The key to an even tan is to turn regularly.
Japanese action movie icon Reiko Ike, who you just saw recently, is back giving both halves of her body equal time in the sun in these two promo images from the early 1970s. She's also careful to keep her tender bits covered because, let's face it, that's a sunburn that'll ruin your week. The hand shaped tan line will raise eyebrows, though. Why didn't she simply wear bottoms? Actually she did, and we have a photo of that we may post later. Meanwhile see plenty more of Reiko by clicking her keywords below.
Go together like hurt and damage.
Above, a pair of posters for Imokinchaku, which in English was retitled (we think) Woman Like a Sea Anemone or Sea Anemone Girl. The movie starred Mari Atsumi, Toshio Takahara, and Shimeji Shogako, and it deals with a country girl who arrives in Tokyo, gets a job in a laundry, and becomes embroiled in a series of complications that all begin with a missing pair of panties. One thing these Japanese pinku films do not lack for is weirdness. Audiences certainly responded to this one, because it spawned a series that in English might be referred to as the “Mollusk Series.” We've already shown you a few posters from the franchise, such as here and here. This one premiered in Japan today in 1969.
If you think the danger has passed you're wrong.
Reiko Ike is famous for both the crazy pinku action films in which she's laid many a bad man low, and for her provocative promo photos that have made many a male fan rise. The above shot is different, an image that zooms in mainly on her expressive face. The pinku genre is vast, with performers of diverse skills and styles, but Ike is near the top of the pyramid. This photo dates from around 1973.
He likes to have his cake and kill it too.
The roman porno flick Bôkô Kirisaki Jakku was called Assault: Jack the Ripper in English, and that pretty much tells you what happens. Tamaki Katsura stars as a waitress in a dead end job who hits the road seeking thrills. She coerces nerdy Yutaka Hayashi into giving her a ride, and the two later pick up a hitchhiker, who through bizarre circumstances ends up dead. Something about the sight of blood activates a need to repeat the experience, which they do by kidnapping and killing young women, then having sex next to the bodies. The weapon of choice is unusual—it's a cake knife, the kind you might use to spread frosting. We'd have thought a dagger or hunting knife would work better, but cake is symbolic in the film, so a cake knife is a logical choice. While it doesn't look sharp, somehow it goes through flesh like butter. Technique is everything.
Thus armed, the couple's attacks become more brazen, then the man's bloodlust surpasses that of his girlfriend's. He starts killing alone, hoarding the thrills for himself, but each murder leaves him somehow unsatisfied. Like an addict upping the dosage, he has to keep taking greater risks. Can you guess what this leads to? We bet you can if you think about it. We can't recommend the film, at least not wholeheartedly, but we'll admit it's provocative the way it's both bloody and played for laughs. And as we've reported in the past, being sexually aroused by murder is a real thing, so that element was interesting too. And what's more than merely interesting is the promo shot of Katsura we found, which you'll see at bottom. Bôkô Kirisaki Jakku premiered in Japan today in 1976.
Yurika! She has it.
This pretty poster was made to promote the film Himegoto, known in English as Secret Affair, which was directed by Takeo Takagi and stars Mika Yuki in the role of a geisha named Yurika who decides to make extra money by selling scandalous details of prominent people's private lives to a tabloid. It had us at geisha. This turned out to be far more obscure than we guessed considering the poster pops up often around the web. Not only didn't we find it, but we found no reviews of it anywhere. However, we wanted to share the promo art because the film opened in Japan today in 1967. We'll keep looking for a copy.
If it's there you can bet we'll find it.
Above you see a poster for Aizome Kyôko: G no kaikan, aka Kyôko Aizome's G-spot Pleasure, with Kyôko Aizome (not to be confused with Kyoko Izumi) fronting the art. Aizome goes way back. She appeared in her first film in 1975, but this particular effort premiered in Japan today in 2000, when she was forty-two. Though it's a comparatively recent production we were not able to track down a copy, which when you think about it is apropos, considering science says g-spots don't really exist. We're pro-science guys, but a lot of women say there's a real piece of anatomy in there, and a dedicated search often turns something up—if only the woman's heart rate. Aizome, below, suggests you give it a try.
Likes include fine saki, sunset walks, and light humiliation.
Above, five promo posters featuring Naomi Oka, who appeared in dozens of pinku and roman porno films between 1972 and 1987, with 1979 being her banner year as twelve films hit Japanese screens. As you might imagine based on the above evidence, she was one of the queens of bondage. The posters above are for, top to bottom, Onna keimusho shikei, aka Women's Prison: The Lynching, Hentai shikijô nawa fujin, aka Abnormal Rope Wife, Hitozuma hentai, aka Abnormal Bride, Nihon no rinchi, aka Japanese Lynching, and Kinbalu ijo-ma, aka Distributing agency: Shin-Toho, also sometimes referred to as Disturbing: Rope Master. It's always important to note that restraint and bondage have a special place in Japanese culture, where it's considered—if not quite normal—not outstandingly weird either. Below you see Oka mercifully freed from bondage.
The situation is becoming Seri-ous.
Continuing with our recent theme, we've done a deep search on our site and found every instance where we said we'd get back to a subject later. We can't fulfill all those promises, but we're shortening the list again today. After sharing a couple of promos of an underwear clad Meika Seri from a 1974 photo session, we said we'd reveal whether the Secret Chronicle actress shed any more clothing. Above is your answer. She shed all her clothing.
Mari Atsumi shows her stripes.
We've already shared two posters for the 1970 pinku flick Denki kurage: kawaii akuma, aka Play It Cool, aka Electric Medusa: Lovely Wicked Woman. Today we have yet another promo for the film, with Mari Atsumi looking cool, lovely, wicked, and a few other things, all of them good. In the film she plays a model who loses her job after she refuses to “entertain” a department store owner, and later finds herself hassled by a villainous Yakuza who wants to turn her into a call girl. If you've seen any pinku films at all, you know how this goes—humiliation, tables turned, revenge.
Atsumi was a big star in her day. She appeared in twenty-eight films, guested on a number of television shows, and released a couple of popular albums. Like many pinku actresses, though, her current whereabouts are basically a mystery. One Japanese webpage literally says nobody knows where she is. But that's okay—she gave us plenty to remember her by. You can see the other Denki kurage posters we've shared here and here, and there's even another promo for the film you can see over at the website Bulles de Japon at this link. And below we have more bonus material—some promo photos from the film.
She may get pushed around but eventually she always pushes back.
Rashamen Oman: higanbana wa chitta, for which you see he promo here, is known in English as Foreigner’s Mistress Oman: Falling Autumn Flower. The movie starred Sally Mei, aka Sally May, an enigmatic half Anglo half Japanese actress who appeared in a handful of movies and had a short singing career, here playing the character Oman in a sequel to Rashamen Oman: ame no Oranda-zaka (poster here). She'd do one more film in this series called Enzetsu jokyo-den: Oman midarehada, and all of them premiered between March and August of the same year, which shows you how fast Nikkatsu churned these Krispy Kremes out.
The plot of the first movie saw Mei travel from Shanghai to Japan in search of her mother, only to be betrayed by her companion and sold to a brothel, where she becomes a geisha and gambler. Luckily, Mei had picked up some sword skills along the way and put those to good use julienning her captors. The sequel, then, picks up after she's served a prison sentence only to find that her sister is in the clutches of a group of yakuza lowlifes. Mei is up the challenge once again. Starring as her sister, by the way, is Yuri Yamashina, who we've looked at before. Rashamen Oman: higanbana wa chitta premiered in Japan today in 1972. |
The headlines that mattered yesteryear.
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle
commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
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