|Intl. Notebook||May 20 2015|
|Vintage Pulp||May 10 2015|
1977’s Porno Shock was originally released in West Germany as Der Ruf der blonden Göttin, but was also known as Porno gola profonda, The Call of the Blonde Goddess, and Voodoo Passion. Indeed, there’s voodoo involved, as the film was shot in Haiti, and every film shot there involves voodoo. The movie was directed by Jesús Franco under his Manfred Gregor pseudonym, and starred Vicky Adams, better known as Nanda Van Bergen or sometimes Muriel Montosse. Supporting her were Ada Tauler, aka Annie Sand, Karine Gambier, Siegrid Sellier, Jack Taylor, and others.
But lest we forget, Pulp Intl. is mainly dedicated to art, and the only reason we’re talking about Porno Shock is because the two English language posters above—and obviously the Italian one at right—were painted by Mafé, an Italian master illustrator who five years after we first learned about him remains a total mystery. We have no full name on him, no biography, nothing. But what we do have is more of his work, and you can see that here, here, and here. We also have more of his posters in our hard drive and we’ll get those up in a bit. Meanwhile, help us out Italian friends—who is this guy?
|Femmes Fatales||May 6 2015|
Ah, the internet, that font of misinformation. The amazing photo above has made its way onto numerous web pages identified as Sharon Tate. It isn’t. Only wishful thinking could make this model—though beautiful—look even remotely like Sharon Tate. The photo actually shows West German sexploitation actress Gigi Darlene, née Heli Leonore Weinreich, who is known for the 1965 sexploitation flick Bad Girls Go To Hell, as well as Hot Nights on the Campus, Nudes on Tiger Reef, The Very Naked Canvas, et al. Tate has plenty of amazing photos of her own, so when we saw this misidentified in so many places we figured we’d stand up for poor Gigi. Another shot of her from a webpage dedicated to her appears at right, and you can see that the above woman and the one at right are the same. As far as Tate goes, we like this shot.
|Vintage Pulp||Apr 28 2015|
Above, Private Island by Dorian Cole, 1966, from After Hours Books, one of the lower rent practitioners of sleaze lit. The cover art is by Eric Stanton, whose decades of work have been immortalized in two collections by the German art book publisher Taschen. You see one of those at right. Stanton was apparently known as the “Rembrandt of pulp culture,” at least according to Taschen. Them’s mighty bold words, but of course Taschen is trying to sell $50 coffee table books, so what else would they say? In reality, Stanton was a unique comic book artist whose simplicity of style translated nicely to low budget sexploitation paperbacks. Or put another way, based on the above could you see him illustrating Mike Hammer or James Bond books? No, right? But he was a perfect match for sleaze imprints like After Hours. His effort for Private Island is nearly perfect, featuring his trademark elongated figures and bold color usage, and it ranks as a favorite cover for us. As far as his comic book work goes, he specialized in bondage and degradation, so if you go looking you’ve been duly warned.
|Intl. Notebook||Apr 15 2015|
England’s tabloid newspaper/website Daily Express has an interesting story today about the discovery of a Nazi propaganda book Hitler had banned because its photos made him look undignified. The book was called Deutschland Erwache, aka Germany Awaken, and was written in the 1930s by Baldur von Schirach, the former Hitler-Jugend leader who died in Spandau Prison after his conviction at the Nuremburg Trials. His book had been mostly forgotten, but now it’s about to be republished after an intact edition was found amongst the war souvenirs of a deceased British private. The volume was aimed at younger readers, which is why Hitler was portrayed in lighthearted fashion, such as in the above rural photo showing him in shorts working his Uncle Adolf vibe.
As dedicated documenters of Hitler’s horrors, we welcome the republication of Deutschland Erwache. Anything that shows der Führer as human rather than a monster is useful, because it can hopefully remind people that he didn’t arrive here by oozing through an orifice from an alien dimension, but was rather a member of Earth’s human race—and one from just a single lifetime ago, when people had the exact same needs, fears, pressures, desires, lusts, hatreds, and political confusion as they do right now. Which means if we aren't careful and diligent everything that happened during Hitler’s rule could happen again. And we don’t mean in some benighted corner of the planet, but anywhere—even in the well-lit, well-paved, heavily-policed havens some people call home. The top photo is a good reminder that Hitler put his shorts on one leg at a time—just like the rest of us.
|Vintage Pulp||Apr 1 2015|
|Intl. Notebook||Mar 23 2015|
Archaeologists have uncovered a set of stone ruins in Argentina they believe were constructed to serve as homes for Nazis fleeing Europe during the aftermath of World War II. The buildings are located in a mountainous, barely accessible area of the Teyu Cuare national park in northern Argentina where it meets the border with Paraguay. The archaeologists believe these are Nazi structures because they uncovered German coins minted between 1938 and 1941, and fragments of a plate made in Germany. The fact that such structures were found in Argentina isn’t a surprise—another stone house found years ago (below) in the same park is believed to have been built for Parteikanzlei chief Martin Bormann, who never got to use it. In the end the Nazis never really needed their Teyu Cuare lairs—as many as 9,000 of them fled to Argentina openly, welcomed by the government of Juan Peron.
Argentina was hardly unique in that respect. Thousands more Nazis settled in Brazil, Chile, and in the fascist dictatorship of Paraguay. Hundreds fled to the Middle East. At least one resided for a brief time inQuebec. Via Operation Paperclip, high ranking Nazi party members such as Wernher von Braun, Kurt Debus, and Arthur Rudolph were welcomed into the U.S., mainly due to their knowledge of physics and rocketry. Hubertus Strughold (at right) was also brought over. He had a different kind of knowledge—direct awareness of and possible involvement with fatal medical experiments relating to extreme environments and atmospheric pressure. All four men were given jobs at NASA.
There’s no word yet on what the Argentine government plans to do with the newly discovered Teyu Cuare structures. The alleged Borman house still stands and even has a sign noting its unusual history. However most countries prefer to wipe out evidence of government or citizen collaboration with the Third Reich by opting to raze Nazi structures.
|Hollywoodland||Feb 24 2015|
Elke Sommer speeds through Hollywood during the late hours in this promotional photo from a 1963 issue of the French magazine Stop. She was famous at this point, having appeared in films in Europe, but she wasn’t yet the global icon she would become. In less than a year the hit comedy A Shot in the Dark would make her one of Hollywood’s biggest stars.
|Sex Files||Feb 17 2015|
German actress Karin Schubert is an interesting figure in international cinema—she began in mainstream films in the late 1960s, appearing in efforts by acclaimed directors such as Edward Dmytryk and Yves Boisset, then transitioned into adult cinema. Usually actresses attempt to do the reverse. Some of Schubert’s early roles, such 1975’s Black Emmanuelle, were of the sexploitation variety, but it wasn’t until 1985 when she was aged 41 that she starred in her first hardcore film, Double Desire. Some sources say there are rare prints of 1975’s Il Pavone nero, aka Voodoo Sexy that show Schubert in x-rated action, but those sources are wrong—as was common at the time, down and dirty scenes performed by a body double were added later. However, Schubert did shoot fully hardcore magazine spreads earlier than her entry into adult cinema.
The photo at top shows Schubert from around 1975, and below are some of her many covers for the West German magazine Wochenend. You can also see a nice Ciné-Revue cover of her here. We’ll try to get into some of her non-x-rated films later and report back.
|Vintage Pulp||Feb 9 2015|
Police Gazette sometimes faced a need for Adolf Hitler to star on their covers that surpassed available supplies of art. The February 1956 cover you see above was the first time that particular image was used, but they dug it out again for their January 1977 issue, which you see below, and which we showed you in larger size here. By now you know the Gazette’s mission post-World War II was to prove Hitler didn’t die in Berlin. In this issue George McGrath—the same writer who usually penned these stories—offers a list of reasons why Hitler was still alive as of 1956. Among them:
In short—and this seems especially appropriate to point out with American news anchor Brian Williams in hot water for alleged on-air lies, and Fox News being laughed at for echoing an obviously fake story about the King of Jordan flying combat missions against ISIS—sloppy or false reporting in America’s most popular media outlets has always been a problem. The old tabloids fashioned themselves as maverick truthtellers, and that label, along with some flashy visuals, was enough to attract eyeballs. For today's cable news, the same self-labeling and eye candy visuals work the same way. We will have plenty more from the Police Gazette later.