Maybe not today, maybe not tomorrow, but someday soon.
Above you see an alternate version of the promo poster for Sukeban guerira, aka Girl Boss Guerilla, Miki Sugimoto and Reiko Ike’s classic biker-girl revenge pinku flick. The previous versions, including a rare bo-ekibari style, are here. We also have a couple of rare promo images of Sugimoto and Ike below for your enjoyment, so you can appreciate them when they aren't trying to kill people. We have other promos that are even more rare, and we’ll see about sharing those later. Sukeban gerira premiered in Japan today in 1972.
For a pack of troublemakers they sure are hard to find.
This beautiful orange poster showing a brawl in front of the ocean is for the movie Zankoku onna rinchi, which was released in English as Mini-Skirt Lynchers and Cruel Women’s Lynch Law, and is credited as the movie that launched Japanese film's girl gang genre. It starred Annu Mari and Masako Ota, the latter of whom would become pinku icon Meiko Kaji. The film is elusive—nobody we know has seen it, and searching online for reviews just sends you to numerous empty landing pages designed toattract visits while offering zero information (gotta love the rampant false economy of the internet). Well, at least at Pulp Intl. we have this rare promo. It’s so rare, in fact, that we’ve never seen it on another website (though it will soon appear on all those lame landing pages we mentioned). We’ve also included a more commonly seen promo poster just below. We’ll keep searching for this film, and if we ever find it we’ll get back to you. Zankoku onna rinchi premiered in Japan today in 1969.
She may look harmless but she hits below the belt.
Above, a rather nice poster with Salome Tsunoda for a film that had no Western release and thus no Western title, but would be something like “Agony Ball Break.” That just sounds bad, doesn’t it? Some sources give a longer title that would be something like “The Ball Break of Salome Tsunoda.” Hey, we only work here—anyone want to throw a better translation our way, feel free. The movie, which is a brisk 59 minutes long and was directed by Hiroshi Mukai, aka Kan Mukai, starred Tsunoda, Mami Sakura, and Lena Ogawa Lena. On the internet its premiere dates are all over the calendar, but what we consider a reliable source believes it opened today 1976.
Meiko Kaji and her sword return for another dance of death.
You know those days when you go out at noon and one thing leads to another and you don’t get home until about five in the morning? No? Well, that’s why we didn’t do this post yesterday on Shura-yuki-hime: Urami Renga, aka Lady Snowblood 2: Song of Vengeance, which features Meiko Kaji reprising the iconic role of Yuki the avenging swordswoman. We were going to write a whole deal on this movie, but there are numerous reviews and such online just a few mouseclicks away, so instead we’ll simply give you the rare promo poster above, along with two less rare pieces below. We also have a ton of promo art for the first Lady Snowblood at this link. This is mandatory viewing from the Japanese canon, so if you haven’t seen it, put it in your queue. Shura-yuki-hime: Urami Renga premiered in Japan yesterday in 1974.
Drinking over the recommended limit.
Random Japanese goodness today—a poster for Kôji Seki’s early pinku film Biyaku no wana, aka Trap of a Love Potion, with Nami Katsura and Kaoru Miya. This promo represents a nice upgrade from posters currently available online. 1966 release year.
Reiko Oshida delights the senses.
Above are the front and rear cover for pinky violence icon Reiko Oshida’s album Nani ga doshite kounatta, which translates to something roughly along the lines of “Why does this happen?” It’s available with a couple of different covers, but we like the above version with its array of playful Oshidas. The rear is also nice, and some enterprising Tumblr.com user dug up an enlargement, which, since Oshida is a Pulp Intl. fave, we thought we’d share with you, just below. But what of the music, you ask? It falls, we suppose, into the kayokyoku category, which is to say it’s Western-inspired. We like it, but maybe you should judge its merits for yourself. Check out the album’s title song.
Crucifixion, death, and insurrection.
Last night we asked the Pulp Intl. girlfriends if they wanted to watch a movie and they said no because the movies we pick are always bad. That obvious slur against our taste aside, we explained yet again that we choose poster art, not movies. Which is to say, we merely react to interesting vintage movie promos by following where we’re asked to go—to the sofa for a screening. The above poster for Hiroku Nagasaki onna-ro, aka Nagasaki Women’s Prison is about as successful as Japanese promo art gets. With its graphics, colors, and weird-ass content it demands that you watch the movie. The fact that it’s a quasi-sequel to 1970’s successful Onna-ro hizu, aka Island of Horrors gave us hope it would be good.
So we watched and what we got was Akane Kawasaki, Tomoko Mayama, and others in a women-behind-bars flick set in the seventeenth century that starts with a crucifixion, ends with a crucifixion, and has lots of scheming, catfighting, and mayhem between. The only English review we found online said the crucifixions were a framing device—i.e. we see the same woman up there both times and the film explains how she got there. That isn’t true. We see two different women crucified. The first serves mainly as an example of what happens to unruly prisoners, which of course is what Kawasaki and company quickly become. Escape may not be in the cards, but at least they exact some measure of revenge against their male tormentors before all is said and done.
These crucifixions, we should mention, are not like what you see on the poster. That image is designed to trick you into watching something a bit more screamy, stabby, and bloody than you’d expect, so proceed with caution. In the end, we didn’t like the movie very much, and we got to thinking maybe our girlfriends are right. Maybe we do watch a lot of bad movies. Maybe they’re smart to avoid them. But no worries—we don’t need no icky old girls watching movies with us anyway. Hiroku Nagasaki onna-ro premiered in Japan today in 1971.
, Daiei Studios
, Hiroku Nagasaki onna-ro
, Nagasaki Women’s Prison
, Akane Kawasaki
, Tomoko Mayama
, poster art
, pinky violence
, movie review
Learning to love yourself is the greatest love of all.
Tatsumi Kumashiro’s roman porno flick Shoujo shofu: kemonomichi was called Path of the Beast for its Western release, but the literal translation of the Japanese title is something like “Girl Whore Beast Road.” That sounds ridiculous, but it does sum up the plot. Yoshimura Ayako stars as a sex-loving twenty-something who has two horny lovers and thinks of herself as a whore because she can’t say no to either of them. She believes she inherited the trait from her equally sexual mother, and vows not to go down the same road of carnality. You see? Girl Whore Beast Road. Ayako’s assessment of herself may seem a little harsh—after all, if she loves to bone, what’s the problem? Well, reputational issues, obviously, as well as possessiveness issues on the part of her men—and those don't often end happily. But at least Ayako has ample fun in the midst of her anguish. She has sex on the beach, sex on a boat, sex in a shack, sex under the ruined pier, and even sex in a bed. It’s all softcore, of course—if you’ve never seen a roman porno movie, the sex scenes usually look like two people trying hold a water balloon between their torsos, and Shoujo shofu: kemonomichi holds to that tradition with plenty of writhing and wiggling. At some point Ayako learns to accept herself, if not her circumstances, and that’s really what the movie is about. Shoujo shofu: kemonomichi premiered in Japan today in 1980.
, Shoujo shofu: kemonomichi
, Path of the Beast
, 少女娼婦 けものみち
, Tatsumi Kumashiro
, Ayako Yoshimura
, roman porno
, poster art
, movie review
When life gives you lemons make a roman porno movie.
We’ve been holding onto this poster for a few years. We were told when we got it that it’s for a movie called in English A Clockwork Lemon—an intriguing title. But we looked everywhere and the name didn’t appear in a single film database. The poster text doesn’t say anything about clocks or lemons, by the way, but it’s often true that Japanese titles are changed completely for films’ Western runs. When we finally located info on this one—looking for the Japanese rather than English name—it turned out it was made in 1968, which eliminates “A Clockwork Lemon” as the English title, since Kubrick’s dystopian citrus epic didn’t appear until ’71. Unless, of course, he stole his title from this film. We doubt that, so, let's assume we were led astray on the English title, but whatever, that happens sometimes. Wanna know what the movie is called in Japanese? The text reads something like “same hole again.” So, there you go. Not much we can add to that.
Um, except to mention as we always do, that these aren’t porn films, despite the titles. They’re about on the level of late night cable softcore. Softer, actually, because no naughty bits could legally appear onscreen in vintage Japanese cinema. “Same Hole Again” was directed by… actually, wait—that sounds so wrong. Maybe we’ll just go with Japanese here. 穴じかけ was directed by Hajime Sasaki, stars Kazuko Shirakawa, and appeared in 1968. Shirakawa is an important cinematic figure—she headlined the first roman porno (again, not porn) production Nikkatsu Studios ever made—Danchizuma: hirusagari no jôji, aka Apartment Wife: Affair in the Afternoon. She made a series of films in the genre, later moved into mainstream flicks, and was still acting as of 2011. Sorry we don’t have more info. But you gotta love the poster, right? To make up for our lack of data, below is a shot of Shirakawa looking lemony fresh.
She’ll be your beast of burden.
Akira Katô’s crime thriller Shinayakana kemonotachi, for which you see the promo poster above, had the interesting English title She-Beasts, Warm Bodies, and was also known as Sensuous Beasts. It stars Mari Tanaka and is noteworthy for being Naomi Tani’s first movie. Unfortunately, we weren’t able to track down a copy so the poster is all you get for now. We do know that it’s a bit of a black comedy, and the plot revolves around embezzlement, drug trafficking, and of course the yakuza. We’ll keep our eyes open for this one and maybe report back. Shinayakana kemonotachi premiered in Japan today in 1972.
, Shinayakana kemonotachi
, She-Beasts Warm Bodies
, Akira Katô
, Mari Tanaka
, Naomi Tani
, roman porno
, poster art
The headlines that mattered yesteryear.
1963—King Gives Famous Speech
In the U.S., Martin Luther King, Jr., at the culmination of his march on Washington for jobs and freedom, gives his famous "I Have a Dream Speech," advocating racial harmony and equality.
1981—Scientists Announce Existence of New Disease
The National Centers for Disease Control announce a high incidence of pneumocystis and Kaposi's sarcoma in gay men. These illnesses are later recognized as symptoms of a blood-borne immune disorder, which they name AIDS. The disease is initially thought to have developed in the late 1970s among gay populations, but scientists now know it developed in the late 1800s or early 1900s in Africa during the height of European conquest of the continent.
1975—Haile Selassie I Dies
Haile Selassie I, former Emperor of the Kingdom of Ethiopia, dies of respiratory failure. Selassie was most famous for his landmark speech before the League of Nations in 1936, in which he pleaded for help against an Italian invasion, but to no avail. He warned that fascist aggression would not end with Ethiopia. His words, "It is us today; it will be you tomorrow," turn out to be prophetic when Germany's fascists later spark World War II.
1939—First Baseball Telecast
The first televised baseball game, a doubleheader between the Cincinnati Reds and the Brooklyn Dodgers, takes place at New York City's Ebbets Field.
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