Modern Pulp May 13 2010
LEARNING TO DIE
Les yeux de la terreur had little going for it except Rachel Ward.

Les yeux de la terreur, aka, Terror Eyes is an unremarkable little thriller about a serial decapitator on a college campus. It isn’t very scary, and it isn’t very entertaining, despite its deliberate resemblance to classic Italian giallo. But opinions vary, and as you can see by looking at the above poster, it won the Jury Prize at the 1981 Avoriaz Film Festival, which goes to show that horror fans are so desperate for anything that resembles art they’ll hear Edith Piaf in a victim’s screams and see Jackson Pollack in his blood splatters. But one thing you don’t have to look very hard for here is British bombshell Rachel Ward in her first film appearance. She would later star in the quirky but satisfying neo noir Sharky’s Machine, the somewhat less satisfying noir rehash Against All Odds, the noir send-up Dead Men Don’t Wear Plaid, and the excellent modern Aussie noir After Dark My Sweet. That’s a lot of noir, which is why she’s a favorite actress around here. As a side note, she gave an interview a while back in which she confessed that as a result of aging a bit and losing some of her extraordinary physical beauty, she wished she’d done more nude scenes. Funny, we were thinking the same thing. Les yeux de la terreur—which would later become known in the U.S. not as Terror Eyes, but as Night School—premiered at Avoriaz in January, and in Paris today in 1981. 

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Vintage Pulp Jun 26 2009
SOYLENT LUCIDITY
It's not easy eating Green.

When we wrote in our Planet of the Apes posting that Charlton Heston was capable of creating compelling film moments, his sci-fi mystery Soylent Green was the other film we had in mind. You see the French promo art above, and you’ll notice this is another film that played at the Avoriaz Film Festival. The first screening was today in 1973, and though it was well-received, the film lost the Grand Prize to Steven Spielberg’s made-for-television thriller Duel. Soylent Green’s vision of the future may look a little retro now, but its depiction of smart business as bad morals remains relevant. It’s also notable for being the last screen appearance of the legendary Edward G. Robinson, who died of cancer just three weeks after shooting ended. We recommend you check this one out. At the very least, it’ll make you think twice next time you’re in a crowd and someone starts making those mooing sounds.

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Modern Pulp Jan 21 2009
HIDE & FREAK
Hey, you wanna go for a ride?

When Blue Velvet opened in 1986 it received decidedly tepid notices from several high-profile reviewers, one of whom was aghast at the sexual humiliation endured by Isabella Rossellini. But it was clear David Lynch meant to shock, even if his totally nude wife was doing the shocking. His disturbing neo-noir freakshow went on to win a nice collection of festival and critic’s awards, including the grand prize at France’s now defunct Avoriaz Fantastic Film Festival. Above you see the Avoriaz promo art. Blue Velvet premiered there in mid-January 1987, then went into wide release across France today.

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History Rewind
The headlines that mattered yesteryear.
July 10
1940—The Battle of Britain Begins
The German Air Force, aka the Luftwaffe, attacks shipping convoys off the coast of England, touching off what Prime Minister Winston Churchill describes as The Battle of Britain.
July 09
1948—Paige Takes Mound in the Majors
Satchel Paige, considered at the time the greatest of Negro League pitchers, makes his Major League debut for the Cleveland Indians at the age of 42. His career in the majors is short because of his age, but even so, as time passes, he is recognized by baseball experts as one of the great pitchers of all time.
July 08
1965—Biggs Escapes the Big House
Ronald Biggs, a member of the gang that carried out the Great Train Robbery in 1963, escapes from Wandsworth Prison by scaling a 30-foot wall with three other prisoners, using a ladder thrown in from the outside. Biggs remains at large for nearly forty years.
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