Femmes Fatales Sep 3 2019
GREEN ECONOMY
There was a thirty chinchilla wrap, but I bought one made of twenty chinchillas. We all need to cut back to save the planet.


Above is a beautiful color promo photo starring b-movie femme fatale Cleo Moore looking like a Christmas wish come to life. The image was made for her 1956 crime drama Over-Exposed. We talked about it. Shorter version—clumsily moralistic but pretty fun. You can peruse our thoughts in more detail here, and see more Moore here.

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Vintage Pulp Apr 29 2019
PHOTO FINISH
Cleo Moore tries to picture a better life.


The drama Over-Exposed came with the mighty cool promotional poster you see above, and we think it perfectly captures the amoral, tabloid-style themes of the film. Cleo Moore plays a woman at loose ends who meets a kindly photographer and decides to learn his trade. She quickly shows a talent for camera work, moves to New York City, and schemes her way into increasingly better jobs in pursuit of money and fame. She gets plenty of both, and also scores a gig as the house photographer at Club Coco, a mobster backed watering hole where she eventually lands in a big kettle of red hot trouble.

There are aspects of Over-Exposed that play differently now than they would have even a dozen years ago. Richard Crenna as her love interest is bummed to be taking more and more of a back seat as Moore climbs the ladder. This friction is portrayed sympathetically toward Crenna, with Moore shown to be losing her soul, but modern viewers might find this sexist, and point out that ambitious women are nearly always treated shabbily—both in vintage cinema and modern life. So in that sense there's unintended feminist tension to the movie that makes it more complex than you'd expect going in.

You'll see Over-Exposed labeled a film noir in many places, but it's one of those movies that mostly doesn't fit the brief. It isn't until the climax that it has the look and feel of noir. This wasn't uncommon—numerous old movies spent eighty minutes as pure drama before turning to noir stylings to spice up their finales. The Time To Kill, which we talked about a while ago, is a prime examp
le. So is Over-Exposed a film noir? Ultimately, we think not, but when borrowing from the genre it does so better than most. An improbable but enjoyable flick, it premiered this month in 1956.

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Femmes Fatales Nov 3 2010
ONE MOORE TIME
I’m gonna love you just little, Moore baby.

American actress Cleo Moore, seen here in a Columbia Pictures promo still used for the 1956 drama Over-Exposed, in which she starred with Richard Crenna. Moore was one of half a dozen actresses who found fame during a wave of blonde mania that gripped Hollywood just after Marilyn set the town on fire.

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History Rewind
The headlines that mattered yesteryear.
November 21
1959—Max Baer Dies
Former heavyweight boxing champ Max Baer dies of a heart attack in Hollywood, California. Baer had a turbulent career. He lost to Joe Louis in 1935, but two years earlier, in his prime, he defeated German champ and Nazi hero Max Schmeling while wearing a Star of David on his trunks. The victory was his legacy, making him a symbol to Jews, and also to all who hated Nazis.
November 20
1945—Nuremberg Trials Begin
In Nuremberg, Germany, in the Palace of Justice, the trials of prominent members of the political, military, and economic leadership of Nazi Germany begin. Among the men tried were Martin Bormann (in absentia), Hermann Göring, Rudolph Hess, and Ernst Kaltenbrunner.
1984—SETI Institute Founded
The SETI Institute, a not-for-profit organization dedicated to the search for extra-terrestrial intelligence, the discovery of extrasolar planets, and the habitability of the galaxy, is founded in California by Thomas Pierson and Dr. Jill Tarter.
November 19
1916—Goldwyn Pictures Formed
In the U.S.A., Samuel Goldfish and Edgar Selwyn establish Goldwyn Pictures, which becomes one of the most successful independent film studios in Hollywood. Goldfish also takes the opportunity to legally change his last name to Goldwyn.
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