All she needed was for someone to believe.
Paulette Goddard had more false starts to her career than most Hollywood legends. During the late 1920s and early-to-mid 1930s she worked—without making much impact—for Selznick International Pictures, George Fitzmaurice Productions, 20th Century Pictures, Hal Roach Studios, and both Goldwyn Pictures and Metro-Goldwyn-Mayer. She turned some heads in Modern Times, co-starring with Charlie Chaplain, who was her boyfriend at the time, but her major break came with Paramount when she starred opposite Bob Hope in The Cat and The Canary. She never looked back, appearing in seventeen films in the next five years, and more than fifty over the course of her career. One of those was Northwest Mounted Police, which is where the above promo photo comes. It dates from 1940.
Glenn Ford, Lee Marvin, and Gloria Grahame raise the temperature in Italy.
Above, three Italian posters for Il grande caldo, better known as The Big Heat. The top piece was painted by Ezio Tarantelli, and middle one is by by Anselmo Ballester, both of whom we featured a while back, here and here. We already talked about the film. If you haven't watched it, try to make the time. It's good.
Everything that can possibly go wrong will.
Nora Prentiss, which stars Ann Sheridan and Kent Smith, has an innocuous title, but it's close to the most ingenious film noir ever made. It's about a mild-mannered doctor who falls for a beautiful nightclub singer and decides he's willing to leave his wife. Exactly how far he's willing to go to accomplish this split is one aspect of what makes the film interesting, but the aftermath of his decision, and how it leads to an ending that is simultaneously literal and metaphorical, is what makes it a top entry in the genre. Reviews of the day complained that the film was not believable, but are any of the pickles leading men get into in film noir believable? The fact that the filmmakers, writers, and actors pull off the plot at all is worthy of praise. We can say nothing more about Nora Prentiss, not even a hint, and we strongly suggest you don't get anywhere near a review before watching it. Just trust us that it's a film noir worth seeing. It premiered in the U.S. today in 1947.
This is a Ride you should refuse.
Not every old movie survives because it's good. If you doubt us, check the contemporary reviews for The Devil Thumbs a Ride. They're disastrous. What you have here is a clunky RKO b-noir, only sixty-seven minutes long, about a bank robber who hitches a ride with an amazingly naive driver and proceeds to drag him into the worst trouble of his life. The pair and two women they pick up during a pit stop eventually end up in a secluded house where the villain reveals his true nature as a liar, bully, sexual predator, and worse. You have to feel bad for these dullards victimized by the hitchhiker, but you'll feel worse for the audiences that paid money to see the movie. Way back in 2009 when we featured the film's other promo poster we hadn't yet seen it, but now that we have we can't recommend it. Its terribleness does verge on humor at times, though, which is something, and movie buffs might be interested to know that it stars Lawrence Tierney, who's these days best known for having played Joe Cabot in Reservoir Dogs. But still, not the best vintage Hollywood has to offer. The Devil Thumbs a Ride premiered today in 1947.
Landis brings her usual touch of glamour to a not-quite film noir.
Above is a poster for the Carole Landis vehicle Behind Green Lights, a mostly forgotten film that she headlined in 1946. When the body of a shady private dick turns up outside police headquarters, the resulting investigation pulls in a prominent politician's daughter (Landis), and gets the city tabloids scenting scandal. As the plot unfolds, it becomes clear that influential people want Landis arrested so her father's re-election campaign will be derailed, which forces Gargan to fight his way upstream to crack the case. Landis may be top billed and better known than Gargan, but she's criminally underused and her role is one-note all the way. It's Gargan who gets most of the screen time and is tasked with bringing a tough edge to the movie. He mostly succeeds, and Landis is fine too, as far as she's allowed to go, but on the whole Behind Green Lights is nothing special. It's categorized on many websites as a film noir but—and you know what we're going to say next, because we say it all the time—it isn't really. Yes, it's on the borderline, but it's basically a procedural police drama with a few flashbacks shot in film noir style. The American Film Institute agrees—it categorizes the film as a police drama. Noir fans should approach this uncomplicated little thriller with tempered expectations. Behind Green Lights premiered in the U.S. today in 1946.
Lindberg gets full exposure in Japan.
This is a very interesting Japanese poster for the Swedish sexploitation flick Exponerad, which premiered in Japan today in 1972 as 露出 or Roshutsu, which both mean “exposure.” The film was known in English speaking countries as Exposed and (misleadingly) Diary of a Rape. There are some scans of this piece online, but not of this quality. We talked about the movie last year. Check here.
And as a bonus, because Exponerad is a movie that deals with daydreams, we have below all of our most dreamlike images of Lindberg. No surprise, right? If you visit our site often, you know she's a mainstay, so today we're just adding to what was already a substantial treasure trove. All of these ethereal shots are Exponerad promos, and all are striking. We have many more Lindberg rarities, and you can bank on us sharing those down the line.
Satoko Sato gets into another tight spot.
Above are a couple of beautiful rarities, colorful promos for the Japanese pinku flick Yoru no saizensen: Onna gari, known in English as Frontline of the Night - Women Hunting. It stars Satoko Sato, Kôji Wada, and Tatsuya Fuji in the tale of a man who spends four years in prison for assaulting a Yakuza, but returns to battle them upon his release. The movie is probably most remembered for a comedic seduction bit involving a woman dressed as Che Guevara, beard and all, and the scenes of Sato in a brass chastity belt. It was not the only time she wore a bizarre bondage get-up. She did it in the sequel Yoru no saizensen: Tôkyô onna chizu. Check the visuals here. As interesting as this film sounds, we had no luck tracking it down. But we wanted you to see these nice pieces of art anyway. Yoru no saizensen: Onna gari premiered in Japan today in 1969.
Sondra Currie commits police banality.
The badass on the above promo poster is the prolific and still-working U.S. actress Sondra Currie, whose credits include everything from 1970's Rio Lobo to 2009's The Hangover. Policewomen is actually about just one policewoman with the fun character name Lacy Bond. The action starts with a mass escape at L.A.'s women's jail, which Lacy almost foils singlehandedly using her superior martial arts skills. But two convicts get away, one of whom is Jeannie Bell—the reason we watched this flick in the first place.
After the jailbreak intro come the opening credits, and the first image you see is this:
Which is a pretty nice visual. But lest you think this is a movie dealing solely with serious police work, the next images you see are these:
And finally these:
So viewers know going in this is full spectrum ’70s schlock. Lacy is tapped for a dangerous undercover assignment taking down a gang of female drug smugglers. It shouldn't be too difficult. The gang mainly lounges around an L.A. suburb in bikinis and hot pants. Their leader is a septuagenarian career criminal looking for one more big score before cruising into her sunset years. The cops have other ideas, and Lacy infiltrates the group in unlikely fashion in order to take them down from within.
Policewomen actually has a couple of twists we considered to be surprising for a low budget movie, but budget is the crux of it—higher production values might have yielded a passable effort, but there weren't, and it isn't. And sad to say, the movie mostly fails to cross the line into entertainingly bad—except for a rather amusing falling dummy shot—and instead remains a joyless slog for its entire length. Since the field of ’70s girl gang movies is so crowded, there's no way we can recommend this botched entry. But before we sign off, here's a screenshot of Jeannie Bell, whose afro reaches truly epic proportions:
Even with a top heavy hairdo and dead leaves stuck in her curls, Bell looks smashing. She can't act. She and everyone else in the movie seem as if they're searching for their lines on an optometrist's eye chart, but even so, there's nothing we've seen of Bell that does anything but encourage us to see even more. Check out a promo image of this eternal goddess here. Policewomen premiered today in 1974.
Is it weird that with all these women around the only thing that truly turns me on is pumping iron?
If only weight training could fix—*sob*—this hideous mug of mine.
Central I'm issuing a POLO alert for the Los Angeles metro area. Repeat—be on the look-out for a missing Polo shirt. Or any shirt from Ralph Lauren.
Hi, I'm Sophia Loren, here to tell you that when I eat eels, I eat Comacchio eels.
We live in a community of old fishermen. We've learned some things. Sophia Loren, we can declare without much doubt, is an old fisherman's dream. Hairy armpits, safety pin holding her shirt closed, mismatched buttons, rope for a belt. All of that indicates an uncomplicated attitude, which old fishermen appreciate. And, most importantly, Loren apparently loves eels. This photo shows her holding aloft a tin of Comacchio canned eels, and before you judge, let us just say that eels taste great. We've never eaten the Italian variety, but we suspect one canned eel tastes very much like another. Please don't send emails telling us how wrong we are and that eels vary greatly depending on which waters they slither through. They're eels. How different can they really be?
Let's focus on Loren. This is one of her most famous photos, and the reason she looks this way is because she's in costume as her character Nives Mongolini from the 1954 film La donna del fiume, aka The River Girl, which was shot in Comacchio, a town famous for its tinned eels. The photo was made by Federico Patallani, and while we've heard it was used for an advertisement, we've never seen the ad, so we're dubious on that. We think it's just a film promo designed to call attention to the fact that Loren filmed in Italy's most famous eel town. But even if it isn't an ad, we bet it caused a spike in eel sales, and possibly caused bald-pitted women to consider ditching the razor. If you can make it look as good as Loren (or Eleonora Giorgi or Kuroki Kaoru) why not? We have another Loren image below from the same session, with her pits covered, for you hair haters.
Then he falls down and bleeds out like a pig. Basically, that's all there is to it.
Peggy Knudsen shows Carole Matthews how to shoot her baby down in this promo image made for the 1955 low budget crime drama Betrayed Women. They're dressed identically because the film is a women-in-prison flick. We've seen it, and it's not necessarily one you need in your queue. But this photo is great.
The headlines that mattered yesteryear.
1917—First Jazz Record Is Made
In New Orleans, The Original Dixieland Jass Band records the first ever jazz record for the Victor Talking Machine Company in New York. The band was frequently billed as the "Creators of Jazz", but in reality all the members had previously played in the Papa Jack Laine bands, a group of racially mixed performers who helped form the basis of Dixieland while playing under bandleader George Laine.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.