Femmes Fatales Dec 4 2014
HOLY FOCH
Thou shalt not mispronounce her name.

When your name is Nina Foch you probably get used to introducing yourself only to have people say, “You need a what?” Not us, though. We’d never be that juvenile. Film buffs will remember this Dutch actress as Bithiah, the woman who in 1956’s oft-broadcast spectacle The Ten Commandments finds Moses and raises him as her son, but she also played in pulpier fare such as The Return of the Vampire and Escape in the Fog, and important noirs like Johnny O’Clock and My Name Is Julia Ross. This shot was made in 1944 as a promo for her role in Cry of the Werewolf.

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Musiquarium Dec 2 2014
L'GRECO
La Muse de l’existentialisme et Miles.

This striking promo art for French singer Juliette Gréco and Disques Fontana (a subsidiary of the Dutch label Philips Records) was created by the famous illustrator O’Kley in 1956. The art was reused for record covers, as you see below. Gréco, an actress as well as singer, was a fixture in the Saint-Germain-des-Prés area of Paris, and her acquaintanceships with such figures as Jean-Paul Sartre and Maurice Merleau-Ponty earned her the nickname La Muse de l’existentialisme—the existentialists’ muse. She was also, according to Miles Davis, one of the great loves of his life, and the feeling was reciprocated, so that wins major points right there because Miles was the bomb.

Moving on to the art, O’Kley was a pseudonym for Nantes-born Pierre Gilardeau, the man behind some of the most collectable Folies Bergère posters. He also illustrated many book covers and movie posters, and after a long career just died in 2007. We’ve tracked down some good examples of his art and we’ll get back to him a bit later. You can see another Fontana post here.

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Vintage Pulp Nov 17 2014
LAND OF 1,000 DANCES
Notice how the guy goes from an early, enthusiastic attempt to glumly watching from the sideline—that’s how it works for us too.


We’ve seen these paperback covers in different places around the internet and thought they’d make an interesting collective post showing the progression of their dance-themed covers. The first is from 1950 with art by Rudolph Belarski, the next is from an unknown who nonetheless painted a nice rear cover as well, and the last is from Harry Shaare. Macamba concerns a group of characters in Curaçao, and how one in particular struggles to deal with his biracial background as he grows to manhood. He first tries to become a witch doctor, then excels at conventional learning in university, and eventually ships off to World War II and becomes a hero. Returning home, he has many romances and seeks to find his place in the world. You may wonder if there’s any actual dancing in the book, and indeed there is—the main character watches a performance of the tamboe or tambú, a native dance and music that the Dutch colonizers of Curaçao had made illegal.  

Lilla Van Saher captures certain aspects of indigenous culture in Curaçao, even sprinkling the dialogue with some Papiamento, but the book is not derived directly from her personal experiences. She was born Lilla Alexander in Budapest, lived an upper class life, modeled, acted in French fims, married a Dutch lawyer named August Edward Van Saher, and through him was introduced to Dutch culture and its island possessions. During her first trip to Curaçao she claims to have been imprisoned by natives in a church because they thought she was a local saint.

In private life, she was a close friend of Tennessee Williams, traveling with him aboard the S.S. Queen Federica in the early 1950s, entertaining him in New York City, and accompanying him during a press junket of Sweden, acting almost as an agent and introducing him to the upper crust of Stockholm, where she was well known. During this time she was Lilla van Saher-Riwkin, and often appears by that name in biographies of Williams as part of his retinue of admirers and associates, though not always in a flattering light. Later she did what many globetrotting dilletantes do—published a cookbook. Hers was called Exotic Cooking, which is as good a description of Macamba as we can imagine.

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Musiquarium Oct 16 2014
SEXUAL HEARING
Spread-eagled Aslan art helped cure the guilt of buying pirated music.

We said we were done with France for the moment, but we’re veering back there briefly today to show you this Cure album sleeve featuring art from the French painter Aslan. Live at Paradiso is a bootleg, same as the other Aslan-fronted Cure record we showed you back in January. The people who pressed this weren’t messing around, either—they opted for one of the artist’s more explicit paintings. No complaints here, but we bet Aslan was a bit annoyed when he saw his work appropriated yet again. It wouldn’t be the last time. We’ll get to more bootleg sleeves a bit later.

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Intl. Notebook Dec 31 2013
MARTI'S WORLD
We don’t know what she’s hiding behind her back but we hope it's a good thing.

Here is a really nice shot of American actress Marti Stevens we found several years ago inside a copy of the Dutch language Belgian magazine Piccolo. It’s curiously posed—she could be holding anything behind her back from a cream pie to a Glock 17. Hopefully not the latter, though. Stevens was mainly a television actress, appearing on shows such as Mannix, Kojak, Hart to Hart, and many others. But here she embodies New Year’s Eve and the merriment involved. Following her example, we’re also headed out into the fireworks and craziness tonight, and if we return within the next two days, we’ve failed.

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Musiquarium Dec 24 2013
JUST FOR THE RECORD
Alain Gourdon finds a musical outlet.

You know we love the French illustrator Aslan’s, aka Alain Gourdon’s work around here. We shared some of his genius here, here, and here. Today we thought we’d show you some of the work he did for Fontana Records, a subsidiary of the Dutch label Philips Records. These six pieces were used by Fontana during the early 1960s for its Après Minuit series, which featured such performers as Johnny Hallyday, Juliette Gréco, and Serge Gainsbourg. Aslan’s work was used for other record pressings as well, fronting bootleg music by the Cure, Joy Division, as well as legal releases by other groups. We’ll show you some of those later.
 
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Vintage Pulp Dec 14 2013
THE WEEKBLAD THAT WAS
When you’re smiling the whole world smiles with you.

The gent with the enormous smile here is Joe E. Brown, one of America’s most famous comedian-actors during the 1930s and 1940s, seen on the cover of Het Weekblad (The Weekly), which was a popular celeb-cinema magazine published in the Netherlands for many years. This issue, which is numbered 620, hit newsstands today in 1935. Inside are interesting photos of Shirley Temple, Winifred Shaw, Ruby Keeler, a very nice ink drawing of Joan Crawford by Arturo Sanchez, and more. Scans below. 

 
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Femmes Fatales Apr 6 2013
SECRET ADMAIER
We suspect she’s about to reveal what she’s hiding.

This provocative shot features German adult actress Brigitte Maier from the Dutch magazine Chick, sometimes referred to as Chick Amsterdam. Back in October we featured a poster, which you can have a look at herefrom Maier’s famous 1975 X-rated hit Sensations. This image was made the previous year.

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Vintage Pulp Jan 9 2013
CHEER PERFECTION
If you think I’m having a good time now, you should see how much I enjoy it when the water isn’t fuh-reezing.

Above, the cover and some interior scans from the Dutch cinema magazine Cheerio! #117, featuring an eclectic selection of international stars, 1956. 

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Femmes Fatales Oct 19 2012
EMMANUELLE FOREVER

We didn’t have the time a couple of days ago, but today we want to acknowledge the passing of Dutch actress Sylvia Kristel. She had been hospitalized for months and finally died Wednesday. Her hazy, luminous film Emmanuelle changed cinematic erotica forever. This great shot of her dates from around 1975.

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History Rewind
The headlines that mattered yesteryear.
December 20
1989—U.S. Invades Panama
The United States invades Panama with the goal of overthrowing the dictatorship of Manuel Noriega. Noriega had been a CIA agent for many years, and because of this special status, U.S. drug authorities had turned a blind eye toward his activities, which included helping to create a crack cocaine epidemic in American inner cities. In 1988, Senator John Kerry's Subcommittee on Terrorism, Narcotics and International Operations concluded that the Noriega saga represented one of the most serious foreign policy failures in U.S. history.
December 19
1984—Britain Agrees to Cede Hong Kong
Great Britain signs over Hong Kong to China in an agreement stipulating that the colony be returned to the Chinese in 1997. Prime Minister Margaret Thatcher signs the Joint Sino-British Declaration with her Chinese counterpart Zhao Ziyang, while political groups in Hong Kong push futilely for independence.
December 18
1912—Piltdown Man Discovered
A hominid fossil known as Piltdown Man is found in England's Piltdown Gravel Pit by paleontologist Charles Dawson. The fragments are thought by many experts of the day to be the fossilized remains of a hitherto unknown form of early man, but in 1953 it is discovered to be a hoax composed of a human skeleton and an orangutan's jawbone. The identity of the Piltdown forger remains unknown, but suspects have included Dawson, Pierre Teilhard de Chardin, Arthur Conan Doyle and others.

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