|Vintage Pulp||Jul 13 2015|
If you run Spelen op het strand through the trusty ole translator you come up with “Playing on the Beach.” That doesn’t seem to match the front of this paperback at all, does it? Well, it doesn’t matter, because the art is great—it’s signed, but unreadable, so we can’t tell you who did it. But we can tell you Spelen op het strand is part of the Sexpress collection from Rotterdam, Netherlands based publisher De Vrije Pers, and it appeared in 1967. We’ll post more of these interesting Sexpress covers down the line.
|Femmes Fatales||Jan 20 2015|
We featured Indonesian actress Laura Gemser as a femme fatale not long ago, and shared some eye-opening stills from one of her softcore romps even more recently—but then we came across this frontal 1973 shot from the Dutch magazine Chick. So we brought her back. That is all.
|Femmes Fatales||Dec 4 2014|
|Musiquarium||Dec 2 2014|
This striking promo art for French singer Juliette Gréco and Disques Fontana (a subsidiary of the Dutch label Philips Records) was created by the famous illustrator O’Kley in 1956. The art was reused for record covers, as you see below. Gréco, an actress as well as singer, was a fixture in the Saint-Germain-des-Prés area of Paris, and her acquaintanceships with such figures as Jean-Paul Sartre and Maurice Merleau-Ponty earned her the nickname La Muse de l’existentialisme—the existentialists’ muse. She was also, according to Miles Davis, one of the great loves of his life, and the feeling was reciprocated, so that wins major points right there because Miles was the bomb.
Moving on to the art, O’Kley was a pseudonym for Nantes-born Pierre Gilardeau, the man behind some of the most collectable Folies Bergère posters. He also illustrated many book covers and movie posters, and after a long career just died in 2007. We’ve tracked down some good examples of his art and we’ll get back to him a bit later. You can see another Fontana post here.
|Vintage Pulp||Nov 17 2014|
We’ve seen these paperback covers in different places around the internet and thought they’d make an interesting collective post showing the progression of their dance-themed covers. The first is from 1950 with art by Rudolph Belarski, the next is from an unknown who nonetheless painted a nice rear cover as well, and the last is from Harry Shaare. Macamba concerns a group of characters in Curaçao, and how one in particular struggles to deal with his biracial background as he grows to manhood. He first tries to become a witch doctor, then excels at conventional learning in university, and eventually ships off to World War II and becomes a hero. Returning home, he has many romances and seeks to find his place in the world. You may wonder if there’s any actual dancing in the book, and indeed there is—the main character watches a performance of the tamboe or tambú, a native dance and music that the Dutch colonizers of Curaçao had made illegal.
Lilla Van Saher captures certain aspects of indigenous culture in Curaçao, even sprinkling the dialogue with some Papiamento, but the book is not derived directly from her personal experiences. She was born Lilla Alexander in Budapest, lived an upper class life, modeled, acted in French fims, married a Dutch lawyer named August Edward Van Saher, and through him was introduced to Dutch culture and its island possessions. During her first trip to Curaçao she claims to have been imprisoned by natives in a church because they thought she was a local saint.
In private life, she was a close friend of Tennessee Williams, traveling with him aboard the S.S. Queen Federica in the early 1950s, entertaining him in New York City, and accompanying him during a press junket of Sweden, acting almost as an agent and introducing him to the upper crust of Stockholm, where she was well known. During this time she was Lilla van Saher-Riwkin, and often appears by that name in biographies of Williams as part of his retinue of admirers and associates, though not always in a flattering light. Later she did what many globetrotting dilletantes do—published a cookbook. Hers was called Exotic Cooking, which is as good a description of Macamba as we can imagine.
|Musiquarium||Oct 16 2014|
|Intl. Notebook||Dec 31 2013|
Here is a really nice shot of American actress Marti Stevens we found several years ago inside a copy of the Dutch language Belgian magazine Piccolo. It’s curiously posed—she could be holding anything behind her back from a cream pie to a Glock 17. Hopefully not the latter, though. Stevens was mainly a television actress, appearing on shows such as Mannix, Kojak, Hart to Hart, and many others. But here she embodies New Year’s Eve and the merriment involved. Following her example, we’re also headed out into the fireworks and craziness tonight, and if we return within the next two days, we’ve failed.
|Musiquarium||Dec 24 2013|
|Vintage Pulp||Dec 14 2013|
The gent with the enormous smile here is Joe E. Brown, one of America’s most famous comedian-actors during the 1930s and 1940s, seen on the cover of Het Weekblad (The Weekly), which was a popular celeb-cinema magazine published in the Netherlands for many years. This issue, which is numbered 620, hit newsstands today in 1935. Inside are interesting photos of Shirley Temple, Winifred Shaw, Ruby Keeler, a very nice ink drawing of Joan Crawford by Arturo Sanchez, and more. Scans below.
|Femmes Fatales||Apr 6 2013|
This provocative shot features German adult actress Brigitte Maier from the Dutch magazine Chick, sometimes referred to as Chick Amsterdam. Back in October we featured a poster, which you can have a look at here, from Maier’s famous 1975 X-rated hit Sensations. This image was made the previous year.