Whoever said she was in mourning might need to double check their info.
This is a pretty nice poster, which was made to promote the roman porno film Inzesu mibojin, known in English as Lusty Widow. It starred Rumi Tama, Reika Maki, and our favorite nude motorcycle rider Yuri Yamashina in a story about a woman widowed at twenty-six, which of course makes her fair game for assorted orbiting males. Unsurprisingly, having lost her man she isn't feeling very lusty at all, at least until she finds herself drawn into assorted intrigues and associated sexual kinks, including voyeurism and illicit photos, both of which the poster makes clear. Sadly, we were unable to track the film down, which is an occupational hazard with these things. On the other hand, they nearly always turn up eventually. We'll keep an eye out. Inzesu mibojin premiered in Japan today in 1976.
When they say they're getting together to enjoy some girl time it may not be as innocent as it sounds.
Above, a poster for Tsumatachi no Gogo Wa Yori: Kano no Ori, which is quite a mouthful that in English was simplified to Cage of Lust: Wives’ Afternoon. The movie was adapted from a novel by Hiroko Nakayama and starred Junko Miyashita in a tale of infidelity, deception, lesbianism, etc. It's a typical Nikkatsu Studios effort, quick and easy at 72 minutes from end to end. It premiered in Japan today in 1976.
Sometimes there's nothing to do but wait to be freed.
You've probably noticed that other than the post we made two days ago (a test, really), there hasn't been any new content on Pulp intl. for over a week. Don't blame us. Blame our server company—again. Different one than last time. Not Thorbjorn and the gang. But still, same bad service. Basically, they made an unannounced upgrade on their end that booted us off the internet. Partly it's our fault. We've been rebuilding the back end of the site for four years, which is way too long, yet at the same time, usually it's a good idea for a server company to send an e-mail blast to its clients warning of important changes. But we fell through the cracks somehow. Were you worried? Just a little? All good now. But you know who loved the fact that we got thrown offline? The Pulp Intl. girlfriends.
Anyway, once we noticed the outage we got the front end of the site back up quickly, but the back end that allows us to post material remained scrambled for longer. Call it an unplanned intermission. An unexpected vacation. An improvisational hiatus. But like we said, we're back to normal now, and on the bright side, at least it wasn't a guy with a machete that caused this interruption. Although interestingly, we're currently being stalked by three guys a friend of ours punched in the eye. So another interruption could occur if they catch either of us alone without our discourager (wooden club). Neither here nor there. We're getting back up to full pulp speed with this naked apology™ featuring a great photo of Japanese actress Miki Sugimoto that appeared in Pocket Punch magazine around 1972. We hope to have few—or even no—problems until at least 2072. Fingers and toes crossed.
How many wrongs finally make a right?
This poster was made to promote a Nikkatsu Studios roman porno flick titled Osoe!, which in Japanese means “attack.” In typical roman porno fashion, the plot is pretty twisted. In brief, Erina Miyai plays a woman who wants revenge on a corporation for its role in the death of her parents. She goes to a disco and deliberately allows herself to be taken home and gangbanged, all for the purpose of later informing the guys who did it she'll accuse them of rape if they don't kidnap the corporation's CEO for her.
We'll say this much for Nikkatsu—their ideas were certainly creative. In this case, there's a subtext of turning male power against itself, which is all to the good, but of course things never come off quite how the protagonists intend in roman porno. Which is to say, Miyai's plot goes pear shaped. Osoe! is super obscure in the West but was a successful release and even played a few years ago at the famed Laputa Asagaya revival cinema in Tokyo. Its original premiere was today in 1978.
Pink and yellow are normally so cheery.
Zûmu in: Bôkô danchi, for which you see a poster above, is another Nikkatsu roman porno movie, with a serial killer/rapist on the loose dispatching women in baroque and horrible ways. The star of the movie, Erina Miyai, falls victim to a rapist early on but is not killed. When the murders start she wonders if it's the same man. That question is answered quickly, but mystery is not really the point here. The goal seems to be making a mash-up of Japanese pinku (pink film) and Italian giallo (yellow film).
For example, during one of the killings a woman is pursued past an apartment block, but in filmmaking terms she's running in place, which lends the scene the nightmarish quality characteristic of giallo. All the windows beyond her are illuminated, but as she screams for help the lights go out one by one. As far as mixing filmmaking palettes goes, it's nice work. As far as the message, was director Naosuke Kurosawa also trying to tell viewers Japan was becoming inured to violent crime? Perhaps.
Based on the existence of roman porno Japan was for sure becoming inured to violent movies. Zûmu in: Bôkô danchi is more violent than most, but with its deliberate attempt to transcend—however slightly—the requisites of roman porno, it's also better than most. Does that mean it's actually good? Not as such, but for serious film buffs it's worth a glance and a discussion. It premiered today in 1980.
That moment when you realize your neighbors have known all along you've been watching them.
Above, a poster for Danchizuma: Kanki no yoru, aka Apartment Wife: Night of Pleasure, starring Junko Miyashita, Tatsuya Hamaguchi, and Masumi Jun. This is of course another Nikkatsu roman porno romp, with all that the label suggests. This entry was seventh in a franchise that eventually totaled twenty-one films. It premiered in Japan today in 1973.
A step by step guide to being a total badass.
This incredibly cool collectible poster was made to promote Wakai kizoku-tachi: 13-kaidan no Maki, aka 13 Steps of Maki: The Young Aristocrats, which is more girl gang goodness from the schlockmeisters at Toei Company. Etsuko Shihomi (sometimes spelled Shiomi) plays Maki of the 13 Steps, leader of the Stray Cats, a group of very tough, martial arts trained femi-delinquents. Maki and the gang bury an arrogant one percenter up to her neck on a beach in retaliation for a traffic related insult, which is all good fun, but the victim is Takako, daughter of the powerful, yakuza connected owner of Ebihara Tourism. Once she digs herself out of the sand she retaliates. This in turn brings re-retaliation from the Cats, which brings re-re-retaliation from Takako, and pretty soon things are well out of control.
The movie is based on an Ikki Kajiwara/Masaaki Satô comic, and director Makoto Naitô uses some amazing comic book style, multi-character framing, as seen in our screen grabs below. This is top notch work from Toei's pinky violence line, about as fun as a Japanese actioner gets. And in supporting roles you'll encounter Sonny Chiba, Meika Seri, and Yûko Kanô. Watching movies like this almost makes up for all the Nikkatsu roman porno misfires we slog through. Almost. Etsuko Shihomi is considered a bit of a film icon in Asia because her martial arts skills were real, and she appeared in so many movies. We have numerous posters of hers to share later and they're even more amazing than this one. Wakai kizoku-tachi: 13-kaidan no Maki premiered in Japan today in 1975.
Step one is here, on the bottom of my platform boot. Have a close look.
Step two is don't put your face where people tell you. We'll get to step three after you heal.
Shima's education costs become too much to bear.
Above is a poster for Dan Oniroku hebi no ana, also known as Snake Hole, starring Izumi Shima. We wish she had made a few movies in the mainstream, but she was a roman porno star, and that means some of her output can be hard to watch. We make no judgments. Well, no, we do make judgments, but we try to be open minded about these crazy flicks. Japanese filmmakers were exploding old taboos and on the balance that was a good thing, but where Toei's pinky violence usually empowered women, Nikkatsu's roman pornos recast them as victims. In this film, for example, Shima is forced to participate in bdsm fantasies. She's shaved, hung from ropes, walked with a dog collar, and is erotically vacuumed (don't ask). This was Shima's last starring role, and it came near the end of Nikkatsu's roman porno obsession. But of course that was just a marketing label. The studio continued its explorations of taboo subject matter. As far as this one goes, we don't recommend it, but we've seen worse films. If it sounds like something that'd interest you—so pee it. Dan Oniroku hebi no ana premiered in Japan today in 1983.
She's the boss of her gang, but not of her panties, apparently.
Above are two similar but not identical high kicking posters for Document porno: Sukeban, aka Dokyumento poruno: Sukeban, known in English as Porn Document: Sukeban. At some point the original panty shot must have been deemed inappropriate, because as you can see it was covered with black paint. It's like her crotch went into mourning. And we did too, a little, when we saw it. Was the retouch effort supposed to look like tights? We suppose so, but it's a pretty ham-handed effort. We'd love to know if the second poster is an official promo from Purima Kikaku, the studio that made the film, or a one-off from an individual cinema. We'll never know, we're sure. Document porno: Sukeban premiered in Japan today in 1973. It was the prequel to Dokyumento poruno: zoku sukeban, aka Porn Document: Sukeban 2. You can see that poster here. Also, you can see another high kicking Japanese poster here.
Kanô and company are still Crazy after all these years.
Today's deep dive into the pinku pile has produced this two panel promo for Sukeban: Tamatsuki asobi, aka Girl Boss: Crazy Ball Game, which starred Yûko Kanô and premiered today in 1974. Not every pinku movie had these types of posters but we've acquired quite a few. We'd upload others, but we don't know what films some of them are for. We'll get around to sharing them anyway, though.
Looking below, you'll see we've grabbed some promo photos. These came from an online auction. The last panel shows Yûko Kanô's co-stars Ritsuko Fujiyama, Emi Jô, Harumi Tajima, Rie Saotome, and Ryôko Ema having some wild and watery fun. Sukeban: Tamatsuki asobi has it all—violence, sex, violence, Yakuza, violence, and more. You can read a bit more about it at our write-up from some years ago, located at this link. |
The headlines that mattered yesteryear.
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
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