|Vintage Pulp||May 24 2017|
This chaotic West German poster for Der söldner des syndikats caught our eye for a couple of reasons. One was its sheer garishness, and the other was because the unknown artist depicted diminutive Mickey Rooney all swoll up like a Marvel Comics superhero. It just screams cheeseball classic, so we had to check out the film, which is known in English as 24 Hours To Kill. When a plane makes an emergency landing in Beirut the flight crew learns that one of their number (Rooney, decidedly un-swoll and unheroic) is hunted by a criminal smuggling syndicate he's double crossed. The repaired plane leaves in twenty-four hours, and the crew decide to protect Rooney until that time. Abandoning him is out, because he's a pal, and going to the police is out, because they'd be stuck in Beirut for days or weeks, thus making the syndicate's job easier.
|Vintage Pulp||May 10 2017|
Above, assorted scans from Folies de Paris et de Hollywood #331, published in 1965, with an unknown cover star and assorted Parisian showgirls in the interior, including Julie Jourdan. We have quite a few of these in the website, and you can see them by clicking here and scrolling down.
|Vintage Pulp||May 9 2017|
The famed French illustrator Alain Gourdon, aka Aslan, saw his work reused in the unlikeliest places, including unlicensed on bootleg vinyl sleeves for The Cure and Joy Division. Today we thought we'd show you his art recycled in his native industry—publishing. The top cover for Ludwig Krauss's Les nuits bavaroises is from Éditions Les Presses de la Nuit and appeared in 1958, and the simplified second cover for Michel de Kerguen's Concerto pour un ange is from Les Éditions Gamma and appeared a year later. You can be sure the reworked Aslan was licensed, but none of the sites we visited seemed to realize it originated with him. So we're giving him official credit. Both covers are nice, but the first is truly brilliant.
|Vintage Pulp||Apr 25 2017|
Author Igor B. Maslowski was born in 1914 in Smolensk, Russia, which his parents left to settle in Poland, where Maslowski grew up. After studying French in Warsaw, he went to Paris to study law, and in 1935 he became a reporter for French radio. Later he became a film and theater critic, and from there he moved into writing fiction under his own name and the pseudonym Renée Gaudin. Above you see a very nice cover for his mystery Le jury avait soif, with unattributed art. The book was published by Éditions le Bruyère for its Collection la Cagoule in 1950, and the title in English means “the jury was thirsty.” However, the type of jury here is not a judicial one, but a literary one, convened to select the winner of a prize, a pursuit that's disrupted when one of the panel turns up dead. Pretty soon someone else is dead, and someone else, which in a way isn't a surprise, because the world of literature is actually pretty cutthroat. Aspiring novelists beware. Below, as a bonus, you see a cover of the same novel from Éditions du Chardon's Collection le Carillon, 1954.
|Vintage Pulp||Apr 19 2017|
Pornodelirio was originally made in France as Les grandes jouisseuses and premiered today in 1978. The title literally means “the great enjoyers,” but Pornodelirio is a lot snappier, don't you think? As usual with these Italian smut posters, the names are all pseudonyms made especially for the movie's run in Italy. We don't know why, but if if any of the stars ever needed to go there at least their hotels weren't overrun by adoring, pornodelirious fans.
In any case, Annick Fougery, Anne Sand, Michele Perelo, and Pierre Forget are actually Brigitte Lahaie, Ursula White, Jean-Louis Vattier, and Dominique Aveline. It's weird that two of the pseudonyms are Fougery like “forgery” and Forget. And it's even weirder that Annick Fougery and Pierre Forget were actual French stars. But they certainly weren't in this movie. Did they ever know their names had been borrowed? Did Europe have trademark infringement laws in 1978? When they checked into hotels were they beseiged by pornodelirious fans?
This is all a bit of a mystery, but the only name in which we're really interested is Mafé. He or she painted the promo poster you see above and it's another example of his/her great work on an x-rated promo, along with this, these, and these, one of which you'll notice is an alternate poster for Pornodelirio. We still have no idea who Mafé is/was, but as always, we'll keep up the research. Soon as our delirium subsides. You wanna watch the film? The English dubbed version (with correct credits) is online right here.
|Vintage Pulp||Apr 12 2017|
|Intl. Notebook||Apr 8 2017|
Last month we showed you a piece of art by Raymond Brenot and noted the eclectic industries for which he worked. Well, he also painted advertisements. The ad above is a very nice piece of tropical themed art, apparently for the technologically advanced Tiki bra, designed according to LOU guidelines, whatever those are, and incorporating innovative side straps, whatever those are. No, we don't know much about bras. But thanks to this ad we learned that one would be called in French a soutien-gorge. At least back then. To us that sounds like some sort of surgical procedure you have on your digestive tract. And in fact if you break the word apart, soutien translates as “support,” which is encouraging enough, but gorge translates as “throat,” which raises terrifying images. Love this piece of south seas island art, though. It's, erm, gorgeous.
|Sportswire||Mar 30 2017|
Here’s an event you don’t want to miss—the sure-to-be entertaining grudge match between wrestlers Petit Prince Batman and Le Colosse Siki at the Parc de Sports in Paris. The bout was sponsored by Duval Anisette Liqueur sometime during the 1930s, according to the poster's vendor. The years during that decade where Thursday fell on March 30 were 1933 and 1939. The DC Comics character Batman premiered in 1939. But that wasn’t until May, so if this wrestling poster is indeed from the 1930s then Petit Prince Batman beat Batman by a few months, if not a few years. To us it seems unlikely, but must be true. Anyone have better info? E-mail us.
|Vintage Pulp||Mar 27 2017|
Above is a cover of Folies de Paris et de Hollywood, part of a trove we picked up in Paris several years ago. The rear cover is given to a model we've seen before. She calls herself Arabelle and graced the front of Folies #346, and the cover of Cancans de Paris, both from 1966. This issue of Folies, #350 for the long-running publication, is also from 1966, so Arabelle was pretty busy that year. Inside, other beautiful models pose with whipped cream, a lawn mower, and an antique rifle. All genitals have been removed by Folies airbrushers to protect the innocent. But how much do you wanna bet unretouched prints regularly went home with magazine staffers? We have 30+ scans below.
|Vintage Pulp||Mar 20 2017|