Vintage Pulp Jan 12 2020
BAD MOON ON THE RISE
You'd be vicious too if you ate only once a month.


When we last saw Bertrand the Werewolf—on a very nice 1951 cover of Guy Endore's The Werewolf of Paris—he had been unleashed by the full moon and was dining out in decidedly un-French style. On this 1962 Ace Books edition he's finished his meal and is pondering possible desserts. He looks considerably more menacing here than on that previous cover thanks to the skill of the artist, who is, incredibly, uncredited. For that Ace receives a serious demerit, because this is special work and it should have been attributed. Bad publishers! We'll dig around and see if someone has an idea who painted it. 

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Vintage Pulp Dec 5 2019
CONCEALED CARY
How many secrets can one man keep?


Charade is one of the great romantic thrillers in cinema history, and is a movie you should definitely see if you haven't. Audrey Hepburn plays a woman whose husband is fatally thrown off a speeding train and Cary Grant is a charming but mysterious stranger willing to render aid in solving the murder. But Grant has ulterior motives, as well as multiple identities. Others are interested in the killing too, and it soon develops that they're after $250,000 worth of missing gold.

The movie is great, as legions of fans and critics have agreed, but in addition to its narrative, directorial, and acting brilliance, what we like about it is that the unlikeliness of the May-December attraction between Grant and Hepburn does not go unaddressed. At one point Grant, 59, quips to Hepburn, 30, that he's afraid he'll be arrested for transporting a minor. We love the tack taken in dealing with the romance because it gives the audience credit for being intelligent enough to appreciate the subtleties of life. That's increasingly rare in popular movies—as well as in popular culture.

For example, these days there's talk of such things as “age appropriate” relationships, the inference being that older men should not be with younger women (and possibly vice versa). Horseshit. We can think of little more sexist than assuming women aren't able to make their own life choices. Consenting adults—older/younger, male/male, female/female, other/other—trying to find love will tend to look anywhere they can, and internet tribunals can take a flying leap. We don't say that merely because neither Pulp Intl. girlfriend is age appropriate. We say it because nothing in this life is more important than finding the right partner.

Interestingly, numerous other mid-century films—among them classics like Sabrina and To Catch a Thief—also addressed the presumed incongruity of older men with younger women, and did it in an empathetic, humanistic way. Charade does it more amusingly than most. Grant is initially embarrassed by Hepburn's attentions, but of course she eventually wears him down. The film mixes comedy, romance, and thrills, plus it was made in beautiful locations around Paris, all of which makes it a total winner. It premiered in the U.S. today in 1963.

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Vintage Pulp Oct 24 2019
SHE'S GOT HER BACK
Oh! Heh heh. You had something on your shirt and I was... er... just going to stab it for you.


It's been a while since we featured Michel Gourdon's work, so above you see a cover for L'évadée de Saint-Lazare by Pierre Souvestre and Marcel Allain, for Paris based publishers Éditions Robert Laffont, number 29 in its series Collection Rex. The book is about a ruthless criminal named Fantômas, who wears a blue mask and black gloves. He was one of the most popular creations in the history of French literature. Souvestre and Allain wrote thirty-two books about him between 1911 and 1913. That's not a typo. They wrote fast, about a book a month, and were greatly helped by the money earned by selling him to the movies, where he became a stalwart of France's early silent cinema. Éditions Robert Laffont republished the books during the 1960s, with Michel Gourdon illustrating all of them, and the above edition coming in 1963. We'll probably get back to Fantômas later. 

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Vintage Pulp Oct 19 2019
FRENCH FROU AND FROU
Parisian publisher does erotica as only the French can.


Today we have for your enjoyment an issue of Paris Frou Frou, #46, published in 1956. This was the brainchild of S.N.E.T.P., which decoded is Société Nouvelle D'editions Théâtrales Parisiennes. See, the French understood that smut must wear a fig leaf of intellectualism, which is exactly why we write so much on Pulp Intl. rather than just publish reams of nude photos. Hah, just kidding (did we mention the Pulp Intl. girlfriends are out of town?). The eroticism is just a bonus that comes with all the fiction, film, and art. And it's a bonus that helps our traffic.
 
Anyway, on the cover of this mag is Austrian actress Nadja Tiller, and the rear features a nice shot pairing yanks Lori Nelson and Mamie Van Doren. With a wrapper like that the inside must be nice, and indeed it is. You'll see Sabrina, the one-name star time has forgotten, as well as U.S. nudist model Diane Webber, aka Marguerite Empey. If your memory is very sharp you'll recall one of the same Webber photos appearing in an issue of the U.S. magazine Male from 1958 we shared a while back. Mixed in with the celebs is the usual assortment of Parisian showgirls. We'll revisit Paris Frou Frou later.

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Vintage Pulp Jul 7 2019
FINDING HER SOLEMATE
I love you, tiny shoe. I'm going to draw out the delicious anticipation before I put my foot inside you.


More from France today. Above you see Envoûtement sensuel, by Pierre Sénard for Éditions C.P.E., published in 1958. The title translates to “sensual enchantment,” and enchanting is a perfect word to describe this cover, which has a very romantic feel. The art wraps around onto the book's spine too, which makes it even nicer. We assume the cover figure is contemplating something other than her right shoe, but maybe not—we know a couple of women that get this way about footwear. The artist here is Jacques Leclerc, who signed his work as Jihel, and we think it's among his best.

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Vintage Pulp Jun 21 2019
MADAME'S SPECIAL FRIEND
Who needs a man when you have technology?


Éditions R.R. specialized in beautiful covers, and this one continues the trend. The art is by Jef de Wulf, and it fronts Dit oui, Madame by René Roques. You can't tell, but this is about a woman who falls in love with a robot. And he's a French robot, so he shares his feelings, which is more than you do. Roques actually got racy enough here that the book was banned shortly after publication in 1957. Still, we bet it wasn't as wild as this mechanical lover novel. Or for that matter this one. They say robots are going to take all our jobs. Add sex to the list. 

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Vintage Pulp Jun 12 2019
MISMATCHED PAIR
For you this is just a light, but for me it's the beginning of a toxic sexual obsession and eventual restraining order.


We're going to do one more entry on France before we head to other countries. Once we have time to do some intensive scanning you'll see the bulk of our Paris treasures. Paris, by the way, is a city where strangers often ask you for a light, which is why we thought of the above subhead. If we actually smoked it would be a great way to meet people, but since we never have an actual light all interaction ends there. So while we learn how to smoke, above you see a cover for Elle ne perd pas son temps, by George Maxwell, aka Georges Esposito, for Presses Mondiales and its series Les grands romans dessinés, published in 1953. These were comic books adapted from the series La Môme Double-Shot, specifically 1952's La belle se joue à deux, which you can see here. Elle ne perd pas son temps translates to “She doesn't waste her time,” and neither did the artist Jacques Thibésart, aka Mik, when he painted this nice cover. If you're inclined you can see examples from him here, here, and here, and you can certainly expect more in the future.

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Intl. Notebook Jun 11 2019
BANKING ON IT
Finally a place where the left/right divide isn't a bad thing.


No pulp hunter in Paris can possibly do without a trip to the bouquinistes, the sellers of used and antiquarian books located along the Seine. Actually, you don't even have to look for these guys. If you go into the city center you'll likely run into them without trying, since they're rather widely arrayed along the river's right bank between Pont Marie and Quai du Louvre, and on the left between Quai de la Tournelle and Quai Voltaire. It was rainy both days we popped by, which meant some weren't open. But even operating at less than half capacity, the bouquinistes had hidden treasures. We grabbed a few little things we'll be scanning and uploading imminently. For example, see the following post...

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Modern Pulp Jun 11 2019
IMPECCABLE MANARAS
They're actually a little rude but the French don't seem to mind


Here you see the cover and few scans from Les femmes de Manara, which is a compendium from 1995 featuring published as well as previously unseen women created by the agile hand of Milo Manara, one of the great illustrators of graphic novels. He was born in Italy and was copiously published both there and in France, and remains extremely popular all over Europe. His niche is explicit erotica, and he's done it better than just about anyone, populating his books with lithe, beautiful women who manage to get into the weirdest scrapes. In Il Gioco, aka Click or Le Déclic, for example, the character Claudia Cristiani has an implant placed in her brain to help her with sexual arousal, which is all well and good until the remote control that operates it breaks and she's left in an ongoing nymphomaniacal state. It was made into a movie which we may discuss later, by the way. In Gulliveriana Manara's heroine survives a storm at sea only to find herself stranded naked on an island of tiny people. No movie of that, though we'd love to see one made. Anyway, these panels will certainly give you an idea why Manara became an icon in his field. He's still active, and maintains a nice website, frequently updated. So for more info on this master illustrator look there.

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Intl. Notebook Jun 9 2019
ASSIGNMENT PARIS
Endless sights in the City of Light.


We're back from Paris and it was as expected. We found a lot of great items we'll be uploading in the next days and weeks. And months, probably. Paris has many great sights, in every part of the city, but this time we ended up staying in Montmartre, an area that reminds us a bit of Washington Square, in San Francisco, that same feel of a tourist zone in a big city that has somehow managed to hang onto a neighborhood identity. As we wandered around town we saw scores of bookstores, some of which you see photos of below, and many had the type of material we were searching for. The focus this time ended up being on cinema magazines and comic books. Keep your eyes peeled. We have amazing things to show you.

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Next Page
History Rewind
The headlines that mattered yesteryear.
January 18
1967—Boston Strangler Convicted
Albert DeSalvo, the serial killer who became known as the Boston Strangler, is convicted of murder and other crimes and sentenced to life in prison. He serves initially in Bridgewater State Hospital, but he escapes and is recaptured. Afterward he is transferred to federal prison where six years later he is killed by an inmate or inmates unknown.
January 17
1950—The Great Brinks Robbery Occurs
In the U.S., eleven thieves steal more than $2 million from an armored car company's offices in Boston, Massachusetts. The skillful execution of the crime, with only a bare minimum of clues left at the scene, results in the robbery being billed as "the crime of the century." Despite this, all the members of the gang are later arrested.
1977—Gary Gilmore Is Executed
Convicted murderer Gary Gilmore is executed by a firing squad in Utah, ending a ten-year moratorium on Capital punishment in the United States. Gilmore's story is later turned into a 1979 novel entitled The Executioner's Song by Norman Mailer, and the book wins the Pulitzer Prize for literature.
January 16
1942—Carole Lombard Dies in Plane Crash
American actress Carole Lombard, who was the highest paid star in Hollywood during the late 1930s, dies in the crash of TWA Flight 3, on which she was flying from Las Vegas to Los Angeles after headlining a war bond rally in support of America's military efforts. She was thirty-three years old.
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