Vintage Pulp Aug 18 2019
THUS SLAYETH THE LORD
When you're rich you're never insane. You're just a little eccentric.


La notte che Evelyn uscì dalla tomba, aka The Night Evelyn Came Out of the Grave, premiered in Italy today in 1971, and is an Italian made, set-in-England, gothic giallo flick for which we shared an unusual Greek poster some years ago. The art on that was retasked from the original poster, which was painted by Sandro Symeoni, a genius we've featured often. If you don't know his work, click his keywords below and have a look. He's worth your time.

In the movie a British lord violently obsessed with his deceased redheaded wife goes nuts and is committed to a mental institution. When he gets out he immediately brings disrepute to the entire psychiatric profession's notion of “cured” by going on a redhead killing spree. While he's busy reducing rural England's carrottop population one pale person at a time, his headshrinker, who knows nothing of the murders, is encouraging him to remarry in order to get over his dead wife.
 
That doesn't strike us as responsible psychiatric advice, but as we mentioned, there are lousy doctors in this film, so the Lord indeed picks out a suitable spouse, who's blonde, importantly. Things go fine until Mrs. Lord notices a redheaded maid in the manor. This is impossible, you see, because the Lord hates (and kills) redheads. So it goes without saying he'd never hire one. Who was this woman, and why was she there? Soon we're treated to the reliable giallo staples of imposters, unknown people creeping through the woods at night, disappearing corpses, and the question of whether what's happening is real, or is an attempt to induce insanity.

What might induce insanity for you is the screenwriting of the female characters in this flick. They're pure murder magnets. For example, whenever the Lord meets a redhead he yanks painfully on her hair to see if it's real. “Ouch! That hurt!” “Sorry, I thought it might be a wig.” “Oh.” Here's some advice: kick him in the gonads and run like Flo-Jo. Yet the women instead decide painful hair-pulling is just a cute quirk, and later meet their bloody ends.
 
There's also an incredible scene where the Lord slaps his wife around until she's bloody-mouthed, only to finally be stopped by the appearance of a friend, who asks, “Why were you fighting?” Why were you fighting? A more appropriate line might be, “Why were you beating the fuck out of your beloved?” But with this latter incident there may actually be a plotworthy reason the Lord is forgiven. We could reveal it, but that would be a spoiler. Of course, saying it would be a spoiler is a spoiler too. Oh no! Everything is spoiled! We have to murder a redhead now. Is that a non-sequitur? No, it's just giallo.

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Vintage Pulp Aug 14 2019
BLACK CATASTROPHE
The superstition is true—it's bad luck to cross her path.


This impressive promo poster was made for the pinku actioner Kuroi Mehyô M, aka Black Panther Bitch M, in which Japanese superstar Reiko Ike plays an assassin tasked with getting rid of a troublesome gangster. This is far easier said than done, but she has all the skills a good killer-for-hire needs—she can run fast, climb well, throw knives (and handily placed pitchforks), read lips, perform acrobatics, crush testicles, endure pain, and wear a pantsuit like a boss. We'd love to tell you the film is great, but it's all pretty silly, truthfully. But when Reiko and her soulful eyes and shiny café au lait skin are onscreen does the plot really matter? It might to you, but it doesn't to us. The Japanese title of this, by the way, is actually “Black Rose M.” We don't know where the panther thing came from, but it's an apt description for Reiko. Kuroi Mehyô M premiered in Japan today in 1974.

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Vintage Pulp Aug 13 2019
TWENTY TWO CALIBRE
David Janssen takes aim at a mystery linked to his past.


Twenty Plus Two premiered in the U.S. today in 1961. We got interested in this one because it starred David Janssen, who was the central character in the television show The Fugitive, but who we remember from the obscure flick Birds of Prey that used to pop up on cable when we were in high school. We loved that movie, but it was the only thing we'd seen Janssen in. Twenty Plus Two is billed as film noir on some websites, so that interested us too. First things first—it isn't a film noir. Not even close. It's a black and white crime drama with a few night sequences, but no noir stylings or iconography, except for a single flashback. People get this twisted all the time, but we'll say it again: just because it's a black and white crime movie doesn't mean it's a film noir.

Janssen stars as an investigator who's drawn into a murder case involving a movie star's secretary. She possessed material on a missing heiress, and Janssen finds himself investigating both the missing person and the murder. Mixed in are complications from his past in the form of his ex-fiancée. Janssen never quite figures it all out, but that's okay—the villain explains it in detail for him at the end. The whole production comes across like a television movie, complete with the type of punctuative trumpet blasts you'd hear on an old cop show. We can't recommend it, but if you're a fan of Janssen you won't be disappointed. He's about as reliable a star as you'll find, and he makes Twenty Plus Two watchable all by his lonesome.
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Vintage Pulp Aug 10 2019
NUN OF YOUR AFFAIR
Laura Gemser turns out to be one twisted sister.


Laura Gemser again? Really? Well, she made a lot of movies and we find them highly amusing. This one was called Suor Emanuelle, aka Sister Emanuelle, and we'll tell you up front it'll probably be wildly offensive to anyone with religious beliefs, as she plays the horniest nun in L'Aquila, Italy. She doesn't start that way. At first she's one cold penguin, but as we've mentioned before, exotic places heat her up. Plus in the convent she finds herself in close company with Mónica Zanchi, who knows exactly which of Gemser's buttons to press. That chilly old convent starts cooking, with Gemser giving in to Zanchi, and Zanchi regularly hiking Vinja Locatelli's treasure trail. But it wouldn't be ’70s sexploitation without some hairy men. Enter Gabriele Tinti as a bank robber hiding out in the stables. Gemser and Zanchi both take carnal communion with him, multiple times. All in all, Suor Emanuelle is a typical Gemser sex flick—ethereal, ridiculous, a bit quaint by today's standards, and not to be taken at all seriously. We give it two-and-half nipple-kisses. It premiered in Italy today in 1977.

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Vintage Pulp Aug 8 2019
WEIRD SCIENCE
He's totally wacko but ambition is attractive so she'll give him a chance.


A few years ago we talked about the 1959 sci-fi movie Caltiki il mostro immortale, aka Caltiki—The Immortal Monster, and shared the U.S. promo poster. Above is the Italian promo, which has a nice GGA style to it thanks to the highly skilled brush of Rodolfo Valcarenghi. His art has nothing to do with the film, though. Plotwise think scientific curiosity overcoming better judgement to facilitate the release of a blob monster and you'll be in the ballpark. You can read our little summary at this link. Caltiki il mostro immortale premiered in Italy today in 1959.

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Vintage Pulp Aug 5 2019
SUMMER LOVER
She's just wading for something to happen.


Above, a pretty poster for Hito natsu no kankei, which starred Minako Mizushima, along with Izumi Shima and Tamaki Katsura. There's no English title for this, but if you were to translate ひと夏の関係 it would mean something like “summer relationship.” On the other hand, Hito natsu no kankei means something like “one person's life.” So there you go. This premiered in Japan today in 1978.

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Vintage Pulp Aug 2 2019
ANGEL OF VENGEANCE
Please help me. My husband is on death row and I need to save him so I can kill his cheating ass myself.


These two posters were made to promote the film noir Black Angel, which starred June Vincent, Dan Duryea, Doris Dowling, and Peter Lorre in a story credited to high concept author Cornell Woolrich. But we gather nothing survived from Woolrich except the ending. When a man is convicted of his mistress's murder, the jailed man's cheated upon but noble wife tries to prove her husband innocent with the help of the murdered woman's ex-husband, who, though cuckolded, agrees that the wrong person is ticketed for Old Sparky. They set their sights on shady nightclub owner Peter Lorre and decide to infiltrate his operation in order to find proof he was the real killer. Naturally, as this heartbroken and mismatched pair dig up clues and investigate shady characters, feelings get confused. As in many noirs, there's a final act twist, and the one used here is pretty good, helping to elevate an average thriller to something a bit more memorable. Within the genre it's a significant film, and reasonably enjoyable to watch. Black Angel premiered in the U.S. today in 1946.

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Vintage Pulp Jul 31 2019
SORRY, WRONG NUMBER
The movie is n° 2 but its star is second to none.


There sure are lots of Emmanuelle/Emanuelle movies out there. Sylvia Kristel, Laura Gemser, Monique Gabrielle, Olinka Hardiman, Krista Allen, Natasja Vermeer, and many others inhabited characters with that name. But we'd never heard of Shulamith Lasri, aka Julie Margo, nor her contribution to the pantheon Emanuelle nera n° 2, aka The New Black Emanuelle. Pulp Intl. abhors a vacuum so we figured what the hell and decided to check the movie out. Plotwise Lasri is a famous model who's had some sort of break with reality and is in a mental institution trying, with the help of doctors, to restore memories that might be the key to her trauma
 
Sounds deadly serious, doesn't it? But like many serious low budget movies, unintentional humor rears its clumsy head. At one point Lasri disrobes and Danielle Ellison gapes at her and says, “Your body. You're like a queen of the night. Or a panther.” At which point Lasri forms a claw with her hand and goes, “Grrrrr...” Frickin' hilarious. The two then dance naked, as women often do when they hang out together. Does Lasri ever get her head straight? Maybe. But even if her mind is cured, her body will remain bonkers, and that's what these movies are all about. Emanuelle nera n° 2 premiered in Italy today in 1976.

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Vintage Pulp Jul 29 2019
X SPOTS THE MARK
Mysterious spiritualist can see everyone's future but his own.


For a moment Austrian born, Turkish descended actor Turhan Bey was a star, a status he achieved through a long, careful slog through numerous supporting film roles beginning in 1941. The Amazing Mr. X, aka The Spiritualist, is a movie that's his. He receives a rare top billing, and in playing a suave, mysterious seer of the future who hails from unknown shores, acts a part seemingly written for him.

Bey uses his psychic powers to warn rich widow Lynn Bari against remarrying. He's a phony, of course, but his performance is enough to hook Bari, who indeed begins to have second thoughts about tying the knot. When Bey claims he can contact her dead husband she jumps at the opportunity. A few cheap special effects convince her she's really contacted the netherworld. And of course we soon learn that Bey and his partner are doing all this to fleece Bari of her fortune.

If Bey were a real medium he'd know complications will arise. What kind? Serious and unexpected ones that snare him in a plot not of his own devising. Despite the twists, The Amazing Mr. X is murky and lacking in subtlety, and parts of it come across as comedy, so it's no surprise it wasn't the breakthrough hit Bey desired. Today it's a public domain movie available as a low quality television rip, and seems to be nearly forgotten.

It premiered in the U.S. today in 1948, and soon afterward Bey's career began slipping off the rails. He made only three movies in the next five years, then found himself back in Austria working as a
photographer. His Hollywood moment had passed, though he'd return during the 1990s and score some television roles. But even if The Amazing Mr. X isn't great, in watching the cool and exotic Bey we understood why Hollywood wanted to make him a star.
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Modern Pulp Jul 26 2019
LOST INNOCENCE
She's an Angel but she knows all the tricks devils know.


This poster comes from our rather large collection of Japanese promos for x-rated U.S. movies, and was made to publicize The Pleasures of Innocence, starring all-time beauty Angel, aka Jennifer James. Porn copied successful mainstream films as a matter of course, and this is Flashdance influenced, with workout montages, sweat, and 100% earnest, specially made for the film, bass-popping, electro-drumming mid-’80s dance music. Angel plays a smalltown girl who ditches Des Moines and heads to NYC to catch a break. Other performers include Sharon Kane, Honey Wilder, real life former ballerina Terri Hall, and porn legend John Leslie as a slimy agent determined to gain entry to Angel's holy place.

Best line: “She always falls for those writer types. She was seeing a lawyer pretty regular back home.”

Second best line, as the writer is having sex with Angel: “You're a writer's dream.”

Well, Angel is anyone's dream. We won't get into the plot much more except to say that if you took all the sex out of the film the script would be more like a treatment you could read in nine minutes. We're mainly about the poster anyway, and as usual with Japanese promos, this one features a shot of the star that doesn't exist in any other form. That's no surprise—the photo that would have supplied Angel's likeness doubtless was either lost through carelessness, irreparably damaged through neglect, or was appropriated and will turn up on Ebay when the assistant graphic designer who swiped it dies and his kids find it in a box under his bed.

Obviously, we can't recommend this movie. It's dumb, despite professional film stock, good lighting, location work, split screen trickery, and serious performances. In its favor, the dancing is interesting to watch, a bit like revisiting MTV new wave videos, Kim Wilde maybe, or Pat Benatar. We know—that isn't great enticement, but there's also Angel, don't forget. She's an adult film industry legend for a reason. There's no known Japanese release date for The Pleasures of Innocence, but it premiered in the U.S. today in 1986. Bonus material: Angel dances below, and fronts three more posters here.
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History Rewind
The headlines that mattered yesteryear.
August 20
1940—Trotsky Iced in Mexico
In Mexico City exiled Russian revolutionary Leon Trotsky is fatally wounded with an ice axe (not an ice pick) by Soviet agent Ramon Mercader. Trotsky dies the next day.
1968—Prague Spring Ends
200,000 Warsaw Pact troops backed by 5,000 tanks invade Czechoslovakia to end the Prague Spring political liberalization movement.
1986—Sherrill Goes Postal
In Edmond, Oklahoma, United States postal employee Patrick Sherrill shoots and kills fourteen of his co-workers and then commits suicide.
August 19
1953—Mohammed Mossadegh Overthrown in Iran
At the instigation of the CIA, Prime Minster of Iran Mohammed Mossadegh is overthrown and the Shah Mohammad Reza Pahlavi is installed as leader of the country.
August 18
1920—U.S. Women Gain Right To Vote
The Nineteenth Amendment to the United States Constitution is ratified despite heavy conservative opposition. It states that no U.S. citizen can be denied the right to vote because of their gender.
1958—Lolita is Published in the U.S.
Vladimir Nabokov's controversial novel Lolita, about a man's sexual obsession with a pre-pubescent girl, is published in the United States. It had been originally published in Paris three years earlier.
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