Modern Pulp Sep 18 2016
AMAZON KINDLED
Another blonde stirs up trouble in the benighted jungle.


Amazonia: Kopfjagd im Regenwald, for which you see a West German promo poster above, was originally Italian made as Schiave bianche: Violenza in Amazzonia, and was titled in English White Slave. We really enjoy lost world movies and this one looked like it fit the bill—fierce looking blonde woman on the poster holding a sword, jungle setting—so we tracked down a copy and had a look. We were imagining something along the lines of those entertaining ’80s actioners that all ended with big battle sequences and climactic decapitations. It was only after acquiring the film that we learned it was also known by another title—Cannibal Holocaust 2: The Catherine Miles Story. Uh oh. We are less fond of cannibal movies than lost world movies, but we forged ahead, bravely, with popcorn and beer.
 
Basically, a woman played by Elivire Audray is kidnapped by Amazon tribesmen and must submit to tribal customs in order to survive. But considering the fact that various loin-clothed alpha males soon begin to fight to possess her, the real question might be whether the tribe can survive her. All of this is wrapped inside a murder trial taking place after Audray's rescue, where a courtroom learns not only every sordid, sexual detail of her time with her tribe, but that her very presence in the jungle may have been part of a conspiracy, and her kidnapping might have been in reality a rescue. We can't really recommend this movie, but its eventual anti-capitalist twist is interesting, and at least you get to see plenty of Audray, below. Amazonia: Kopfjagd im Regenwald premiered in Italy in 1985 and opened in West Germany today in 1986.

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Vintage Pulp Sep 8 2016
EXTREME SPORT
You have to be in it to win it.


When the dystopian sci-fi movie Deathsport premiered in West Germany today in 1978, the unusual poster above was used to promote it, the title having been changed to Giganten mit stählernen fäusten, which means “giants with steel fists.” That's obviously a terrible name, but whatever, that's what they went with. And what they got was David Carradine and Claudia Jennings in a tale of defiant freedom fighters known as range guides pitted against the minions of a state at eternal war.

The government needs to propagandize the population into joining the armed forces, so it stages televised gladiatorial spectacles in which statemen use fancy death machines to do battle. These contraptions are supposed to be so cool they bedazzle credulous viewers into joining the war effort. This is a really interesting point for an American movie to make, but this is b-cinema, which means the death machines are really just motorcycles the prop department welded extra aluminum to.

The budget may be low, but the framework of the movie is sound. Against its totalitarian/post-apocalyptic backdrop you get an ambitious stateman, played by all time b-movie villain Richard Lynch, pursuing a personal grudge against Carradine's legendary range guide. You may not know who Richard Lynch is by name, but if you've watched even a few terrible ’70s movies you know his face because of its distinctive scarring.

The movie also offers up cannibal mutants, desert mysticism, silver jumpsuits, crystal swords, and naked women—including Jennings in a couple of her nudest scenes. Ah, but don't fret, lovers of manmeat—Carradine wears a loincloth for most of the film. True, he's got one of those high fat content ’70s bodies, but on a typical Friday night, were the clock to strike closing time at the club, you'd take his hairy hunkiness home and be happy about it. In a way, that's true of the movie too.

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Vintage Pulp Sep 3 2016
MEDICAL SINNER
Upon examination this movie is really bad.


We suspect 90% of women—if not more—would assume this poster is for an obscure Japanese horror movie. They'd be wrong, though, because it's actually for a lighthearted made-in-West Germany erotic film called Obszönitäten, aka Obscenities, aka Confessions of a Male Escort, which premiered today in 1971. The promo art, which is completely different from the European or U.S. art, is symptomatic of the Japanese penchant for violent imagery in erotica. We've talked about it before, and we're still trying to figure it out. The movie, though, isn't violent, at least not until the end, briefly. It's a slapstick comedy about a gynecologist who is rendered impotent, and offers a gigolo named Johnny the kingly sum of 100,000 DM for his penis, which the doctor has the ability to transplant to himself. 100,000 DM was about $27,000 back when this film was made. Would you take an offer like that? No, neither would we. Plus our girlfriends would kill us if we suddenly turned up with tiny, uncircumcised dicks. No offense to the uncut but the girls have made their preferences clear. Getting back to the movie, the only real obscenity is how bad it is. Please skip it.

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Vintage Pulp Jun 23 2016
A FULL CONFESSION
West German cinema begins looking at the world in a different way.

Confession d'une pécheresse, aka The Sinner caused a bit of a scandal in West Germany, where it premiered as Die Sünderin in 1951. The movie's depictions of pre-marital sex, prostitution, nudity, and particularly double-suicide got the Catholic church bent out of shape. Despite protests against cinemas and death threats directed toward star Hildegard Knef, the movie was a smash, seen by two million West Germans within the first two weeks of its run. So based on that preamble you know pretty much what the film is about—amid a desperate post-war backdrop a prostitute falls in love with less-than-satisfactory results. But even if the story is familiar by now thanks to the many newer films that have touched upon similar subject matter, Die Sünderin is a cinematic landmark, produced in a war shattered country that had begun to put the pieces back together in a new way, including in its film industry. The above poster, a beautiful piece by the way, was made to promote Die Sünderin's French run, which began today in 1953.

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Intl. Notebook May 26 2016
CINEMONDE VERITE
Lifestyles of the French and famous.


Does this image of Karin Dor look familiar? Possibly because it’s the same one we used in a femme fatale post on her late last year. It was made to promote the film You Only Live Twice, and appeared in many places, here for example on the cover of the French magazine Cinémonde. Focusing pretty much exclusively on movies and movie stars, Cinémonde launched in 1928 and lasted until 1971, with seven years of dormancy from 1940 to 1946, and another two in 1969 and 1970. The examples you see here are all from the mid- to late-1960s, when director Maurice Bessy moved toward less conservative graphics than in the past. Generally Cinémonde cover stars were women, often French, but every once in a while a guy made the cut, such as the fronts with Marlon Brando and Gérard Philipe below. We’ll get to the interiors of Cinémonde a bit later.

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Vintage Pulp May 16 2016
SOUTH BY SOUTHWEST
Hitler makes a mad dash from the Arctic Circle to the bottom of the world.


Has it really been nearly a year since our last Hitler Police Gazette cover? A look back through the website confirms the lull, but we haven't run out of Adolfs yet. This is the twenty-eighth Gazette we've found with him as the star, a May 1961 issue proclaiming, of course, that he's alive. Inside, journo Harvey Wilson reiterates the Argentina claims that had been well flogged in previous issues, telling readers Hitler's “super secret” hideout is located in Rio Negro province at the edge of wild Patagonia. Wilson writes: “Hitler flew out of Berlin on the night of April 30, 1945. He fled the city in company with a woman and they made their departure in a Fieseler-Storch plane. They carried several suitcases and proceeded to a Nazi submarine base in Norway.” According to Wilson, the u-boat chugged across the ocean and docked at Mar de Plata, Argentina.
 
It's easy to understand Gazette's (and its readers') interest in Hitler. He was a titanic figure who died a tawdry little death—suicide by self-inflicted gunshot. It must have felt to the World War II generation like an anti-climax, or even a cheat. So Gazette instead assures those readers that Hitler escaped, and makes his flight sound like adventure fiction. This formula, which must have both titillated and terrified those who believed, not only furnished material for twenty-eight covers, but the story was also told numerous times in issues that didn't feature Hitler on the front, such as this one focusing on JFK, and this one that shines a spotlight on Eva Braun. But we may have finally reached the end. We know of only one other Hitler cover. We'll share that a little later.

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Vintage Pulp Apr 26 2016
LIFE BEHIND BARBS
Nobody gets out of here alive.


We wrote about Spanish director Jesus Franco not long ago. Sort of. When we noticed another premiere date approaching for one of his films we thought we'd check it out. El reformatorio de las perdidas, originally titled Frauengefängnis, and called Barbed Wire Dolls in the U.S., is a nearly plotless exercise in sadism featuring Lina Ronay, Monica Swinn, and other overheated female convicts dealing with predatory guards and an evil wardeness. There's an escape, as usual in these Franco films, and as usual it fails. That's giving nothing away because the escape isn't the point—the nudity and sex are. Last time we discussed Franco we made a joke of it without really talking about the quality of his films. So here's the deal—they range from the arty to the ridiculous to the outright terrible. This one falls unambiguously into the latter category. That is all. Hey, but you gotta love that Spanish poster. Frauengefängnis premiered in West Germany today in 1976, and hit Spain and other countries in 1977.

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Intl. Notebook Apr 19 2016
SOUND A WARNING
If you're hearing this it's already too late.

This curious photo shows a bit of pulp-era technology—the acoustic mirror or acoustic locator. It was used to detect the approach of aircraft. The examples above and below are from Japan, Finland, Russia, Sweden, and other countries, and date from the 1930s to the eve of World War II, when they were replaced by radar systems. Apparently, these worked quite well, picking up engine noise from miles away. But as aircraft became speedier the effective range of the devices decreased—enemy planes would reach the site where a mirror was located within a minute or two of being detected. At such speeds, a spotter with a good pair of binoculars and decent visibility would see the planes the same time a mirror heard them. But before airspeeds increased these were the surest way to detect an oncoming aerial attack or reconnaissance flight, particularly at night. In addition to portable mirrors, some countries used cast concrete to construct massive versions that had a twenty-mile range. Great Britain built the last set of these in 1943 when fears surfaced that the Germans had developed a means to jam radar. Built to endure weather and time, some survive and have become tourist attractions. We have ten more crazy acoustic mirror designs below for your enjoyment.

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Femmes Fatales Apr 13 2016
FIRING BLANCK
Some are on the left and others are on the right, but her position on guns is right in the middle.


This image of German born French actress Dorothée Blanck appeared on the cover of France's Cinémonde magazine today in 1965. Blanck died in January at the age of 81 after decades in cinema, including roles in Jean-Luc Godard's Une femme est une femme, Jean Renoir's Elena et les hommes, and Jacques Demy's Les parapluies de Cherbourg. She came from the humblest of beginnings—born in prison in Aichach, where her mother was serving time for political crimes like numerous leftists resistant to the rising Nazis; shuttled around to various orphanages and institutions; not even given an official name for the first two years of her life. Her film career began in 1953 and, with occasional lulls, she worked often throughout her life, appearing in some forty films. Her last project, entitled Jours de France, or Days of France, is in post-production and is slated to hit cinemas sometime this year. 

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Vintage Pulp Apr 7 2016
RISK FACTOR
If at first you aren’t impressed try Trygon again.


You may have noticed we’re really digging into our collection of Japanese posters lately. Here’s another. It was made for Das Geheimnis der weißen Nonne, a West German-British movie based on Edgar Wallace’s novel Kate Plus Ten and released in English as The Trygon Factor. Basically, a Scotland Yard investigator investigates a series of robberies and finds that a respectable English family and group of nuns living in a country manor together are not what they seem. Stuart Granger and Susan Hampshire star, but the star of the poster is Sophie Hardy, which just goes to show the Japanese distributors knew exactly how best to promote the film. We saw the movie several years back and weren’t impressed, but we watched it again last night and this time found it pretty entertaining for the type of goofy crime thriller it is. We make no guarantee, though. Das Geheimnis der weißen Nonne-The Trygon Factor premiered in Japan as Dai gôtô-dan today in 1968.

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History Rewind
The headlines that mattered yesteryear.
September 26
1934—Queen Mary Launched
The RMS Queen Mary, three-and-a-half years in the making, launches from Clydebank, Scotland. The steamship enters passenger service in May 1936 and sails the North Atlantic Ocean until 1967. Today she is a museum and tourist attraction anchored in Long Beach, U.S.A.
1983—Nuclear Holocaust Averted
Soviet military officer Stanislav Petrov, whose job involves detection of enemy missiles, is warned by Soviet computers that the United States has launched a nuclear missile at Russia. Petrov deviates from procedure, and, instead of informing superiors, decides the detection is a glitch. When the computer warns of four more inbound missiles he decides, under much greater pressure this time, that the detections are also false. Soviet doctrine at the time dictates an immediate and full retaliatory strike, so Petrov's decision to leave his superiors out of the loop very possibly prevents humanity's obliteration. Petrov's actions remain a secret until 1988, but ultimately he is honored at the United Nations.
September 25
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.

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