Seems like she gets tougher to work for every year.
The internet is all about change. When we first wrote about Miki Sugimoto’s 1973 pinku flick Sukeban–Kankain Dasso, aka Girl Boss: Escape from Reform School, we shared a rare tateken sized promo poster and mentioned that it was the first of its kind to appear online, while the standard sized promo could be found anywhere. Six years later it's the tateken poster that's everywhere online, while good scans of the standard promo seem to have disappeared. So here's a good scan of the standard promo. Sukeban–Kankain Dasso premiered in Japan today in 1973.
You have the right to remain dead.
We already showed you a rare hand-painted poster for the pinky violence actioner Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs. Today we're showing you the tateken poster, which is rare too, so much so that this may be the best scan you'll of it see online. The kind of washed out look is part of the design. If you haven't seen the movie, it's about a vigilante cop played by Miki Sugimoto who is released from prison by a government agency in order to take down the kidnappers of a powerful politician's daughter.
Like most pinku movies, there's some sexual violence, and many reviewers excoriate this admittedly overused plot device. We don't claim those reviewers are wrong, but it should be noted that rape in pinku is often symbolic, serving both to advance the immediate plot and implant a deeper message. In this case the main perpetrator in the sexual assault of a young Japanese woman is wearing U.S. Navy coveralls. The depth of negative feeling about the U.S. occupation of Japan is made clear. All that said, the constant use of sexual assault in Japanese film—if it was ever artistically justified at all—definitely jumped the shark with the arrival of Nikkatsu Studios' roman porno offerings. We've talked about that before.
One interesting part of assessing vintage art is that at the time it was created the artists often thought they were making a certain statement, but decades later their art is perceived as sending the exact opposite message. Such is the case with pinky violence movies, in which maverick male filmmakers—in this case Yukio Noda—showed Japanese women taking on and usually destroying an entrenched male power structure, but only after being driven to it through degradation and violence. Which in screen terms meant rape. Were there other ways to show women driven to the point where they would kill? No doubt, but in patriarchal 1970s Japan the shock of these films was not how women were driven to kill men, but that they did—and often got away with it.
Miki Sugimoto deals with with some very bad men in Zero Woman, but her focus never wavers. She's to rescue the kidnapped daughter and dispose of the abductors in such a way that no news coverage or police investigation points back toward the father. Wrapped in a crimson raincoat she dispatches villain after villain, but learns that not even the presumed good guys are redeemable—not the politician, not the cops, nobody. It's grim, cynical, nihilistic stuff—and a classic of the genre. Zeroka no onna: Akai wappa opened in Japan today in 1974.
When she's bad, she's really bad.
Above is a poster in tateken size for Nikkatsu Studios' pre-roman porno action flick Furyô shôjô Mako, aka Bad Girl Mako, a film for which we showed you a standard sized promo a while back. We didn't really talk about the movie back then, but we've seen it. There's lots of fighting, lots of music, and lots of guys in suits getting roughed up. Junko Natsu plays Mako, a tough party girl who meets a boy named Hideo, lets him stick his honeydripper in her jar of manuka, and decides she's in love. It's amazing that she reaches this conclusion after one quick throw in the back seat of a convertible, but whatever. Unfortunately, before their relationship progresses much farther loverboy is killed and Mako, like any good pinku revenant, gets stabby on the bad guys. There's nothing unexpected here, but in the end you still have a reasonably entertaining entry in the girl gang genre, and the many club scenes and nice exterior cinematography add extra value. Furyô shôjô Mako premiered in Japan today in 1971.
She's as cool as the other side of the pillow.
Last year we shared some promo photos from Mari Atsumi's pinku flick Denki kurage: kawaii akuma, aka Play It Cool, but we held this rarity back for a year because we wanted to give it solo billing. So here you go. The film premiered today in 1970, and the other promo photos are here.
I really don't know if I can survive another day of this.
Summer is coming and just in the nick of time for Reiko Ike, who tends to wilt during the cold Japanese winter months, as you see her doing in this photo. It comes from an issue of the Japanese magazine Weekly Playboy and was published in January 1978 as part of a pin-up calendar. Reiko got the month of May, which is the commencement of new hope, the efflorescence of the natural world, and a good time to shop for bathing suits. Unless you prefer to go au naturel. Either way summer is the most fantabulous time of the year.
Mine grows faster than yours, but based on length I'd say we've been trapped down here at least three weeks.
We don't know who painted this promo poster but we think it's pretty nice. Looking around the internet we noticed that no good scans of it existed. Until now. Our pleasure. The poster was made for the roman porno flick Dan Oniroku ikenie shimai, aka Sisters To Be Sacrificed, which was based on a book by award winning erotic author Oniroku Dan and starred Minako Ogawa and Miyuki Matsumoto. The two play siblings who inherit their grandfather's inn but are held captive and tortured by the employees. Conveniently, the place has a torture pit underneath with—among other diabolical devices—a seesaw with dildos attached that... Well, just have a gander below. Dan Oniroku ikenie shimai premiered in Japan today in 1987.
If you're lucky she'll let you kiss her there.
Above is a poster we first noticed some years back at the blog Sangre Yakuza for the Nikkatsu Studios roman porno flick Inranna kankei, aka Nasty Relationship, which starred pinku icon Hitomi Kozue, and— Wait, what is she holding? Inflatable plastic lips? A novelty sized cherry gummi? Whatever it is, it's supposed to look vaginal. Pinku movies in general are not subtle, and roman pornos are even less so. But this is not a flick we were able to track down, which is sad, because we'd like to know what's going on here. Not finding films has happened a lot this month but it's just one of those random dry spells that occur when you watch nothing but rare classics. The worm will turn, the yin shall yang, and the cloud shall burst. In the meantime we thought we'd share this promo anyway, weird lips and all, because Kozue is a Pulp Intl. favorite. Inranna kankei premiered in Japan today in 1976.
Getting into the place isn't the problem.
In Nikkatsu roman porno the question, as always, is exactly how the script will place the female lead under the control of men determined to use her. In Dan Oniroku kurokami nawa fujin, aka Black Hair Velvet Soul, it's alcoholism and debt. A gambling and philandering husband owes a pile to a slimy financier, so he puts up as collateral the restaurant he owns with his wife. Izumi Shima plays the wife. Because the place was founded by her father and succeeded because of his sweat and struggle, as she notes in a monologue, she sees no other choice but to agree to work off the debt in an S&M club run by the financier. She goes through the usual range of indignities, but in what has to be considered a bit of a twist, she at no point likes it, nor has some inner freak unleashed, nor somehow dies by ironic means. She does her bit, the restaurant is saved, and she leaves her shitty husband. Why watch the movie? Well, because Shima is a shimmering goddess and she's always worth watching. Sixty-six minutes including credits and you're done. Dan Oniroku kurokami nawa fujin premiered today in 1982.
When you gamble with her you're gambling with your life.
Hibotan bakuto: oryû sanjô, which in English was called Red Peony Gambler: Oryu's Return, is the sixth of eight films in the Red Peony Gambler series. Uploading its special round promo poster in one piece makes it kind of small, so we've also broken it into two pieces so you can pull them off the page and paste them together if you're inclined. It's an incredibly rare piece, so credit would be appreciated. The movie premiered today in 1970, and stars Junko Fuji, a prolific actress who made more than ninety films during a busy run between 1963 and 1972, and another dozen or so after that.
The plot here involves a greedy yakuza cartel and the downtrodden farmers who oppose the imposition of a new tax. The farmers are basically planning to strike in protest, which angers the yakuza because they stand to loose profits with the yearly village festival approaching. Drastic measures seem to be the only solution, but Junko stands in the way with guile, guts, gambling skill, and gunplay. And as a fallback position she's good with fists and sword. Hibotan bakuto: oryû sanjô isn't quite top tier pinky violence, but it's beautifully shot, the blood flies high and far, and ultimately the film is a winner.
The headlines that mattered yesteryear.
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
1934—Bonnie and Clyde Are Shot To Death
Outlaws Bonnie Parker and Clyde Barrow, who traveled the central United States during the Great Depression robbing banks, stores and gas stations, are ambushed and shot to death in Louisiana by a posse of six law officers. Officially, the autopsy report lists seventeen separate entrance wounds on Barrow and twenty-six on Parker, including several head shots on each. So numerous are the bullet holes that an undertaker claims to have difficulty embalming the bodies because they won't hold the embalming fluid.
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
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