I've successfully hooked the captain's hat, and now I'm going for his pants.
Since we had a piece of fishing themed art recently, today we have another item. Here you see a Corp. A. Fox Technicolor lithograph of an unknown model decked out for a day on the water. It was printed in 1954 and is the latest addition to our always expanding collection of these. You can see the others by clicking the keywords below.
The list of sensory superlatives quickly runs short.
Here yet again is Marilyn Waltz, also known as Margaret Scott, an early Playboy centerfold and popular pin-up model we've featured a few times. This Technicolor lithograph, entitled “Visions of Beauty,” is from 1952, and as you can see below more than one image of her posing against this velvet backdrop was published. The litho below was entitled “Lovely as a Rose.” Like many women who posed nude back then, Waltz had Hollywood aspirations, but her entire cinematic output consisted of a single role in the 1954 b-flick Love Me Madly, aka Love My Way, aka The Wild Sex. The film is forgotten, if not lost, but it's notable—for us anyway—because her co-star was Georgine Darcy, perhaps better known as Miss Torso from Alfred Hitchcock's Rear Window. With Waltz and Darcy on the same set the filmmakers probably needed a fire brigade on standby in case the sound stage burst into flames. You can see everything we have on Waltz by clicking her keywords below.
This hat looks great. Now with water, fertilizer, and a lot of patience I'll be able to make a dress to go with it.
Above, a return engagement on Pulp Intl. for American model Joanne Arnold, who in this nice Technicolor lithograph is wearing nothing but a bonnet garlanded with daisies. Arnold was a 1954 Playboy centerfold and sometime model for famed photographer Peter Gowland, who made her the centerpiece of a famous series of underwater nudes, one of which we showed you way back in 2012. She also popped up on another Technicolor litho with four other models. You can see that here. The date on the above item is 1950. Arnold will return, we promise, at which point we'll see if she ever got the rest of her outfit together.
Age is just a number—except when it comes to vintage memorabilia.
Often when a vendor sells Technicolor lithographs online they just make up a copyright date. Older is obviously considered better, so there's a strong incentive to lie. For instance the lithograph above, entitled “Fun Loving,” was listed as being from 1956. Since there's no easy way for potential buyers to confirm the age of these things, that's a nice, safe date. Old enough to be collectible, but not so old someone can immediately see that the model can't possibly be from that era. But sometimes these obscure models are actually identifiable, and in this case the woman pictured is without doubt Australian model Deanna Soutar, who we just saw a few months ago inside a 1971 Police Gazette. If this litho were really from 1956, Soutar would be six years old in the photo, which she clearly is not. She began modeling around 1970 when she was twenty, so we can safely say this particular litho dates from between ’70 and ’72. If you visit our website a lot you know how hard it is to identify litho models, so we have to call today a victory.
It took nearly two weeks, but she finally finished that New Year's champagne.
Is it just us or is the woman in this Technicolor lithograph sitting on a giant Champagne cork? Well, it certainly looks like a cork. She was a popular lithograph model of the 1950s—a fact we know because we've seen her on at least four different posters—but sadly we can't identify her. So we're throwing it to the readers. Know who she is? Drop us a line.
Unforgettable, that's what you are...
The most beautiful Technicolor lithograph model in history is back. This shot, entitled “Fan Fare,” is from 1952 and features an unidentified woman posing with a fan and lace gloves. The image was made during the same session as the previous litho—we know because the gloves are the same, the hair-do is close to identical, and the little choker and earrings are the same. What did change is the color of the background, from blue to red, but that could be a case of pre-press wizardry. We've seen it before. We'd love to know who this unforgettable model is, but that probably isn't in the cards. Oh well. It's nice to have seen her again. Definitely check out the earlier litho here.
Closer... closer... come just a leeetle closer, my unsuspecting little morsel.
This interesting Technicolor lithograph from Colortone Line published in 1957 stars an unknown red-haired model and is titled “Inviting Eyes.” But we think “uninviting eyes” might be more descriptive. Is it just us, or does the model look like a cat about to rip apart a helpless little bird? She's less intense in other lithos, and there are many, which indicates that she was probably a famous model. But we can't place her. We know—you count on us for this stuff, but even Joe DiMaggio struck out once in a while. As a consolation for our general ineptitude, we have two more of her lithos below. Notice the third one is actually from the same session as above. That satiny bed in the background confirms it. Know who this model is? Drop us a line.
Looks like she forgot to wear something green.
This Champion Line Technicolor lithograph entitled “Sultry Charm” features U.S. model Shirley Kilpatrick getting cuddly with a fur wrap. Kilpatrick was featured in pretty much every men's magazine of her era, in a decade-plus appearing sexily clothed or nude in Caper, Gent, Scamp, Bold, Frolic, Stare, Gala, Tempo... Really, just make up a name and at some point it was probably a magazine and she got naked in it. Or semi-naked. Her heyday was during the pubic-hair-is-obscenity era. In recent years, though, sets of full nudes have been unearthed, and guess what? She doesn't show pubic hair in those either. Ahem. But while the photos are nice, we appreciate Kilpatrick most for playing the she-monster in The Astounding She-Monster, a cheeseball sci-fi b-picture from 1957 that gave us a considerable amount of enjoyment. It's a terrible movie, make no mistake—but in that good terrible way. Kilpatrick, on the other hand, is just good good.
All you have to do is lick a finger and lift.
We absolutely love these things. This is a Technicolor lithograph with a cellophane or acetate overlay, which if you lift—and of course anyone would—reveals the same figure undressed on the page beneath. As we've mentioned before, we think—but cannot be sure—that these originated with the French nudie magazine Paris-Hollywood, and we've shown you some examples from that publication. The U.S. innovation was adding a Technicolor printing process that made the final product more vivid than the French versions. As you see below, the shot was also used for a standard Technicolor pin-up without the overlay. The print is titled “Alluring,” from around 1955, and as usual we can't identify the model. Many of these items featured centerfolds and celebrities, but others used more obscure subjects. See more U.S. Technicolor overlay examples here, here, and here, and check out a couple of French ones here and here.
Upon close inspection everything looks ship shape.
Model and actress Mara Corday, née Marilyn Watts, captains this nautical 1953 Corp. A. Fox Technicolor lithograph. Corday is one of those vintage actresses who has a cult following today, which in her case mainly derives from starring in three cheesy sci-fi films—Tarantula, The Giant Claw, and The Black Scorpion. She also appeared in some thrillers and noirs, but her stardom was truly cemented when she was Playboy magazine's Playmate of the Month for October 1958. That centerfold may be one of the most demure the magazine ever published, but the issue sold well, owing to Corday's status as an established movie star. She's still with us at age eighty-eight, and these images are nice mementos from a time when legions of fans were willing to sail anywhere with her. |
The headlines that mattered yesteryear.
1915—Claude Patents Neon Tube
French inventor Georges Claude patents the neon discharge tube, in which an inert gas is made to glow various colors through the introduction of an electrical current. His invention is immediately seized upon as a way to create eye catching advertising, and the neon sign
comes into existence to forever change the visual landscape of cities.
1937—Hughes Sets Air Record
Millionaire industrialist, film producer and aviator Howard Hughes sets a new air record by flying from Los Angeles, California to New York City in 7 hours, 28 minutes, 25 seconds. During his life he set multiple world air-speed records, for which he won many awards, including America's Congressional Gold Medal.
1967—Boston Strangler Convicted
Albert DeSalvo, the serial killer who became known as the Boston Strangler, is convicted of murder and other crimes and sentenced to life in prison. He serves initially in Bridgewater State Hospital, but he escapes and is recaptured. Afterward he is transferred to federal prison where six years later he is killed by an inmate or inmates unknown.
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