That's no lady—that's Brigitte Bardot.
Above, an iconic poster painted by Giorgio Olivetti for the 1957 Brigitte Bardot comedy Una parigina, originally released as La Parisienne. The Bardot figure here was the first femme fatale graphic ever used as the symbol of Pulp Intl., which some of you may remember. Olivetti painted two promos for the film. The second one, just below, is less famous, but still beautiful. We talked about this movie over the summer, and in short it's Bardot running around Paris creating Monroesque chaos among the male population, though with a winkingly more adult subtext than in your average Monroe romp. In other words, there's a hint here and there that Bardot actually gets laid. We don't think that ever happened in Marilyn's comedies. If you're curious about the movie, or interested in seeing the nice U.S. poster—which also features Bardot in her famous red dress—have a look here.
You know why I'm great at my job? Because I'm sweating like a racehorse in this get-up and you can't tell.
French artist Alex Pinon knocks this cover for the spy thriller Mission spéciale à Rio out of the park with his black clad femme fatale and backdrop of Guanabara Bay and its famed Sugarloaf Mountain. Since Rio's average daily temperature never drops below 80 Fahrenheit, no Brazilian would actually dress like this, at least not during daytime, but the art is great. The book was published by Société des Éditions Nouvelles Valmont and its author called himself Commandant René. You're probably assuming that's a pseudonym, and you're right. It was used by Jacques Dubessy, Guy de Wargny, Henri Certigny, and other authors. Between them they wrote more than thirty books as this Commandant person, with the above coming in 1959. We have a lot of French art in the website, so poke around if it interests you. We'll have more soon.
Don't look now but you're soaking in it.
Above, an amazing Japanese poster for the French adult film Orgies en cuir noir, which was known in the U.S. as Water Blue. It starred Anna Lombardi, Annick Chatel, Elinia Martinelli, Eva Jaeger, and Minouche, and it's a ridiculously low budget effort about a bdsm sex cult ensconced in a Parisian basement. The group lures a woman into its circle and, after feeding her what appears to be ecstasy, introduces her to assorted carnal variations. The movie is notable for its pansexual content, including gay and transexual scenes. You can find it online if you care to, but we don't recommend it—the copy we saw looks like it spent months soaking in the enema water that features prominently in the plot. Just enjoy the poster art. The movie premiered in France today in 1984.
When the Belle rings it's time for everyone to get it up.
Above is a Japanese poster and a pamphlet front for the French sexploitation flick Laure, aka Forever Emmanuelle, which premiered in Japan today in 1976 after opening in Italy nine months earlier. We watched it, and first of all the movie looks great. It's crisp, bright, and colorful—three things you really want when Annie Belle is the star. We gather that the palpably high budget was due to an infusion of big studio money from Twentieth Century Fox via Cinecittà Studios, as they tried to cash in on the 1970s sexploitation phenomenon. None of this means the movie is good.
Emmanuelle flicks are chaste and atmospheric, more romance than raunch, and Laure is no exception. Belle plays a highly sexed minister's daughter running wild in the Philippines, from Manila to the jungly outer reaches. There's a plot having to do with searching for the isolated Mara tribe, but the movie is more a series of swinger lifestyle lectures and sexualized vignettes, such as when Belle drops her skirt so she can walk around in public wearing nothing but a shirt that flashes her muff, and when she gets laid in a bamboo hut that's being dragged through the woods by a dozen Filipino workers. She's wanted by everyone whose path she crosses, but it's Al Cliver who piques her interest, thanks to his unwillingness to attempt caging her or cooling her hot blood. At one point he announces, “Jealousy is an obscenity.” It takes quite a man to watch the woman he loves have explosive orgasms with every stranger who happens along.
Of special note is a co-starring turn from Thai/French personality Emmanuelle Arsan, who in 1959 anonymously published the book Emmanuelle, source of the film franchise. Or at least she was thought for years to have been responsible for the book. Her husband Louis-Jacques Rollet-Andriane is now considered the author. Arsan was also credited with directing Laure, or at least co-directing it, but that was Rollet-Andriane again, whose name isn't on the film for reasons too involved to go into here. Well, it's definitely Arsan playing the role of Myrte, adding to the film's visual allure by looking great naked at age forty-four. She can't act, but she's good at giving wise looks and secretive smiles. She's easy to buy as the source—or at least inspiration—for Emmanuelle, because she's a very sexy woman. Despite all the film's beauty, we aren't going so far as to recommend it generally, but for lovers of globetrotting softcore or fans of Annie Belle it's mandatory.
Turns out too big to fail was a strictly financial concept.
You wouldn't think when you work for one of the industries most responsible for screwing up the planet you'd get much sympathy when you wind up dead, but Frances and Richard Lockridge's Payoff for the Banker was written in a previous era. This banker, George Merle, was loved by many and respected by all. Well, not all. At least one person hated him, and police think it's the woman in whose apartment his body was found. Enter husband and wife sleuths Pamela and Jerry North to solve the case. The fact that husband and wife sleuths were written by husband and wife authors interests us, as we have trouble collaborating on a trip to the store with the Pulp Intl. girlfriends, but that's why fiction is different from reality. The Lockridges were so good at working together they even made the Norths into franchise characters who appeared in twenty-six books. They also were portrayed on radio, stage, television, and cinema. We bet the Lockridges argued mostly about how to spend all their earnings. Originally published in 1946, this Pocket paperback edition appeared in 1948 fronted by Donald Beck art.
U.S. magazine offers its vision of the world.
Model and singer Corky Crowley stars on this September 1948 cover of See magazine, a publication that came out of New York City and fell squarely into the Life and Look category. We picked this up years ago in the U.S. and never got around to posting it because its large format and the resultant necessity to scan pages in halves and join them in Photoshop deterred us. But we finally had a few spare hours we opted not to spend on a local terrace sipping white wine, and today you have the result.
Inside this monster mag you get photo features, celebs, politics, travel and more. Probably the most interesting feature is the one detailing the transformation of a French typist into a high society dame. It was done as a promotional feature by the magazine Point de Vue and they called it “Cinderella for a Day.” For this installment they chose a woman named Juliet Latifa, who they coiffed, dressed, sent to the swankiest Parisian nightspots, hooked up with the celeb set, then sent packing at the end of the night just like in the fairy tale.
The final photo caption sums it up: “Her 24 hour dream ended, drab normalcy not unexpectedly overtakes Cinderella, but unforgettable memories will serve to bolster her occasionally slipping morale.” Wow—belittle much, See editors? In any case, the photos of Latifa's night out are nice. We wish we could scan all the shots in the magazine but there are more than a hundred and we just don't have that kind of stamina. We managed about twenty pages divided into thirty plus panels featuring Latifa, Anna Neagle, Michael Wilding, Ingrid Bergman dressed in armor for her role in Joan of Arc, and more.
Let me put it to you the only way men seem capable of understanding.
Cool Aldé cover art for Les aventures de Zodiaque #39 — Drôle de musique, published by Éditions de Neuilly in 1952. We talked a bit about Aldé and Zodiaque several years ago, so if you're curious just follow this link. We also have a cover collection you can peruse here.
Ascent of a woman.
French actress Hélène Chanel was born Hélène Stoliaroff, and since the fragrance Chanel No. 5 predates her birth we guessed she deliberately borrowed the name for her pseudonym. How's that for some crack detective work? We're more than just pretty faces around here. But we may have been wrong. The story goes that she actually chose “Chancel” for her last name, but her agent—ahem—misspelled it “Chanel.” In any case, Hélène Chanel is how she went through the rest of her career, as she starred in numerous films, including Killer calibro 32, Cjamango, and Asso di picche: Operazione controspionaggio, aka Operation Counterspy. And she's also this person's sister, which would make her Chanel No. 2 as far as we're concerned, except for the fact that her sis chose a different pseudonym. We'll let them sort out the pecking order at the next family get together.
Mmm... rack of lamb with garlic and rosemary, right?
Golden Lust actually sounds more like a Chinese restaurant than a French one, but since this paperback came from France Books we had to go French with both our header and our menu item. Remember to brush after meals so all your kisses are minty fresh. Author Adam Coulter was the name behind sleaze efforts like Big Mama, Lesbian Captive, Rape of Eden, and Couch of Desire, which we highlighted a while back. We say name behind because Coulter was a pseudonym, used in this case by James T. Smith. Golden Lust is copyright 1962, with cover art by unknown. |
The headlines that mattered yesteryear.
1973—Nixon Proclaims His Innocence
While in Orlando, Florida, U.S. President Richard Nixon tells four-hundred Associated Press managing editors, "I am not a crook." The false statement comes to symbolize Nixon's presidency when facts are uncovered that prove he is, indeed, a crook.
1938—Lysergic Acid Diethylamide Created
In Basel, Switzerland, at the Sandoz Laboratories, chemist Albert Hofmann creates the psychedelic compound Lysergic acid diethylamide, aka LSD, from a grain fungus.
1945—German Scientists Secretly Brought to U.S.
In a secret program codenamed Operation Paperclip, the United States Army admits 88 German scientists and engineers into the U.S. to help with the development of rocket technology. President Harry Truman ordered that Paperclip exclude members of the Nazi party, but in practice many Nazis who had been officially classified as dangerous were also brought to the U.S. after their backgrounds were whitewashed by Army officials.
1920—League of Nations Holds First Session
The first assembly of the League of Nations, the multi-governmental organization formed as a result of the Treaty of Versailles, is held in Geneva, Switzerland. The League begins to fall apart less than fifteen years later when Germany withdraws. By the onset of World War II it is clear that the League has failed completely.
1959—Clutter Murders Take Place
Four members of the Herbert Clutter Family are murdered at their farm outside Holcomb, Kansas by Richard "Dick" Hickock and Perry Smith. The events would be used by author Truman Capote for his 1966 non-fiction novel In Cold Blood, which is considered a pioneering work of true crime writing. The book is later adapted into a film starring Robert Blake.
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