|Intl. Notebook||Feb 5 2020|
Let's focus on Loren. This is one of her most famous photos, and the reason she looks this way is because she's in costume as her character Nives Mongolini from the 1954 film La donna del fiume, aka The River Girl, which was shot in Comacchio, a town famous for its tinned eels. The photo was made by Federico Patallani, and while we've heard it was used for an advertisement, we've never seen the ad, so we're dubious on that. We think it's just a film promo designed to call attention to the fact that Loren filmed in Italy's most famous eel town. But even if it isn't an ad, we bet it caused a spike in eel sales, and possibly caused bald-pitted women to consider ditching the razor. If you can make it look as good as Loren (or Eleonora Giorgi or Kuroki Kaoru) why not? We have another Loren image below from the same session, with her pits covered, for you hair haters.
|Vintage Pulp||Nov 5 2014|
If you’re thinking this West German poster for Sophia Loren’s 1954 drama Die Frau vom Fluss, aka La donna del fiume, aka The River Girl looks a bit like this promo for Riso Amaro, you're right—and the actual films are quite similar too. During the 1950s Italian filmmakers produced at least a few movies with identical blueprints—i.e. improbably hot peasant girls performing hard labor somewhere in the Po Valley while wearing bodyhugging clothing. Generally, the girls dream of better circumstances but possess little means to achieve such an end—until into their lives tumble dudes with big plans.
Sounds like light fare, but sultry summer settings and sexy attire notwithstanding, these were serious films—usually tragedies. Where the staple food in Riso Amaro (and Elsa Martinelli’s 1956 drama La risaia) was rice, here it’s eels. Loren works in an eel cannery by day, dances a mean mambo during her spare hours and, like Silvana Mangano in Riso Amaro, finds herself torn between a decent bore and a thrilling criminal. The choice she makes opens up a whole different can of eels and she spends the rest of the film having to manage the consequences. That’s about all we’ll say, except that we watched the flick last night and more or less enjoyed it. As for Loren, she’s 100% more and 0% less, a big personality whose stardom was a matter of destiny. The movie is worth seeing just because of her.