Vintage Pulp Sep 14 2020
THEY CAN RUN BUT THEY CAN'T HIDE
Once upon a time there was nobody hotter than Hemingway.


We'd heard that The Gun Runners, which premiered in Britain today in 1958, is the most faithful of the several film adaptations of Ernest Hemingway's novel To Have and Have Not. It isn't that close, actually, but it's Hemingway-hot! according to the promo poster. If we're catching the subtle inference correctly, that must mean it's good. Maybe, but what it really shows is Hemingway was so famous at this time that his mere name was a selling point. Think—how many novelists' names have you seen above the title on a movie poster in recent years? Stephen King comes to mind. Maybe Clive Barker, for a minute there. Michael Crichton? Possibly. After those three we draw a blank.

Well, we like Hemingway, and we love the Bogart/Bacall adaptation of To Have and Have Not, though it has nothing to do with the book. This Hemingway-hot! version stars Audie Murphy—yes, that one, and he's a solid enough actor—as a boat captain working out of Key West who gets ensnared in a dangerous scheme that involves smuggling weapons to Cuba. Eddie Albert as the heavy is as amoral as they come, and in supporting roles you get Patricia Owens, Gita Hall, and Everett Sloane. Sometimes the performances in old movies don't feel quite right to modern sensibilities, but you could transplant Albert's performance note for note into a new movie. Acting that stands the test of time that strongly is rare.

Another thing that stands the test of time are the themes explored here. In the novel, the item some people have that others have not is money and the freedom it brings, but in The Gun Runners what people either have or have not would appear to be scruples. It's no surprise that the structural inequality aspect of Hemingway's text was downplayed—who wanted to hear about that in 1958, when so many Americans could work a simple job yet afford a car, a house, and a family? But people sure have a clear understanding of inequality these days, don't they? For that reason alone, we think this flick will resonate with many. We recommend putting this in your queue. In the end it really is Hemingway-hot!

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Vintage Pulp Mar 18 2018
HER BIG BREAK
The best laid plans of singers and musicians often go awry.


This is an unusually nice promo poster we think. It was made for the Susan Hayward vehicle Smash-Up, sometimes referred to as Smash-Up: The Story of a Woman. It premiered this month in 1947 and involves nightclub chanteuse Hayward and her crooner husband, played by Lee Bowman. Hayward has talent but values love over career; her husband has less talent but endless ambition. When their careers go in different directions the strain begins to tear the marriage apart. Whose career goes which direction? We won't tell you that, though the audience learns in the first scene, a framing device featuring the downfallen character bandaged and delirious in a hospital bed. Even though the story's ending is sacrificed for an intro Smash-Up is a pretty good if melodramatic movie, with some strong film noir elements, Hayward in an Oscar nominated performance, and solid support from Eddie Albert as Bowman's composer partner. Worth a look—as long as you can deal with all the crooning.

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History Rewind
The headlines that mattered yesteryear.
November 29
1963—Warren Commission Formed
U.S. President Lyndon B. Johnson establishes the Warren Commission to investigate the assassination of President John F. Kennedy. However the long report that is finally issued does little to settle questions about the assassination, and today surveys show that only a small minority of Americans agree with the Commission's conclusions.
November 28
1942—Nightclub Fire Kills Hundreds
In Boston, Massachusetts, a fire in the fashionable Cocoanut Grove nightclub kills 492 people. Patrons were unable to escape when the fire began because the exits immediately became blocked with panicked people, and other possible exits were welded shut or boarded up. The fire led to a reform of fire codes and safety standards across the country, and the club's owner, Barney Welansky, who had boasted of his ties to the Mafia and to Boston Mayor Maurice J. Tobin, was eventually found guilty of involuntary manslaughter.
November 27
1934—Baby Face Nelson Killed
In the U.S., killer and bank robber Baby Face Nelson, aka Lester Joseph Gillis, dies in a shoot-out with the FBI in Barrington, Illinois. Nelson is shot nine times, but by walking directly into a barrage of gunfire manages to kill both of his FBI pursuers before dying himself.
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