|Modern Pulp||Oct 22 2021|
Sekkusu and you shall find.
The above poster was made to promote the Japanese roman porno flick Sekkusu hantâ: Sei kariudo, aka Sex Hunter, and we should note, as we do periodically, that roman porno films are not porn, but imaginative softcore excursions made by very twisted minds. Proving once again that it's amazing what you can imply when frontal nudity is illegal, here you get a tale about an aspiring ballerina (played by pouty Ayako Ôta in her cinematic debut) and her teacher (Erina Miyai looking her very best) who descend into a bizarre bondage odyssey notable for the fact that most taboos you can imagine are shattered, starting with rape and kinbaku-bi, and ending with handicapped sex and incest. In between you get bottle penetrations, a snowballing, an orgy on swings, and other sexual variations. There's a plot, but not one we'll bother to outline, because it's just a framework for one hundred and seven minutes of determined attempts to shock. Even the magical Miyai can't save this one. Sekkusu hantâ: Sei kariudo premiered in Japan today in 1980.
JapanNikkatsuSekkusu hantâ: Sei kariudoSex HunterErina MiyaiAyako Ôtaposter artcinemapinkuroman pornosexploitationmovie reviewlgbtbsdmnuditymovie review
|Vintage Pulp||Aug 20 2021|
There's nothing like a walk in the woods to put you in touch with yourself.
Back in 2015 we shared several posters for a movie called Tokyo Chatterly fujin, made in Japan and later released in English as Lady Chatterley in Tokyo. Above is the original Japanese poster featuring Izumi Shima getting turned on in the woods. It's an extremely interesting film, inspired by D.H. Lawrence obviously, and dealing with the sexual frustrations and peccadilloes of a beautiful one percenter who can't keep her mitts off the gardener. Or maybe he can't keep his mitts off her. We forget. But we remember we liked it. Of course, we'll watch Shima in anything, so perhaps we're not objective. The movie premiered in Japan today in 1977, and you can read more about it here.
JapanNikkatsuTokyo Chatterly fujinLady Chatterley in TokyoIzumi ShimaD.H. Lawrenceposter artcinemasexploitationroman pornopinkunudity
|Vintage Pulp||Aug 18 2021|
Sometimes just staying afloat takes everything you've got.
Every once in a while Nikkatsu Studios surprises us with a restrained and serious movie, and Jûhassai umi e, for which you see a poster above, falls into that category. In English it was called Eighteen Years to the Sea, and the long and winding plot starts when top science student Aiko Morishita sees fellow student Kaoru Kobayashi win a game of death against the leader of a motorcycle gang. The game is to see who can wade into the ocean farthest weighed down by rocks and not drown. Aiko gets all hot and crazy watching this macho contest, and later tries the same game with her friend Toshiyuki Nagashima. They only look like they're trying to commit suicide.
The weirdness is just beginning. When a student at Aiko's school jumps to his death from a building, she's not horrified, but fascinated. Aiko and Toshiyuki decide to play another game of death, this time with pills, each taking one at a time, not planning to die, but risking overdoses in the pursuit of... we're not sure. Call it the search for some sort of nebulous existential revelation. In any case, they do overdose, but both survive. Those around Aiko come to understand that she has a screw loose. Meanwhile Kaoru, whose macho contest against the gang leader was the trigger for all that has happened, starts dating Aiko's sister.
We'll stop there with the plot description. Suffice it to say that, via the circuitous route director Toshiya Fujita takes to reach his destination, viewers are reminded that life can be hard—apparently even for gorgeous young college students. We don't mean to be glib. It's just that for uncounted millennia someone from both our mother's and father's branches of the ancestral tree had to survive cold, predators, disease, injury, poverty, human malice, and more, generation after generation, just to have their genes culminate in our existence. We would never risk casting all that hard work and luck aside seeking a fleeting insight. But that's just us.
Fujita, on the other hand, clearly thought he had something deep to say. The running time alone tells you that—Nikkatsu movies were often just over an hour long, but this one unspools for almost double that length, clocking in at an hour and fifty minutes. That's a lot of ennui. A lot of ennui. But Jûhassai umi e is good. Maybe even very good. It premiered in Japan today in 1979.
JapanNikkatsuJûhassai umi eEighteen Years to the SeaToshiyuki NagashimaAiko MorishitaKaoru KobayashiYoshie ShimamuraToshiya Fujitaposter artcinemamovie review
|Vintage Pulp||Aug 15 2021|
No calm in the eye of this storm.
First of all, we're going to send an e-mail to the World Meteorological Organization lobbying for a hurricane to be named Hitomi. It's gotta happen. But about this poster art, we discussed Hitomi Kozue's roman porno actioner Nikutai hanzai kaigan: Piranha no mure, aka Sex-Crime Coast: School of Piranha a few years ago. Basically, four delinquents who call themselves the Piranhas go on a spree of crime and mayhem around Sagami Bay. The above promo is similar to the regular poster, but because it's monochrome and has some different text elements we thought it worth sharing. Plus we're completist when it comes to Kozue—anything she's in or on, we're all about.
JapanNikkatsuNikutai hanzai kaigan: Piranha no mureSex-Crime Coast: School of PiranhaHitomi KozueMasumi JunRikiya Danposter artroman pornopinkucinema
|Vintage Pulp||Aug 9 2021|
Naomi Tani discovers she's a rose that hasn't blossomed yet.
It's been a few years since we checked in on Japanese bondage queen Naomi Tani. Well, she returns on this poster for Kurobara shôten, aka Black Rose Ascension. The movie, which is a roman porno—i.e. a Nikkatsu Studios softcore sex flick—concerns a self-absorbed Osaka porn director played by Shin Kishida who loses his star when she refuses to work while pregnant. Simultaneously, over in the subplot, Naomi Tani has an unfilled life doing various things that aren't exactly ethical in the sexual sense, such as rimming an older man for money and having an affair with a married dentist. Kishida targets Tani, seduces her, and films it. She doesn't know she's on camera at first, but realizes it partway through when a gaffer and a camera guy jump out of a closet. If you know this genre you can guess where the movie goes from there. Hint: Hmm... maybe what I was doing before was kind of like porn anyway. Nikkatsu never fails to ponder whether a woman is really just a sex freak who hasn't blossomed yet. We can't say the movie is great, but we'll say this much for it—you'll really believe it's possible to fuck while roller skating. Kurobara shôten premiered in Japan today in 1975.
JapanNikkatsuKurobara shôtenBlack Rose AscensionNaomi TaniMeika SeriTerumi Azumaposter artcinemaroman pornopinkusexploitationmovie review
|Vintage Pulp||Aug 3 2021|
And now for their next trick they'll turn the tide of war.
First off, the cross you see at the bottom of this poster is not a swastika but a much older Japanese symbol. It's usually seen oriented as above, or, rarely, reversed like the Nazis used it, but in all cases has religious, historical, or pop culture meanings. We've talked about it. The poster was made for the period roman porno flick Kunoichi ninpo: Hyakka manji-garami, known as English as Female Ninja Magic: 100 Trampled Flowers. The movie is set in a time of warring clans during the Tokugawa shogunate, which ruled Japan beginning in 1603, and as the title suggests, a female ninja clan uses sexual magic to try and turn the tide of war between the powerful Tsunayoshi shoguns and the Akizuki clan. Working for the shogunate are the Iga and Kouga ninja clans, while aiding the Akizuki are the Fumi, the women of the title.
That's a more elaborate set-up than usual for a roman porno movie, and indeed, this one will require more than the usual level of attention to keep straight. It takes its historical trappings seriously, with a convincing pre-industrial look, elaborate period dress, and a focus on succession by birth. But don't fret, fans of the genre—the movie is weird as hell, as roman pornos must be, and you'll be pleased to know that a virtual who's-who of Nikkatsu Studios stars feature, including Junko Miyashita, Hitomi Kozue, Yuko Katagiri, Kyōko Kanō, Maya Hiromi, and Yuri Yamashina. What exactly is sexual magic? Let's just say there's plenty of vaginal fluid involved, of varying viscosities, used in numerous ways. There's other bizarreness too, including an umbilical cord that strikes like a cobra. We don't think the Tokugawa era actually unfolded this way, but to paraphrase the immortal Wooderson, it'd be a lot cooler if it did. Kunoichi ninpo: Hyakka manji-garami premiered in Japan today in 1974
JapanNikkatsuKunoichi ninpo: Hyakka manji-garamiFemale Ninja Magic: 100 Trampled FlowersJunko MiyashitaHitomi KozueYuko KatagiriKyōko KanōMaya HiromiYuri Yamashinaposter artcinemaroman pornopinkumovie review
|Modern Pulp||Jul 26 2021|
Keeping your problems bottled up is sometimes the best solution.
We had to watch this film. There was no choice. The poster removed all free will. When we first saw this art about ten years ago the movie wasn't available, but that's been fixed. This was painted for the roman porno drama Binzume jigoku, aka Hell in a Bottle, which premiered in Japan today in 1986. You may have noticed a similarity to this poster, and indeed it was painted by the same artist, who signed it at lower left but is still unknown to us. Looking at the art, you're probably thinking there's no way it can be literal, but you'd be wrong, as the screenshots below will show. We always wonder about the genesis of bizarro films like these. In this case: a 1928 story by author and Zen priest Yasumichi Sugiyama, who wrote as Yumeno Kyusaku.
The movie stars Chiyoko Ogura, Jun Numaoka, and the lovely Hitomi Kobayashi, who in addition to being an actress was popular as a photobook model, headlining at least ten. Plotwise, what you get here is a tale of forbidden attraction between siblings Numaoka and Ogura. They're on an isolated island along with Numaoka's girlfriend, played by Kobayashi, who is pretty much gobsmacked when she realizes the brother/sister attraction she's witnessing might actually come, so to speak, to fruition. She threatens her reckless boyfriend with a gun at one point, but nothing can stand the way of feverish incestuous fantasy, and eventually Numaoka and Ogura cast Kobayashi adrift in a bottle. That's a spoiler of course, but what are we to do when the poster art gives it away? If we told you she didn't end up in a bottle would you even bother to watch the movie? The good news is that imprisoning Kobayashi isn't the only use of bottles, so there's more to see than just her hallucinatory departure.
We're not sure what the point of the movie is. The plot is foreshadowed by another unfortunate incestuous love that took place in the past, ended in tragedy, and is described in an old diary, so the point could be that history repeats—particularly within families, since the previous diary was left by Numaoka's dead father. Does this original sin angle mean that Binzume jigoku is something more than just a piece of lowbrow exploitation? Sure, we guess. Is it recommendable? Are you kidding? Recommend a movie about unquenchable carnal desire between a brother and sister? Not a chance. This is roman porno, which generally leaves us adrift like Kobayashi in her bottle, even when it strives for deep metaphor. Watch the movie if you wish, but don't pretend you got the green light from us.
JapanNikkatsuBinzume jigokuHell in a BottleChiyoko OguraJun NumaokaHitomi KobayashiYasumichi SugiyamaYumeno Kyusakupinkuroman pornonudityposter artcinemamovie review
|Vintage Pulp||Jul 23 2021|
Red tide brings a flood of problems to a coastal community.
If you've been to our site often you can look at the above poster and immediately know it was made to promote an ama movie. This niche of Japanese vintage cinema, like the tides, just keeps coming. This film was called Yobai ama and was known in English as Nasty Diver. Sounded promising, so we watched it and it deals with assorted marital problems in a fishing village. Yôko Azusa plays an ama working days diving in the bay, working nights as a bar hostess, and working as a part-time domestic for a local geisha, while her husband does who-knows-what.
Trouble starts when Yôko's husband refuses to have sex during her period. He makes numerous excuses, including that it's bad for her health, but she isn't fooled for a second. She walks out on him and of course this is big news in this fishing village, which brings an opportunist out of the woodwork eager to take advantage of Yôko's separation. He's the local pimp, Yoto, glib and persuasive as movie pimps tend to be. Will Yôko end up on the game? Will she get back together with her period-squeamish hubby? You won't find out from us. This is lightweight stuff from Nikkatsu, but certainly we've done worse with sixty-nine minutes of spare time. Yobai ama premiered in Japan today in 1977.
JapanNikkatsuYobai amaNasty DiverYôko AzusaReika MakiAoi Nakajimaposter artcinemapinkuroman pornonuditymovie review
|Vintage Pulp||Jul 5 2021|
She likes to fly by the seat of her panties.
Just when you think you've seen every mini-trend in Japanese film posters, from sexy nuns to topless pearl divers to dirty teachers, you stumble upon another. Women high kicking with their panties showing seems to have been a thing. Mere high kicking posters, we already knew about. Like here, here, and here. But we'd seen only one previous panty-exposing high kicking poster, here. Now the tally is up to two. Where will it end? No way to know. This was made for Document porno: Shin sukeban, aka Semi Documentary: Truly High School Girl Boss, with Kenji Miyako, who was featured in seven Document porno flicks in 1973 and 1974. It premiered in Japan yesterday in 1973.
JapanNikkatsuDocument porno: Shin sukebanSemi Documentary: Truly High School Girl BossKenji Miyako都健二poster artpinkuroman pornocinema
|Vintage Pulp||Jun 4 2021|
Maya Hiromi gets Onna roll and just can't stop.
This poster was made for the Japanese roman porno flick Onna kyôshi: Shônen-gari, known in English as Female Teacher: Boy Hunt. Nikkatsu Studios had already made two Female Teacher movies, but they're unreleated. This one did, however, spawn a sequel called Onna Kyoshi: Dotei-gari, or as it's known in English, terrifyingly, Female Teacher: Cherry Boy Hunt. We won't go there. Anyway we queued this up, and our first thought was: Wow, another roman porno film where a woman gets turned on by having her teeth drilled? Well, these movies explored every possible fetish. Having her teeth pried at turns her on so much she starts digging around her mouth herself with a fork. See the second screenshot below.
In any case, the sizzling hot Maya Hiromi plays a horny biology teacher who takes advantage of her position to indulge in some sexual extracurriculars. She shaves a student's pubes, gives a classroom lesson pantyless, has a nice little threesome, masturbates in a library, and engages in other activities that would get any teacher outside a roman porno movie arrested and placed on the sexual offender registry. We won't tell you what develops from all Hiromi's crazy academic activity, but trust us—you can expect it to be twisted. In the end Onna kyôshi: Shônen-gari is another Nikkatsu Studios humpfest where eroticism turns to something darker, and the final message—to the extent that it's comprehensible—is dubious at best. Can't recommend this one. Just can't. It premiered in Japan today in 1975.
But here's something we can recommend: a nice shot of Hiromi originally published in 1978. Just don't let it make you watch the film. It ain't worth it.
JapanNikkatsuOnna kyôshi: Shônen-gariFemale Teacher: Boy HuntMaya Hiromipinkusexploitationroman pornoposter artcinemamovie review