Spread-eagled Aslan art helped cure the guilt of buying pirated music.
We said we were done with France for the moment, but we’re veering back there briefly today to show you this Cure album sleeve featuring art from the French painter Aslan. Live at Paradiso is a bootleg, same as the other Aslan-fronted Cure record we showed you back in January. The people who pressed this weren’t messing around, either—they opted for one of the artist’s more explicit paintings. No complaints here, but we bet Aslan was a bit annoyed when he saw his work appropriated yet again. It wouldn’t be the last time. We’ll get to more bootleg sleeves a bit later.
Aslan art makes unlikely appearance on Cure album sleeve.
A couple of weeks ago we said we’d get back to more Alain Gourdon, aka Aslan album sleeves, so above is a rather eye-catching one for a collection of Cure songs entitled The Spell’s Unbroken. It’s a live release that was recorded in Birmingham, England in 1985 and pressed in Germany in 1986, and it’s got such Cure goodies as “Kyoto Song,” “Let’s Go to Bed,” and the excellent “In Between Days,” as well some more obscure tracks. The album is unofficial—or a bootleg, if you prefer that term—so in theory it was pressed and sold without the band’s participation. We also assume Gourdon hadn’t a clue about the art. And wouldn’t you know it—the record sells for exorbitant amounts of money, routinely over a hundred dollars. We don’t know about you, but that’s enough to cure us of any urge to buy it.