Jean de la Hire’s truth is stranger than fiction.
The French sci-fi novel L’Invisible was written by Jean de La Hire, aka Espié Adolphem, for Éditions Jaeger et Hauteville’s Fantastic series in 1953. The set-up is ingenious here—basically, H.G. Wells’ famous novel The Invisible Man was a disguised factual account, and this book reveals the truth about the man Wells fictionalized. He develops an invisibility potion, uses it to make a fortune, and later faces a choice between continuing on his path or giving it up for love. The cool cover art is by René Brantonne.
Everybody who was anybody got inside.
Above and below, scans from the French show-biz and showgirl magazine Paris-Hollywood, issue 26, from 1948. The front cover features Marguerite Chapman, the rear Arlene Dahl, and in between you get Cyd Charisse, Patricia Roc, Martha Vickers, Alexis Smith, Anne Jeffreys, Luce Feyrer, Edwige Feuillère, Marlene Dietrich, and other luminaries. That's quite a collection of celebs. In upcoming years the magazine would spend more time on cabaret dancers, but its early issues were all about international stars. We picked up a few of these in Paris a while back and we’ll get to some detailed scans of those soon. In the meantime, you can see more from Paris-Hollywood here, here, and here.
, Marguerite Chapman
, Arlene Dahl
, Cyd Charisse
, Patricia Roc
, Martha Vickers
, Alexis Smith
, Christiane Ardennes
, Claude Carmoin
, Edwige Feuillère
, Anne Jeffreys
, Luce Feyrer
, Marlene Dietrich
Let your love take flight.
Jef de Wulf really outdid himself here. This cover is from 1958 for René Roques’ romance novel La Fille de Monseigneur, and we think this is by far the best we’ve seen from de Wulf. The central balloon reads “love,” of course, and all the others have the two syllables making up the French word “rire,” or laugh, creating an image of heartlifting joy. Sublime stuff. Check out some of de Wulf’s other covers by clicking his keywords directly below.
Then we’ll do flowered window treatments here, move the bed over there, and I’ll need lots of room for my porcelain dolls, and Widget’s doggie bed will fit in the corner…
French author Émile Zola gets a posthumous pulp makeover for his novel Fatal Intimacy, which appeared as above in 1960 but was originally published in 1868 as Madeleine Férat. Though Zola was a literary icon (and an interesting public figure), this is an early novel and it’s not as far away from cheap paperback fiction as you might suspect. The art is by Donald E. Green.
Anna Karina gives an ancient place a touch of contemporary beauty.
Anna Karina, née Hanne Karin Bayer, is a famed model, novelist, singer, and award-winning actress, who was a muse of French director Jean-Luc Godard, and star of such films as Alphaville, A Woman Is a Woman, and Chinese Roulette. She has also directed two movies, with the latest appearing in 2008. All very amazing, considering she was homeless and unable to speak French when she was discovered by an advertising exec in a Paris café at age seventeen. The above photo was made in Tunisia (standing in for Egypt) for her 1969 film Justine.
, A Woman Is a Woman
, Chinese Roulette
, Anna Karina
, Hanne Karine Bayer
, Jean-Luc Godard
It should have been a classic but is really just a wasted opportunity.
Paramount execs probably wet themselves when they finally made a deal to get American star Burt Reynolds and French icon Catherine Deneuve together onscreen. The promo poster tells us they’re hot—true, and it especially applies to Deneuve, who probably can't vent heat efficiently while shrouded beneath her enormous helmet of immobile, golden hair. You know those war flicks where a soldier in a ditch has a photo in his pocket of his beautiful girlfriend, and during lulls in combat he gazes at her and mutters about how he can’t wait to get back home to her? In Hustle Catherine Deneuve is a living version of that photo. Instead of being overseas she’s just across town, but she’s no less a signifier of impending doom than if she were a snapshot in someone’s pocket. We think writer Steve Shagan dropped the ball here, and not just by making her purpose in the film so obvious, but by making her role so thin. She has a key piece of evidence (she witnesses the villain making a phone call that leads to a murder) in a case that is never made, which we found bizarre. Hustle is mildly involving thanks to stylish direction and Reynolds’ innate watchability, but ultimately unsuccessful. It premiered in the U.S. yesterday in 1975.
Finally, after a lifetime's work—the condiment that will revolutionize how the world eats greenery.
Above, Drôle de salade written by Al Caussin, aka Alex Caussin de Perceval, Percy Wall, and Allan Blyth, published 1952 by France's Éditions de la Flamme d’Or, with awesome cover art from Jef de Wulf. Drôle de salade actually means “funny salad,” so you have to wonder what this book is about. In any case, what a bummer it’ll be for the main character when he finds out the term “French dressing” is already in use.
This oughta really blow your skirt up.
We had no idea there’s a porn star named Rebecca Lane, nor that she has starred in something called Creampie Surpise, but you learn something new every day. That Rebecca Lane is not to be confused with the author Rébecca Lane, who wrote Surprise-Party for Éditions Le Styx’s collection Les fruits verts in 1958. Not to say the other Rebecca Lane isn’t talented in her own right. She very likely is. Creampies are hard to make, especially if they have those crumbly crusts. Anyway, judging by Aslan’s art, the party Rébecca Lane writes about here must have been a real surpise to get such a reaction. Alternatively, the pair could be dancing. But that’s always true, isn’t it? We all could be dancing. Okay, we’re done in France. Back home and back to other types of posts tomorrow.
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