Vintage Pulp Dec 3 2016
WHEN PARIS MET SALLY
The French always know a good thing when they see it.


Today we have assorted scans from an issue of Folies de Paris et de Hollywood published in 1964 with cover star Sally Douglas, a British actress who appeared in numerous films and who's popped up on Pulp Intl. a couple of times before, including, memorably, fronting the French magazine Evocations. Her film roles were often uncredited, and when she was acknowledged it was often in less-than-flattering terms. For example, in Doctor in Love she was “dancer in strip show,” and in Genghis Khan she was simply “concubine.” Probably the most cringeworthy of her credits was in A Study in Terror, in which she was “whore in pub.” It's a hell of a way to make a living, but between movies, television, and modeling she managed to become mildly famous and fondly remembered. Elsewhere in Folies de Paris et de Hollywood you get glamour models and burlesque performers, and they all add up to another visually pleasing slice of naughty nostalgia. We have many more of these in the website. Just click the keywords below and start scrolling.

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Hollywoodland Nov 27 2016
DIVORCE DE SCAFFA STYLE
Hah hah, I'm free! Drinks for everyone! My ex-husband's paying!

Why is this woman laughing? Because she's just been granted a divorce. She's actress Francesca de Scaffa and she was married to actor Bruce Cabot until today in 1951, when the photo memorialized her cheerful unfettering. Why is the man laughing? He's Hollywood super lawyer Jerry Giesler, and he's probably thinking about the fees he collected. Strangely, Wikipedia lists de Scaffa and Cabot as divorcing in 1957, but we found wire photos stating unambiguously that they split in 1951. However, we also found references to the 1957 divorce. We can only guess that two remarried at some point, a supposition that makes sense considering we also found a photo of the two dining in December 1951 captioned in part, “Last night, guess who took [de Scaffa] night-clubbing? Right! Bruce Cabot.” The point of the caption being that divorced couples are not often seen out having a night on the town together. It lends credence to the idea that they married twice, but don't quote us on it. We will find out, though, because we'll probably revisit de Scaffa a bit later—she's true pulp material. Among her many exploits were acting as an informant for Confidential magazine, a liaison with the Shah of Iran, marrying a Spanish bullfighter, running afoul of Mexican officials who tried to deport her, two suicide attempts, and more. As far as her marriage(s) with Cabot go(es), we'll put it(them) in the mystery file for now.

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Vintage Pulp Nov 27 2016
TOP MODEL
Boys, there's no need to fight over me. I can be icy and unobtainable enough for both of you.

A couple of months back we shared a cover from Spain's Ediciones G.P. for Franck Marchal's Natalia enciende la mecha, which we mentioned was part of a series written by French authors Pierre Aspetéguy and Monique Henry. Above is the first entry in that series, simply titled Natalia, featuring the 1959 debut of their part-time fashion model/full-time ass whipping super spy. We're sharing this today because we've dug up some new info on the series—we couldn't identify the cover artist on the previous example, but we we think this one may have been painted by a Spanish artist who called himself or herself Chaco. That's all the info we have, but we'll keep digging. Anyone out there know anything? Drop us a line.

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Vintage Pulp Nov 24 2016
DRAGON LADY
Trouble is breathing down her neck.

Above, an eyecatching piece of Jef de Wulf art fronting Le dragon vert, or The Green Dragon, written by Bob Arnal for Editions de la Flamme d'Or. Basically, it's Fu Manchu style Asian Peril fiction about a nefarious criminal organization known as Green Dragon, majorly uncool Chinese cocaine dealers planning to extend their long reach into Europe. 1953 copyright. 

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Vintage Pulp Nov 15 2016
HEADS WILL ROLL
Mon dieu! I must have grabbed the wrong bag. Then that nice man from Sicily must have my towel and sunscreen.

This novel has a rather funny title—Vide ton sac... hé means “Empty your sack... hey!” It was written by Louis de la Hattais for the Allo Police series published by SEG, aka Société d’Editions Générales, 1957 copyright. We didn't know who painted these covers when we first posted from this series, but now know it's Auguste Liquois, who did a lot of work for SEG. Learn more about de la Hattais and Allo Police here.

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Vintage Pulp Nov 13 2016
V INSPIRED
Would you like that cocktail shaken, stirred—or shall we just skip it and move to the next activity?

Since mentioned French attitude above, let's revisit the French magazine with coolest attitude ever—V. We've scanned and uploaded some issues of this publication (check here and here for a start) but haven't circled back to it for a few years. Above you see a cover for V Cocktail, which is was just one iteration of the magazine. There was also V Sélections, V Spécial and of course just plain V. These were all painted by René Caillé, one of several great cover artists employed by the magazine, along with Jean David and others. One of these images came from Au carrefour étrange, so thanks to that great blog.

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Vintage Pulp Nov 11 2016
THE PLEASURE IS MINE
I'd like to thank all my fans—particularly the one I'm holding.


It's been a while since we shared an issue of Paris Plaisirs, so today we have a nice example for you with Lily Damita, aka Liliane Marie-Madeleine Carré, on the cover. Mid-century paperback art generally features tough guys and femmes fatales, and that aesthetic has become intertwined in most people's minds with the idea of pulp, but during the movement's actual heyday in the early 20th century the visual style most commonly seen in publications was art deco. This art deco styled issue of Paris Plaisirs hit newsstands in Paris in November 1929, which is when U.S. magazines like Life and Vogue were also busily churning out art deco covers, and newspapers were filled with the exploits of gangsters and flappers. At the same time, legendary pulp publications like Argosy, Amazing Stories, and Black Mask were on their way to establishing a different visual style, and that would in turn evolve into the lurid paperback art of tough guys and femmes everyone knows and loves. We're quite fond of Paris Plaisirs and have quite a few more of them which we'll try to share down the line

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Reader Pulp Oct 21 2016
JUST FOR THE RECORDS
French artist Jacques Puiseux spins us round with his pulp influenced vinyl art.

Pulp Intl. friend Jacques Puiseux staged a gallery show earlier this autumn and e-mailed over a few of his pulp influenced pieces. The exhibition was in Aup, a small town in the French Provence region, and Jacques' trompe l’œil pin-ups mimicking vinyl records managed to draw the attention of local feminists, female and male, who staged a protest concerning objectification of the female body. Apparently, they compared his work to the famed Pirelli calendars and said Jacques was almost as bad as Donald Trump.

Pulp Intl. would doubtless likewise be labeled sexist by these particular protesters, but of course a pulp history website could hardly fail to be. We would simply suggest that appreciation for beauty, whether male or female, is not inherently exploitative. While many feminists are actually quite vocal in their appreciation of beauty and sex (personified by the new wave of woman centered porn websites), a subset seem to believe that any male expression of appreciation for female beauty is a form of violence.

As we've mentioned before, since 99.9% of humans came into being through an act of sex, and sex drives our existence, biologically speaking, it follows that it's unreasonable to expect it not to be on people's minds much of the time. We're all wired that way. And since it is on people's minds, those thoughts and desires will be expressed. We agree there's a best and worst way to do it, and that a refusal should be taken at face value, and that safety is paramount, but we disagree that any expression of sexual interest by an unknown male toward a unknown female is wrong.

The feminist cause is right and moral, but we don't imagine the coming world as one in which women are never looked at by unknown men as sexual beings, or approached by unknown men at bars or parties, or complimented on their beauty by unknown men. We imagine a world in which those things happen and it goes only as far as a woman's consent permits. That might be no farther than a few exchanged words, but conversely it might go all the way to someone's bed for a lovely night. Doesn't that sound like a fun world?

Jacques, we think, would agree. He's a guy who thinks women are beautiful and that interest comes out in his art, as it has for countless other artists and always will. He also likes pulp, et voilà—what you get is what he's done above and below. We really like these, and they fit nicely into our conception of modern pulp. You can see a few more Puiseux pulp stylings at this link, and feel free to check out more of his record-like creations at the tumblr page Vinyles Passion.

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Vintage Pulp Oct 16 2016
SHIP'S MATES
That was great. Send in the third mate when you go. And tell the fourth and fifth mates to get warmed up.

Love Me Sailor was originally published in 1945 by the Australian imprint Georgian House and what a bombshell it was. After much legal wrangling it was banned in 1948 and author Robert S. Close was tossed in prison. His sentence was three months but he served only ten days. He's the only Australian ever jailed for writing a book. After his release he left in disgust for France and didn't return for twenty-five years. Even then he stayed only briefly before leaving again and living the rest of his life on Mallorca.

So what was the fuss about? Love Me Sailor tells the story of a male crewed windjammer that takes on a single female passenger in the form of Emma Miller. The men soon want to slide their dinghies into her cove but because she likes both sex and variety they're soon at each others' throats. Men, right? As a hurricane spins up, the question that arises is whether the crew can function well enough to survive. The book is a serious effort at literature and is highly regarded by many. The edition above from Popular Library appeared in 1952, and the cover art is by unknown.

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Modern Pulp Oct 15 2016
FIVE STAR PERFORMANCE
Japan welcomes a quintet of Bardot's best romantic comedies.

This beautiful and unusually designed poster was made for a 2008 Brigitte Bardot film retrospective in Japan. The event focused on her romantic movies and the slate consisted of Et Dieu... créa la femme, aka ...And God Created Woman, En effeuillant la marguerite, aka Plucking the Daisy, Une Parisienne, Les bijoutiers du claire de lune, aka The Night Heaven Fell, and Doctor at Sea. This is a frame-worthy piece of modern graphic design. Note how all the lines of text are set at slight angles, just a little something to dazzle the eye. Top work. 

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History Rewind
The headlines that mattered yesteryear.
December 04
1918—Wilson Goes to Europe
U.S. President Woodrow Wilson sails to Europe for the World War I peace talks in Versailles, France, becoming the first U.S. president to travel to Europe while in office.
1921—Arbuckle Manslaughter Trial Ends
In the U.S., a manslaughter trial against actor/director Roscoe 'Fatty' Arbuckle ends with the jury deadlocked as to whether he had killed aspiring actress Virginia Rappe during rape and sodomy. Arbuckle was finally cleared of all wrongdoing after two more trials, but the scandal ruined his career and personal life.
December 03
1964—Mass Student Arrests in U.S.
In California, Police arrest over 800 students at the University of California, Berkeley, following their takeover and sit-in at the administration building in protest at the UC Regents' decision to forbid protests on university property.
1968—U.S. Unemployment Hits Low
Unemployment figures are released revealing that the U.S. unemployment rate has fallen to 3.3 percent, the lowest rate for almost fifteen years. Going forward all the way to the current day, the figure never reaches this low level again.
December 02
1954—Joseph McCarthy Disciplined by Senate
In the United States, after standing idly by during years of communist witch hunts in Hollywood and beyond, the U.S. Senate votes 65 to 22 to condemn Joseph McCarthy for conduct bringing the Senate into dishonor and disrepute. The vote ruined McCarthy's career.

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