Good interior design is about finding the perfect accessories.
Reiko Ike, always a favorite here at Pulp Intl., relaxes on a cool modern sofa and tries to decide if she'll get fully dressed at any point during the day. This image, which we've cleaned a little to get rid of an inset box that was obstructing the view, came from a 1974 photo magazine called Young • Idle • Now. However, a similar shot was used on the rear of her collectible LP The World of Ecstasy, so it turns out the photo actually dates from that session, which was three years earlier. See below.
Reiko Ike gives fans a dose of ecstasy.
Like many 1970s Japanese actresses Reiko Ike took advantage of her cinema stardom by releasing music. In 1971 she and Teichiku Records got together put out the album Kôkotsu No Sekai, which as we mentioned above was called in English The World of Ecstasy. Here you see the front cover with its famed topless photo of Reiko, and the rear and inside covers are below. The rear cover is almost identical to the photo in the above post, with the difference being in the direction of her gaze.
The album was basically a novelty release. Only a thousand copies were ever pressed. At least initially. It's since been released as a remastered CD. The original vinyl can be expensive. In the U.S. people try to sell it at anywhere from $100 to $1,000, but in Japan it usually goes for less. The cost differs depending on whether it's a first or later pressing, and whether the gatefold poster is inside, which you see at right.
For the kind of cash people ask for this platter, Reiko can obviously sing like a lark, right? That came across as flip, we know, but actually she's better than you probably suspect. Her voice is low, mellifluous, and quite confident, and interestingly, a lot of the vocals are orgasmic moans and sighs.
She does all this backed by Masami Kawahara & The Exotic Sounds, who had released a 1970 album with orgasmic vocals, so apparently this was a trend. It's weird at first, but after a while it's pretty effective. That may be a good way to describe Reiko's movies too. You can listen to a couple of songs from the disc here and here.
She gets her best work done during overtime.
Above, a beautiful poster for Danchizuma wasureenu yoru, known in English as Apartment Wife: Unforgettable Night. The wife in this third entry in the Apartment Wife series is Junko Miyashita. The plot is typically convoluted, but basically she's sexually unfulfilled by her hubby and finds pleasure in an anonymous office encounter. Her repeated trysts with this person leave her vulnerable to blackmail of sorts, and— Actually, it's really hard to describe this without giving everything away. Let's just call it a twisted sexual awakening tale with an ironic ending. Which is what most of the Apartment Wife movies are. This one premiered in Japan today in 1972.
Mari Atsumi goes searching for her place in the sun.
Above, two beautiful posters for Taiyo wa mita, aka I Saw the Sun, with Mari Atsumi. We couldn't track this one down but we know it's a drama set in a seaside town and know it premiered in Japan today in 1970. We already shared a really nice promo image for the film here, and if we learn more we'll report back.
Whoever said she was in mourning might need to double check their info.
This is a pretty nice poster, which was made to promote the roman porno film Inzesu mibojin, known in English as Lusty Widow. It starred Rumi Tama, Reika Maki, and our favorite nude motorcycle rider Yuri Yamashina in a story about a woman widowed at twenty-six, which of course makes her fair game for assorted orbiting males. Unsurprisingly, having lost her man she isn't feeling very lusty at all, at least until she finds herself drawn into assorted intrigues and associated sexual kinks, including voyeurism and illicit photos, both of which the poster makes clear. Sadly, we were unable to track the film down, which is an occupational hazard with these things. On the other hand, they nearly always turn up eventually. We'll keep an eye out. Inzesu mibojin premiered in Japan today in 1976.
When they say they're getting together to enjoy some girl time it may not be as innocent as it sounds.
Above, a poster for Tsumatachi no Gogo Wa Yori: Kano no Ori, which is quite a mouthful that in English was simplified to Cage of Lust: Wives’ Afternoon. The movie was adapted from a novel by Hiroko Nakayama and starred Junko Miyashita in a tale of infidelity, deception, lesbianism, etc. It's a typical Nikkatsu Studios effort, quick and easy at 72 minutes from end to end. It premiered in Japan today in 1976.
Sometimes there's nothing to do but wait to be freed.
You've probably noticed that other than the post we made two days ago (a test, really), there hasn't been any new content on Pulp intl. for over a week. Don't blame us. Blame our server company—again. Different one than last time. Not Thorbjorn and the gang. But still, same bad service. Basically, they made an unannounced upgrade on their end that booted us off the internet. Partly it's our fault. We've been rebuilding the back end of the site for four years, which is way too long, yet at the same time, usually it's a good idea for a server company to send an e-mail blast to its clients warning of important changes. But we fell through the cracks somehow. Were you worried? Just a little? All good now. But you know who loved the fact that we got thrown offline? The Pulp Intl. girlfriends.
Anyway, once we noticed the outage we got the front end of the site back up quickly, but the back end that allows us to post material remained scrambled for longer. Call it an unplanned intermission. An unexpected vacation. An improvisational hiatus. But like we said, we're back to normal now, and on the bright side, at least it wasn't a guy with a machete that caused this interruption. Although interestingly, we're currently being stalked by three guys a friend of ours punched in the eye. So another interruption could occur if they catch either of us alone without our discourager (wooden club). Neither here nor there. We're getting back up to full pulp speed with this naked apology™ featuring a great photo of Japanese actress Miki Sugimoto that appeared in Pocket Punch magazine around 1972. We hope to have few—or even no—problems until at least 2072. Fingers and toes crossed.
How many wrongs finally make a right?
This poster was made to promote a Nikkatsu Studios roman porno flick titled Osoe!, which in Japanese means “attack.” In typical roman porno fashion, the plot is pretty twisted. In brief, Erina Miyai plays a woman who wants revenge on a corporation for its role in the death of her parents. She goes to a disco and deliberately allows herself to be taken home and gangbanged, all for the purpose of later informing the guys who did it she'll accuse them of rape if they don't kidnap the corporation's CEO for her.
We'll say this much for Nikkatsu—their ideas were certainly creative. In this case, there's a subtext of turning male power against itself, which is all to the good, but of course things never come off quite how the protagonists intend in roman porno. Which is to say, Miyai's plot goes pear shaped. Osoe! is super obscure in the West but was a successful release and even played a few years ago at the famed Laputa Asagaya revival cinema in Tokyo. Its original premiere was today in 1978.
Pink and yellow are normally so cheery.
Zûmu in: Bôkô danchi, for which you see a poster above, is another Nikkatsu roman porno movie, with a serial killer/rapist on the loose dispatching women in baroque and horrible ways. The star of the movie, Erina Miyai, falls victim to a rapist early on but is not killed. When the murders start she wonders if it's the same man. That question is answered quickly, but mystery is not really the point here. The goal seems to be making a mash-up of Japanese pinku (pink film) and Italian giallo (yellow film).
For example, during one of the killings a woman is pursued past an apartment block, but in filmmaking terms she's running in place, which lends the scene the nightmarish quality characteristic of giallo. All the windows beyond her are illuminated, but as she screams for help the lights go out one by one. As far as mixing filmmaking palettes goes, it's nice work. As far as the message, was director Naosuke Kurosawa also trying to tell viewers Japan was becoming inured to violent crime? Perhaps.
Based on the existence of roman porno Japan was for sure becoming inured to violent movies. Zûmu in: Bôkô danchi is more violent than most, but with its deliberate attempt to transcend—however slightly—the requisites of roman porno, it's also better than most. Does that mean it's actually good? Not as such, but for serious film buffs it's worth a glance and a discussion. It premiered today in 1980.
That moment when you realize your neighbors have known all along you've been watching them.
Above, a poster for Danchizuma: Kanki no yoru, aka Apartment Wife: Night of Pleasure, starring Junko Miyashita, Tatsuya Hamaguchi, and Masumi Jun. This is of course another Nikkatsu roman porno romp, with all that the label suggests. This entry was seventh in a franchise that eventually totaled twenty-one films. It premiered in Japan today in 1973.
The headlines that mattered yesteryear.
1984—Miss America Resigns
Vanessa Williams, who had been crowned Miss America and was the first African American woman to win the prize, resigns her title after Penthouse magazine purchases and slates for publication a series of lesbian-themed nudes Williams had posed for when she was younger. After resigning she files a $500 million lawsuit against Penthouse publisher Bob Guccione but later drops the suit.
1992—Cocaine Baron Escapes Prison
Pablo Emilio Escobar Gaviria, imprisoned leader of the Medellin drug cartel, escapes from a posh Colombian jail known as La Catedral after he learns authorities intend to move him to a real prison. His taste of freedom doesn't last—he's killed in a shootout a year-and-a-half later.
1925—Jury Decides the Teaching of Evolution Is a Crime
In the famous Scopes Monkey Trial, American schoolteacher John Scopes is found guilty of violating the Butler Act, which forbids the teaching of evolution in schools. The sensational trial pits two great legal minds—William Jennings Bryan and Clarence Darrow—against each other. Ultimately, Scopes and Darrow are destined to lose because the case rests on whether Scopes had violated the Act, not whether evolution is fact.
1969—First Humans Reach the Moon
Neil Armstrong and Eugene 'Buzz' Aldrin, Jr. become the first humans to walk on the moon. The third member of the mission, command module Pilot Michael Collins, remains in orbit in Apollo 11.
1972—Chaos in the Big Apple
In New York City, within a span of twenty-four hours, fifty-seven murders are committed.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.