no expectations of success, but lo and behold, we found the episode on Archive.org, which often has public domain films and television shows on its platform. We watched the episode, which stars Aldo Ray, Clu Gallagher, and Tina Louise, and we have to say, John. D. MacDonald was probably thrilled. The adaptation is almost exact, with only a bit of license taken with the climax. The only thing he would have hated is that he's credited as John P. MacDonald. The only thing we hated was the lo-rez quality. Oh well. You can't ask for perfection when it comes to early television.

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Vintage Pulp Oct 25 2020
A ROUGH DAY AHEAD
*sigh* And to think I used to drink coffee in the morning.


Above, a Robert Maguire cover for Robert W. Taylor's The Glitter and the Greed, 1955, from Gold Medal Books. Thankfully, we've had few mornings like this, but if we go into another quarantine, it might become routine. 

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Vintage Pulp Sep 10 2020
PAILS BY COMPARISON
All these books are on our bucket list.

When you look at paperback covers every day it's interesting the common elements you notice. Of late, we've noticed buckets. They pop up on backwoods and rural sleaze novels, usually in amusing fashion, often in the possession of hardworking women going about difficult chores while nearby men don't do dick. We'll just tell you—that's not the way it works around our place.
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Vintage Pulp Jul 28 2020
ZERO SUM DAME
There's nothing in her way except a huge red box.


Above you see a wonderful alternate cover for Nothing in Her Way by Charles Williams, with the great Robert McGinnis on the brush chores. We personally don't mind that Gold Medal covered McGinnis's femme fatale with a box of text, but we imagine McGinnis purists do. Considering this cover dates from 1963, it's perhaps a little too much to expect a publisher to feature a practically naked woman on a mainstream novel—and make no mistake, Charles Williams was a mainstream author who sold piles of books. Gold Medal obviously made concessions for the puritans, of which there have always been many in the U.S. But never fear. The case of the censored femme fatale was easy to solve. Just look below, where we've composited together a complete version, not to be found on any other website. Pretty good, no? We're not just pretty faces. See the earlier Gold Medal cover here.

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Next Page
History Rewind
The headlines that mattered yesteryear.
April 20
1939—Holiday Records Strange Fruit
American blues and jazz singer Billie Holiday records "Strange Fruit", which is considered to be the first civil rights song. It began as a poem written by Abel Meeropol, which he later set to music and performed live with his wife Laura Duncan. The song became a Holiday standard immediately after she recorded it, and it remains one of the most highly regarded pieces of music in American history.
April 19
1927—Mae West Sentenced to Jail
American actress and playwright Mae West is sentenced to ten days in jail for obscenity for the content of her play Sex. The trial occurred even though the play had run for a year and had been seen by 325,000 people. However West's considerable popularity, already based on her risque image, only increased due to the controversy.
1971—Manson Sentenced to Death
In the U.S, cult leader Charles Manson is sentenced to death for inciting the murders of Sharon Tate and several other people. Three accomplices, who had actually done the killing, were also sentenced to death, but the state of California abolished capital punishment in 1972 and neither they nor Manson were ever actually executed.
April 18
1923—Yankee Stadium Opens
In New York City, Yankee Stadium, home of Major League Baseball's New York Yankees, opens with the Yankees beating their eternal rivals the Boston Red Sox 4 to 1. The stadium, which is nicknamed The House that Ruth Built, sees the Yankees become the most successful franchise in baseball history. It is eventually replaced by a new Yankee Stadium and closes in September 2008.
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