Vintage Pulp Nov 10 2015
IT'S A WONDERFUL KNIFE
Hmm… an Englishman to gut with my new blade. And here I was planning to go home and shave my monobrow.

We were talking recently about Harlequin’s early days as a publisher of more than romance fiction. Above is another example—Bats with Baby Faces by W. Stanley Moss, a former British Army officer who wrote such best sellers as Ill Met by Moonlight and A War of Shadows. Bats with Baby Faces, the title of which references bat-like masks rather than actual bats, deals with intrigue and smuggling in the Deir-ez-Zor region of Syria, and in Cairo, where Moss lived in a villa that became a hub for the British social set. The most famous of his numerous real-life adventures occurred during that period, and that time also served as inspiration for much of his fiction. Harlequin’s edition of Bats with Baby Faces was published in 1952, and the cover art, with its mean caricature of an Egyptian who’s so swarthy he’s—bizarrely—purple, is uncredited. More Harlequin here and here.

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Vintage Pulp Oct 29 2015
APPETITE FOR INSTRUCTION
Good morning, students. Let’s get right to it, shall we? Lesson one will cover how to look fuckable.

Canadian publishers Harlequin are known these days as romance specialists but in the company’s early days it had more range. Exhibit A: Oliver Anderson’s School for Love, which deals with a learning institution where guys are taught to score babes, and upon graduation each automatically earn the affections of a wealthy widow. Why are there so many widows around? No idea. The war or something. When is a strapless leopardskin mini-jumpsuit appropriate? Anytime you want, when you have the whip skills to back it up. 1953 copyright. 
 
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Vintage Pulp Aug 15 2013
LONDON CALLING
Whatever gets you through the night.

Paul Anna Soik is another great pulp artist who we hadn’t gotten to previously, but better late than never, especially when we’re talking about this particular cover. The scene is London's Soho district near Charing Cross Road, and he presents an image of two listless souls in an urban night infused with streetlight glare, marquee glow, and a sort of carnivalsque seediness. We know the location because the Palace Theatre is in the background. The book is a realistic look at vice and prostitution, and we can assume the woman here is a hooker, though an improbably upscale one to be soliciting. But Soik lived in Canada, so maybe he wasn’t all that familiar with London street trade. This is a Harlequin book, and Soik was basically a Harlequin house artist who painted numerous covers during the company’s early years. This one, which we think is one of his best, appeared in 1955. We’ll have more from him later.

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Vintage Pulp Aug 5 2013
FASCINATION STREET
Where there’s smoke there’s desire.


Above is a cover for Ronald J. Cooke’s The House on Craig Street, produced by an artist known only as D. Rickard for Harlequin in 1949. That’s the year Harlequin was launched in Toronto, Canada, and we gather that Rickard painted many of the company’s early covers. We had actually seen his work around quite often without knowing who painted it. But we always took note of it, and now that we've attached a name to the output, we’re officially on Rickard's bandwagon. His style reminds us of many of the French covers we share—i.e., verging on impressionistic, as opposed to the realistic work you see from many of the top American artists.

Moving on to the fiction, Ronald J. Cooke’s tale here involves a young advertising man who wants to make it big, and the action is set mainly in Montreal of the 1930s. Though there is a love interest, or even two, this book isn't one of the romances with which Harlequin earned its enduring fame. Cooke went on to write two more novels, and some non-fiction, including books like the popular Money-Making Ideas for Retirees. He also wrote tons of business articles for magazines and trade publications, exciting stuff like “How To Get Better Results for Your Mail-Order Business” and “Labour-Management Ideas That Yield Big Dividends.”
 
D. Rickard painted another cover for The House on Craig Street for News Stand Library’s U.S. run of the book, which you see at right. Depicting the same scene, this alternate version, also from 1949, seems to us a bit less evocative than the Harlequin cover, almost cartoonish. Anyway, we’ll have more work from this interesting artist later, but if you want to see some now, follow the link to this small collection.
 
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History Rewind
The headlines that mattered yesteryear.
September 20
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
September 19
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
September 18
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
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