Vintage Pulp Oct 3 2021
U.S. OF ESSAYS
Excuse me madam, would you like to hear an American's opinions about everything?


John Steinbeck's Un americano en Nueva York y en Paris was published in 1957 by Ediciones Mariel, which was based in Buenos Aires. First published in 1956 in France as Un Américain à New York et à Paris, this is a collection of articles that Steinbeck wrote for Le Figaro when he was living in Paris. Because they originally appeared in French for a French publication many went unpublished in English for decades. In fact we can't be sure all the essays are available in English even today, though one would like to assume so. In any case, that's why this book caught our eye—because it surprised us that the entire collection of essays was available in Argentina, but not the U.S., almost immediately after they appeared in France.

Steinbeck was a serious writer, and thus was considered a serious persona, but the Le Figaro essays gave him a chance to show readers his wit and humor. Some of his observations read so contemporarily they could be from a year ago, particularly his musings over a restaurant owner who received a Michelin star, then spent every waking moment plotting, hoping, suffering to get another. He hopes to have his chance when the Michelin critic schedules another visit. The fact that the chef's official taster is Steinbeck's cat Apollo just adds more absurdity to the tale, as the genius who wrote Of Mice and Men veers into the silliness of cats and menus.

The parts of Un americano en Nueva York y en Paris not about France consist of articles concerning New York, culture, and politics. One of those latter entries, from 1954, is about Joseph McCarthy, who was in full witch hunt mode at the time. Much of the literati were loudly opposed to the proto-fascist senator, but Steinbeck took a different tack, writing that democracies occasionally need a challenge from demagogues in order to evolve, because such dark episodes remind people what democratic ideals really are—i.e. everyone gets to participate, not just self-appointed gatekeepers and purity-testers afraid of change or losing power. The tent of democracy always gets bigger, not smaller. It can't do the latter and qualify as a democracy.

The cover art on this was painted by J.C. Cotignola, whose work appeared on various Argentine and Brazilian publications, but who isn't well known today. Bang up job though. To us the title of the collection somewhat echoes George Orwell's acclaimed Down and Out in Paris and London, another book about knocking around in a couple of big cities. The difference is Orwell was so poor he almost starved to death—he literally ate moldy bread out of garbage cans to survive. Steinbeck was the toast of Paris when he was there. Given a choice, we'd skip the mold and go straight to the toast. Preferably with a layer of rillette de porc on top. Even Apollo the cat would approve of that.

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History Rewind
The headlines that mattered yesteryear.
October 20
1947—HUAC Hearings Begin
The House Un-American Activities Committee begins its investigation into Communist infiltration of Hollywood, resulting in a witch hunt that destroys lives, ruins careers, and makes Senator Joseph McCarthy the most feared politician of the era.
1968—Jackie Kennedy Marries
Former First Lady Jacqueline Kennedy marries Greek shipping tycoon Aristotle Onassis. The marriage comes as a total surprise to the American public, and results in a terrible backlash against her and also makes her the number one target of paparazzi for years.
October 19
1989—Guildford Four Exonerated
The men known as the Guildford Four, who were imprisoned for a series of bombs attacks on British pubs that left five dead and 100 injured, are decreed not guilty after an investigation reveals that police colluded in doctoring statements that appeared to incriminate the defendants.
October 18
1968—Olympic Committee Suspends Carlos and Smith
The U.S. Olympic Committee suspends African-American track & field athletes Tommie Smith and John Carlos for saluting the crowd with raised, gloved fists during a medal ceremony at the Mexico City games. The salutes represented the black power and civil rights movements in the United States. Both athletes also received their medals shoeless to represent black poverty.
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