Vintage Pulp | Nov 14 2021 |

Vintage glamour magazine produces treasure trove of rare celebrity photos.
Above you see the cover of Jem magazine, founded by famed bodybuilder Joe Weider as one of the first high budget competitors to Playboy. He also launched the similar imprint Monsieur. The scans above and below are from the very first issue of Jem, published this month in 1956. It came out during the heyday of the era when magazines of this type gave equal billing to Hollywood celebrities and erotic stars (something we try to emulate on Pulp Intl.), which means you'll not only see rare photos of actresses like Anita Ekberg, Jayne Mansfield, and Kim Novak, but also burlesque dancer and model Candy Barr (on the cover and in the beautiful masthead page), model Betty Brosmer (who was Weider's wife), and dancer Lili St. Cyr. Jem also poached July 1956 Playboy centerfold Alice Denham, which must have served as a shot across Hefner's bow. In addition to all those attractions, you get illustrations by Dwight Howe, Ken Wyeth, John Martin, and Jack Lyons. The magazine is so vibrant we uploaded every page that had either photos or art, making for a whopping fifty panels to enjoy below. We found this on Archive.org, but we're going to see if we can locate a few in real life.
Vintage Pulp | Mar 13 2021 |

Jennings goes after big game in mid-1970s schlockfest.
Incredible though it seems to us, Truck Stop Women will be the 745th movie we've reviewed on Pulp Intl. And we never meant to do any. But writing reviews, commentaries, et al, gives us more latitude, legally speaking, to use all the imagery we upload. Tumblr doesn't have to worry about that. It's too sprawling, too decentralized, and ostensibly protected by a user agreement (which everyone ignores anyway). But as a dedicated website we don't have that luxury. So here we are with review 745, Truck Stop Women, which we watched solely owing to the participation of cult star Claudia Jennings.
Jennings was entertaining in efforts ranging from the swamp rat adventure 'Gator Bait to the futuristic dystopian thriller Death Race 2000. Here she's placed into another b-movie sub-genre—the hi-octane road adventure, which would beget such Americana as Smoky and The Bandit and The Dukes of Hazzard. She plays a New Mexico truck hijacker
working for her criminal mom, whose operation is coveted by two mafia goons. The titular truck stop women, along with a few of their truck stop men, decide to resist this attempted takeover. The wonderfully named Lieux Dressler is one tough mother—unsentimental, opportunistic, and willing to battle to keep what's hers and her daughter's.

If the movie were a pure actioner, and Dressler and Jennings had been given 70% of the lines, the filmmakers might have had something good here. But with bluegrass backed sexual interludes and comedy riffs that mostly fall flat, this is not a movie we imagine Jennings was proud of. In fact, she's probably too good an actress to be subjected to its low grade parade of campy trucker tropes, but you take the work when it comes.
The good news is threefold—the movie improves as it veers farther away from its initial slapstick tone, the sexual vignettes, while dumb, do include Jennings, as well as the uber-stacked Uschi Digard, and the action scenes throughout are well staged. If you're a Jennings fan, her presence will suffice to get you to the end, but you'll certainly be thinking how much better this could have been. Truck Stop Women premiered today in 1974.









