You know, you're kind of sexy when you're mad.
The panel length promo for Furyô anego den: Inoshika Ochô, aka Sex & Fury was one of the first Japanese posters we ever shared. It's now the standard poster scan for this film on the internet. We see it everywhere, and it's defnintely the one we uploaded because we recognize the various imperfections of the image. We've also had the above bo-ekibari style promo the whole time, and we're sharing it now, whole and in halves, eight years after that first upload, just for the sake of completeness. Have you seen the movie? It's pretty wild, and it has a love scene between Reiko Ike and Christina Lindberg. If that doesn't make your loins go all hot and gooey you aren't technically alive. Furyô anego den: Inoshika Ochô premiered in Japan today in 1973.
It's hard to get past my defenses—but I'm worth it.
This person standing with a suit of armor—possibly occupied by her protector—sure looks familiar. She's Yumiko Tatsuno and you may remember we just mentioned her two days ago because she was in the 1975 roman porno flick A Bakeneko Toruko furo, aka A Haunted Turkish Bathhouse. Well, what a coincidence. This shot of her on a February calendar page was shot by celeb photographer Takeo Sano and is from a 1974 issue of Heibon Punch. We have more from this calendar upcoming.
The cat is definitely out of the bag.
This cool poster is for the Japanese roman porno flick Bakeneko Toruko furo, aka A Haunted Turkish Bathhouse, a movie you should think of as an off-the-program addition to the website today, as it is not playing at Noir City. Obviously, the poster reveals that this is a ghost cat movie, and the title does too—a bakeneko is a cat that has changed into a yōkai, or supernatural creature. They made plenty of these ghost cat flicks in Japan, including Kaidan nobori ryu, aka Black Cat’s Revenge, which we talked about a while back.
This one stars Naomi Tani, Misa Ohara, Yumiko Tatsuno, and the luscious Terumi Azuma. Tani is whipped to death, no thanks to her husband, and comes back to haunt her killers as an avenging cat spirit. If you're a cat person, you might be thinking you'd love this. But the thing about these movies is the cats are basically just thrown into shots from off camera by production assistants, or sometimes suspended from wires, and there's no doubt their treatment was not very kind. It's good they have nine lives, because to us it looks like they need all of them to get through these movie shoots.
Below you see two more posters for the same film, alternate versions that are completely different from the one above. All three pieces are visible around the internet, but the red ones have never before been shared at this size or clarity. Watch the movie if you can. You'll find it interesting, especially the bathhouse elements (hint, hint). Whether you can watch it or not, please be kind to cats—they're a little evil in normal form anyway, but as bakeneko they're just plain lethal. Bakeneko Toruko furo premiered in Japan today in 1975.
Igarashi shows Japan who's the Boss.
This high kicking poster is for the Japanese pinku flick Semi-dokyumento: Sukeban yôjimbô. It's an obscure movie. It never had a western release, thus has no western title, but it would translate to like, “Semi-document: Girl Boss Bodyguard,” or “Semi-document: Girl Boss Bouncer.” It has nothing to do with the Noir City Film Festival that we've been looking at the past week, but we wanted to slip it in because we're dogmatic about sharing movie posters on premiere dates and this film opened in Japan today in 1974. We have another Noriko Igarashi movie poster which you can see here, and a summery promo image below.
Oh, my mistake. I thought you said out with the old in with the nude.
We thought we'd start your 2017 off right with this January calendar page from a 1974 issue of the Japanese magazine Heibon Punch featuring the always wonderful Mari Tanaka. She's chameleonic and can look very different from shot to shot. For a glimpse of her at her best, we suggest peeking here.
Hitomi Kozue is number one on any chart you care to name.
We've shared several images of Japanese actress Hitomi Kozue that had never been seen online before, and we have more we haven't uploaded we plan to get to. But today we wanted to share someone else's effort. The Tumblr blog Humungus posted a Japanese album cover with Kozue on the front. The image was so striking we decided to wipe the text off it and present it as a clean photograph—just Kozue, unadorned. You see the result above. You're welcome.
You can't keep a good girl down.
This dramatic poster was made for Nikutai no mon, aka Gate of Flesh, a movie based on a 1947 novel by Japanese author Taijirô Tamura. The book has been filmed five times. The most famous version was made in 1968 with Jo Shishido and Yumiko Nogawa earning acclaim for their lead roles in what was a serious and artistic film, but the above promo is for the 1977 roman porno version starring Reiko Kayama, Izumi Shima, and Junko Miyahsita. Needless to say, the two films diverge rather sharply. However, we need to point out, as we do periodically, that roman porno isn't porno—it's softcore. The “roman” in roman porno is short for “romantic,” and though the movies aren't typically romantic in the normal sense, they aren't explicit. Such depictions were illegal in Japan back then, and remain so today (though filmmakers use pixilation of sexual organs to skirt the law).
When the novel Nikutai no mon appeared in 1947 a different censorship regime existed called the Civil Censorship Detachment, which was under the authority of the Supreme Commander for the Allied Powers, aka Douglas MacArthur. Under SCAP CCD censorship, explicit accounts of fraternization between Japanese and whites were forbidden, as were detailed accounts of the atomic bombings, or anything that could generate distrust toward the American occupiers. Most Japanese authors obeyed. A few wrote obliquely about the forbidden subjects. And a very few broke the rules entirely to describe war horrors—e.g. flashburned nuclear victims walking naked and blind amongst the ruins, their hairless bodies so swollen their sex could not be determined. Tamura's novel falls in the middle. It tells the story of a group of Japanese women trying to survive in the rubble of Tokyo via prostitution.
Where the 1968 movie stuck pretty close to Tamura's fiction, the roman porno focuses more on the sexploitation angle, though it keeps the action set in 1947. A criminal syndicate known as Black Rose provides Japanese girls as prostitutes to the American military, and any who resist the various examinations, training, and indignities are punished with torture and death. When Reiko Kayama arrives on the scene, she eventually inspires the others to follow her as she leads a revolt against her enslavers. You get sex, girlfights, killings, and blood. If you're looking for standard roman porno fare—with perhaps a bit more visual piazazz than usual thanks to director Shôgorô Nishimura and cinematographer Yoshihiro Yamazaki—you've picked the right film. Nikutai no mon premiered in Japan today in 1977.
Rika Aoki has plenty of fight left in her.
This poster was made to promote the pinku film Konketsui Rika, aka Rika the Mixed-Blood Girl, starring Rika Aoki. We showed you another high kicking promo for the same film a while back. See that and our write-up on the movie here.
Yumi Yumi Yumi puts her knife in your tummy.
A couple a years ago we wrote briefly about and shared a poster for the Yumi Takigawa headlined pinku flick Shin joshuu sasori: 701-gô, aka New Female Prisoner Scorpion: 701. Above is another poster from the film, actually the standard poster, as opposed to the bo-ekibari, or horizontal two-piece we showed you before. It's a great image, as is the very Yumi shot of Takigawa below. See the other poster here.
Take off your coat. Stay a while.
If the Siri voice application for iPad is ever given a visual form, we vote for this one. The two panels above show lovely Japanese actress Sayaka Seri, aka Meika Seri, who made her debut in 1973 with Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale: Inquisition and Torture, but became well known for the Nikkatsu hit (Maruhi) shikijô mesu ichiba, aka Confidential: Secret Market, which was released in 1974. These photos date from that year. You may be wondering if Seri keeps disrobing in subsequent shots. Actually, she does, and if you're really good maybe we'll show you those a bit later.
The headlines that mattered yesteryear.
1947—Edwin Land Unveils His New Camera
In New York City, scientist and inventor Edwin Land demonstrates the first instant camera, the Polaroid Land Camera, at a meeting of the Optical Society of America. The camera, which contains a special film that self-develops prints in a minute, goes on sale the next year to the public and is an immediate sensation.
1965—Malcolm X Is Assassinated
American minister and human rights activist Malcolm X is assassinated at the Audubon Ballroom in New York City by members of the Nation of Islam, who shotgun him in the chest and then shoot him sixteen additional times with handguns. Though three men are eventually convicted of the killing, two have always maintained their innocence, and all have since been paroled.
1935—Caroline Mikkelsen Reaches Antarctica
Norwegian explorer Caroline Mikkelsen, accompanying her husband Captain Klarius Mikkelsen on a maritime expedition, makes landfall at Vestfold Hills and becomes the first woman to set foot in Antarctica. Today, a mountain overlooking the southern extremity of Prydz Bay is named for her.
1972—Walter Winchell Dies
American newspaper and radio commentator Walter Winchell, who invented the gossip column while working at the New York Evening Graphic, dies of cancer. In his heyday from 1930 to the 1950s, his newspaper column was syndicated in over 2,000 newspapers worldwide, he was read by 50 million people a day, and his Sunday night radio broadcast was heard by another 20 million people.
1976—Gerald Ford Rescinds Executive Order 9066
U.S. President Gerald R. Ford signs Proclamation 4417, which belatedly rescinds Executive Order 9066. That Order, signed in 1942 by President Franklin D. Roosevelt, established "War Relocation Camps" for Japanese-American citizens living in the U.S. Eventually, 120,000 are locked up without evidence, due process, or the possibility of appeal, for the duration of World War II.
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