 Bankhead and Co. try to deal with an ocean of differences. 
The best thing about Lifeboat is Tallulah Bankhead. Simple as that. Top billed, tasked with bringing a complex character to life, and working in a film with huge expectations because it was written by literary laureate John Steinbeck and helmed by internationally renowned director Alfred Hitchcock, she delivers the goods. If you haven't seen it, it's an adventure and character study about a group of cruise ship passengers who survive a German u-boat attack and find themselves adrift on the Atlantic Ocean. There's a tinge of war propaganda to it, a touch of we're-humans-and-the-other-side-aren't, but when you consider that Germany was a genocidal regime, and news reports had been touching on this  fact for two years (though visual evidence wouldn't appear until after May 1945) Lifeboat is remarkably subtle in that regard.
Anyway, if you ever want to see a star go full nova, check this film out—Bankhead is funny, bitter, sly, ironic, desperate, and more, helped along by reliable old William Bendix, as well as Hume Cronyn, Mary Anderson, and Walter Slezak in a pivotal role. And I guess we don't have to tell you one of Hitchcock's most famous stories came from this movie, the one about his camera accidentally getting upskirt shots of a pantyless Bankhead, and the question of whether the problem was one for hair, make-up, or wardrobe.
The poster above is a really nice piece of mid-century promo art and we spent a lot of computer time trying to discover who painted it, but to no avail. That wasn't a surprise, though. It's a painted version of the photo-illustration used on the panel length promo you see below, which means it's basically a copy job that numerous artists could have executed. But it's still nice compositionally, with its beautiful blue coloration, bright yellow title, and diagonal arrangement of faces. Lifeboat premiered in the U.S. today in 1944. 
 There's nothing quite like a roll in the hay. 
You'd think we'd eventually run out of themes in mid-century paperbacks, but the possibilities are seemingly endless. We can add illicit love in the hayloft to the many other time honored subjects exploited by paperback publishers. We've already shared several covers along these lines, such as this one, this one, and this one, but today we have an entire set for your enjoyment. Personally, we've never had sex in a hayloft—in fact, we've never even had the opportunity—but we imagine that once you get past the smelly manure and the scratchy hay and the jittery animals it's pretty fun. Or maybe not. There are also numerous books, incidentally, that feature characters trysting by outdoor haystacks, but for today we want to stay inside the barn. Thanks to all the original uploaders of these covers.                   
 Our favorite magazine Adam had a relative on the other side of the world. 
We’ve now posted eighteen issues of the great Australian men’s magazine Adam. But there was an American Adam too, unaffiliated with the Aussie mag (as far as we know) that published identical content during the same period. There were three major differences, though—the American Adam did not have painted pulp-style covers like Aussie Adam, it had access to more widely known actors and authors, and it showcased nude photography years earlier. For example, the above American Adam, from August 1966, has rising star Raquel Welch, famous glamour babe June Wilkinson, fiction from John Steinbeck and Harlan Ellison, and an extensive and revealing feature on burlesque. It also has a centerfold of Vicky Kennedy, aka Margaret Nolan, who appeared in Goldfinger, among numerous other films, and was one of the more popular nude models of the 1960s. We have thirty scans of all this below.                              
 He’s always hanging around. 
William Wister Haines wrote six screenplays, saw several books adapted to film, and was considered by some to be a literary talent on the level of John Steinbeck. But you’d never know any of that from looking at the cover art for his Depression-era novel Slim, with its shirtless hunk of burnin’ love casually doing a little pole smoking. The novel was mainly a drama about the dangerous working conditions for electrical linemen, but Bantam opted to sex it up a bit for the 1957 re-issue with a cover that looks like a Marlboro ad. We hope Slim remembered his sunblock.
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The headlines that mattered yesteryear.
1959—Max Baer Dies
Former heavyweight boxing champ Max Baer dies of a heart attack in Hollywood, California. Baer had a turbulent career. He lost to Joe Louis in 1935, but two years earlier, in his prime, he defeated German champ and Nazi hero Max Schmeling while wearing a Star of David on his trunks. The victory was his legacy, making him a symbol to Jews, and also to all who hated Nazis. 1945—Nuremberg Trials Begin
In Nuremberg, Germany, in the Palace of Justice, the trials of prominent members of the political, military, and economic leadership of Nazi Germany begin. Among the men tried were Martin Bormann (in absentia), Hermann Göring, Rudolph Hess, and Ernst Kaltenbrunner. 1984—SETI Institute Founded
The SETI Institute, a not-for-profit organization dedicated to the search for extra-terrestrial intelligence, the discovery of extrasolar planets, and the habitability of the galaxy, is founded in California by Thomas Pierson and Dr. Jill Tarter. 1916—Goldwyn Pictures Formed
In the U.S.A., Samuel Goldfish and Edgar Selwyn establish Goldwyn Pictures, which becomes one of the most successful independent film studios in Hollywood. Goldfish also takes the opportunity to legally change his last name to Goldwyn.
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