|Intl. Notebook||Mar 23 2015|
Archaeologists have uncovered a set of stone ruins in Argentina they believe were constructed to serve as homes for Nazis fleeing Europe during the aftermath of World War II. The buildings are located in a mountainous, barely accessible area of the Teyu Cuare national park in northern Argentina where it meets the border with Paraguay. The archaeologists believe these are Nazi structures because they uncovered German coins minted between 1938 and 1941, and fragments of a plate made in Germany. The fact that such structures were found in Argentina isn’t a surprise—another stone house found years ago (below) in the same park is believed to have been built for Parteikanzlei chief Martin Bormann, who never got to use it. In the end the Nazis never really needed their Teyu Cuare lairs—as many as 9,000 of them fled to Argentina openly, welcomed by the government of Juan Peron.
Argentina was hardly unique in that respect. Thousands more Nazis settled in Brazil, Chile, and in the fascist dictatorship of Paraguay. Hundreds fled to the Middle East. At least one resided for a brief time inQuebec. Via Operation Paperclip, high ranking Nazi party members such as Wernher von Braun, Kurt Debus, and Arthur Rudolph were welcomed into the U.S., mainly due to their knowledge of physics and rocketry. Hubertus Strughold (at right) was also brought over. He had a different kind of knowledge—direct awareness of and possible involvement with fatal medical experiments relating to extreme environments and atmospheric pressure. All four men were given jobs at NASA.
There’s no word yet on what the Argentine government plans to do with the newly discovered Teyu Cuare structures. The alleged Borman house still stands and even has a sign noting its unusual history. However most countries prefer to wipe out evidence of government or citizen collaboration with the Third Reich by opting to raze Nazi structures.
|Hollywoodland||Feb 24 2015|
|Vintage Pulp||Feb 9 2015|
Police Gazette sometimes faced a need for Adolf Hitler to star on their covers that surpassed available supplies of art. The February 1956 cover you see above was the first time that particular image was used, but they dug it out again for their January 1977 issue, which you see below, and which we showed you in larger size here. By now you know the Gazette’s mission post-World War II was to prove Hitler didn’t die in Berlin. In this issue George McGrath—the same writer who usually penned these stories—offers a list of reasons why Hitler was still alive as of 1956. Among them:
In short—and this seems especially appropriate to point out with American news anchor Brian Williams in hot water for alleged on-air lies, and Fox News being laughed at for echoing an obviously fake story about the King of Jordan flying combat missions against ISIS—sloppy or false reporting in America’s most popular media outlets has always been a problem. The old tabloids fashioned themselves as maverick truthtellers, and that label, along with some flashy visuals, was enough to attract eyeballs. For today's cable news, the same self-labeling and eye candy visuals work the same way. We will have plenty more from the Police Gazette later.
|Vintage Pulp||Jan 6 2015|
Kampf der Welten is, we’re sure you can guess from the art, the West German title for War of the Worlds. This cinematic adaptation of H.G. Wells’ famous 1897 serial starred Gene Barry and Ann Robinson, and if you haven’t seen it we suggest it’s worth the time, though it’s quite different from the novel. Actually, we recommend the novel too. It’s grimmer than the film, and has a distinct, rationalist point-of-view that was whitewashed for cinema audiences. Actually, not whitewashed—more like inverted to portray the clergy heroically, where in the novel it is characterized by cowardice. Spielberg and Cruise left that out, too, in their 2005 interation, but in other respects their movie is very close to the book. In addition to the German promo, we also have the three English language posters below. War of the Worlds premiered in the U.S. during the summer of 1953, and reached West Germany today in 1954.
|Femmes Fatales||Dec 29 2014|
So, did you notice that server switch yesterday? The one where our site went down for about twelve hours? Well, we’re making it up to you with this 1971 photo of German actress Doris Arden. She falls squarely into the b-movie category, having appeared in such amusing efforts as Graf Porno und seine Mädchen, Der Sex-Agent, and Eros Center Hamburg. Hopefully she appeals to your Eros center, as well. We also hope our new server arrangement ends our problem with periodic website outages. That’ll mean fewer posts like the one above where we try to ingratiate ourselves with you, but hey, with the good always comes some bad.
|Intl. Notebook | Politique Diabolique||Dec 19 2014|
Mandy Rice-Davies, one of the central figures in the John Profumo Affair of 1963, died of cancer early this morning. Most accounts of the scandal describe Rice-Davies as a prostitute, and indeed Stephen Ward, one of the principals in the fiasco, was imprisoned for living off the earnings of Rice-Davies and other women—another way of saying he pimped. But Rice-Davies spent a good portion of her final years denying she was a call girl, saying she didn’t want her grandchildren to remember her that way.
After the scandal Rice-Davies sang in a cabaret in Germany, lived in Spain, moved to Israel where she opened nightclubs and restaurants in Tel Aviv, released music and books, appeared on television and in film, including the The Seven Magnificent Gladiators and Absolute Beginners, and was involved in the development of a Stephen Ward-based Andrew Lloyd Webber musical. She accomplished plenty. But as long as she is remembered it will be for Profumo, Christine Keeler, the parties and scandalous revelations, and the near-collapse of the British government in 1963. If you’re interested in reading more, we talked about Rice-Davies in a bit more detail here and here.
|Vintage Pulp||Dec 19 2014|
Just in time to ruin everyone’s Christmas shopping, this National Police Gazette from December 1960 splashed Adolf Hitler’s face on its cover along with an inset of Swedish actress May Britt (who could hardly have appreciated the inclusion). George McGrath’s story minces no words, opening with this: Indisputable evidence that Adolf Hitler is alive and living in the Argentine has has been uncovered by the Police Gazette. Although this new information is in the hands of government intelligence chiefs, the United States and its allies are not lifting a finger to catch the runaway Nazi dictator.
|Vintage Pulp||Dec 11 2014|
|Vintage Pulp||Nov 5 2014|
If you’re thinking this West German poster for Sophia Loren’s 1954 drama Die Frau vom Fluss, aka La donna del fiume, aka The River Girl looks a bit like this promo for Riso Amaro, you're right—and the actual films are quite similar too. During the 1950s Italian filmmakers produced at least a few movies with identical blueprints—i.e. improbably hot peasant girls performing hard labor somewhere in the Po Valley while wearing bodyhugging clothing. Generally, the girls dream of better circumstances but possess little means to achieve such an end—until into their lives tumble dudes with big plans.
Sounds like light fare, but sultry summer settings and sexy attire notwithstanding, these were serious films—usually tragedies. Where the staple food in Riso Amaro (and Elsa Martinelli’s 1956 drama La risaia) was rice, here it’s eels. Loren works in an eel cannery by day, dances a mean mambo during her spare hours and, like Silvana Mangano in Riso Amaro, finds herself torn between a decent bore and a thrilling criminal. The choice she makes opens up a whole different can of eels and she spends the rest of the film having to manage the consequences. That’s about all we’ll say, except that we watched the flick last night and more or less enjoyed it. As for Loren, she’s 100% more and 0% less, a big personality whose stardom was a matter of destiny. The movie is worth seeing just because of her.
|Sex Files||Oct 25 2014|
Of all the books Berlin-based publishing company Goliath has produced, perhaps none is more essentially pulp in nature than Private Pornography in the Third Reich. 1950s and 1960s men’s adventure magazines were obsessed with Nazis, and Third Reich spies littered post-war pulp fiction. The stories and art were often sexual in nature, such as here and here, sometimes hinting at or portraying depravity behind closed doors. With Private Pornography in the Third Reich the doors are closed no more. Stepping into forbidden salons, we’re presented not only with challenging images, but the social questions pornography raises, plus the specter of Third Reich authoritarianism and eventual war.
In another few years the Reich would have near total control of life in Germany, and operate a chain of concentration camps in which those deemed sexual deviants could be imprisoned. As a historical document of the sex industry during the anti-lust years leading up to that period, PrivatePornography in the Third Reich is fascinating. The subject is taboo, the photos perhaps more so. They range from artful salon compositions to raunchy reverse cowgirl penetration shots, which means it may not be coffee table material for everyone, but for the adventurous it’s certain to live up to aesthetic expectations, and provoke vigorous debates as well. Read more at Goliath Books.