For you this is just a light, but for me it's the beginning of a toxic sexual obsession and eventual restraining order.
We're going to do one more entry on France before we head to other countries. Once we have time to do some intensive scanning you'll see the bulk of our Paris treasures. Paris, by the way, is a city where strangers often ask you for a light, which is why we thought of the above subhead. If we actually smoked it would be a great way to meet people, but since we never have an actual light all interaction ends there. So while we learn how to smoke, above you see a cover for Elle ne perd pas son temps, by George Maxwell, aka Georges Esposito, for Presses Mondiales and its series Les grands romans dessinés, published in 1953. These were comic books adapted from the series La Môme Double-Shot, specifically 1952's La belle se joue à deux, which you can see here. Elle ne perd pas son temps translates to “She doesn't waste her time,” and neither did the artist Jacques Thibésart, aka Mik, when he painted this nice cover. If you're inclined you can see examples from him here, here, and here, and you can certainly expect more in the future.
If you think this is painful wait until I tell you all the kinky things I did with your husband.
T'as triché marquise was written by the pseudonymous author George Maxwell and published in 1953 as part of Editions le Condor's collection La Môme Double-Shot. This is one of the more violent entries in the series and the cover art reflects that. What we like best about it is how effortless the blonde makes her submission hold on the brunette look. Not a single golden hair has moved. Many of these Double Shot covers were painted by Jean Salvetti, but this one is by Jacques Thibésart, also known as Nik, or more likely Mik (we're still avoiding changing all those old posts but we'll get around to it). In any case, fine work.
Secondhand smoke is the least of his problems.
Above is another entry from Éditions le Condor’s collection Môme Double-Shot, Pas de salade, j’en vends!, appearing in 1953, with badass heroine Hope Travers showing how useful a lit cigarette can be. The cover art is by Jean Salvetti, and you can see other covers of his from this series here, here, and here.
She’s one red hot môme.
We’ve shared several examples from Éditions le Condor’s collection Môme Double-Shot, which as we’ve discussed was written by George Maxwell, aka Georges Esposito, and deals with the adventures of gun-toting heroine Hope Travers. Today we thought we’d share two more. Above you see covers for La belle se joue à deux and J’peux pas l'encadrer, both with art by Jean Salvetti, aka Salva. We love these. Besides the art being so striking, there’s a lot of charm added by the haphazard freehand lettering. If you want to see more from this series, just dig around our site. They’re in here somewhere.
Big trouble in little Chinatown.
Du Sang dans le Champagne translates in English to Blood in the Champagne, and that's always something to avoid. This paperback dates from 1953 and is part of Éditions le Condor’s collection La Môme “Double Shot,” a series you shoud be getting to know pretty well, since we've recently shown you two other examples. George Maxwell wrote twenty-two books in this franchise in two years, which is simply amazing output, quality notwithstanding. In this one murder and mystery takes the hero Hope Travers to L.A.’s Chinatown, where she goes up against a shadowy organized crime sect. The cover art is by Salva, aka Jean Salvetti, as usual. See the other Double Shot covers by clicking the keywords Éditions le Condor just below.
I warned you two I could keep this up forever.
We shared an example from Éditions Le Condor’s series La Môme “Double Shot” back in September and today we have another—1953’s Les squelettes ne jouent pas au poker by George Maxwell. The translation of the title is rather funny—“skeletons don’t play poker.” The art, by Jean Salvetti once again, would seem to suggest otherwise.
The deadliest shot in Tinseltown.
Above, the cover of Calibre 45… et culottes de soie, by George Maxwell for Éditions le Condor’s collection La Môme Double Shot. The English title of this would be something like “Calibre .45 and silk panties,” and if you’re thinking only a Frenchman could come up with something like that you’d be right, because Maxwell was, of course, a pseudonym. It was inhabited by numerous writers, but in this case was used by Georges Esposito to pen a story set in Hollywood and starring the character Hope Travers, whose skill with a sidearm makes her someone not to be trifled with—hence “Kid Double Shot.” There were twenty-two books in the series. The cover art on this one and most of the others is by Salva, aka Jean Salvetti, who we’ll have more from later. The book appeared in 1953
What do you call forty dead men? A good start.
Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts. French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover. We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy.
Lady with a Luger (and later a Colt).
Above, the covers for George Maxwell’s Tirez à vue! and Colt en main!, aka Shoot on Sight and Colt in Hand. Maxwell is a bit of a mystery. He was born Edmond Georges Marius Esposito, wrote as Maxwell, Erynx Applegate, and perhaps other pseudonyms. These books were published by Éditions le Pont Neuf’s for their Miss Luger Collection, 1958, a series consisting only of these two entries, actually. Cover art is by unknown. These French pulp writers and artists... always so impénétrable.
Maybe you shouldn't look, but sometimes you just can't help yourself.
A couple of months ago we mentioned the popularity of keyhole themed pulp art and said we’d gather some examples. Well, today’s the day. Below are fifteen pieces of keyhole cover art for your enjoyment.
The headlines that mattered yesteryear.
1939—Holiday Records Strange Fruit
American blues and jazz singer Billie Holiday
records "Strange Fruit", which is considered to be the first civil rights song. It began as a poem written by Abel Meeropol, which he later set to music and performed live with his wife Laura Duncan. The song became a Holiday standard immediately after she recorded it, and it remains one of the most highly regarded pieces of music in American history.
1927—Mae West Sentenced to Jail
American actress and playwright Mae West is sentenced to ten days in jail for obscenity for the content of her play Sex. The trial occurred even though the play had run for a year and had been seen by 325,000 people. However West's considerable popularity, already based on her risque image, only increased due to the controversy.
1971—Manson Sentenced to Death
In the U.S, cult leader Charles Manson is sentenced to death for inciting the murders of Sharon Tate and several other people. Three accomplices, who had actually done the killing, were also sentenced to death, but the state of California abolished capital punishment in 1972 and neither they nor Manson were ever actually executed.
1923—Yankee Stadium Opens
In New York City, Yankee Stadium, home of Major League Baseball's New York Yankees, opens with the Yankees beating their eternal rivals the Boston Red Sox 4 to 1. The stadium, which is nicknamed The House that Ruth Built, sees the Yankees become the most successful franchise in baseball history. It is eventually replaced by a new Yankee Stadium and closes in September 2008.
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