Age is just a number—except when it comes to vintage memorabilia.
Often when a vendor sells Technicolor lithographs online they just make up a copyright date. Older is obviously considered better, so there's a strong incentive to lie. For instance the lithograph above, entitled “Fun Loving,” was listed as being from 1956. Since there's no easy way for potential buyers to confirm the age of these things, that's a nice, safe date. Old enough to be collectible, but not so old someone can immediately see that the model can't possibly be from that era. But sometimes these obscure models are actually identifiable, and in this case the woman pictured is without doubt Australian model Deanna Soutar, who we just saw a few months ago inside a 1971 Police Gazette. If this litho were really from 1956, Soutar would be six years old in the photo, which she clearly is not. She began modeling around 1970 when she was twenty, so we can safely say this particular litho dates from between ’70 and ’72. If you visit our website a lot you know how hard it is to identify litho models, so we have to call today a victory.
Lindberg gets full exposure in Japan.
This is a very interesting Japanese poster for the Swedish sexploitation flick Exponerad, which premiered in Japan today in 1972 as 露出 or Roshutsu, which both mean “exposure.” The film was known in English speaking countries as Exposed and (misleadingly) Diary of a Rape. There are some scans of this piece online, but not of this quality. We talked about the movie last year. Check here.
And as a bonus, because Exponerad is a movie that deals with daydreams, we have below all of our most dreamlike images of Lindberg. No surprise, right? If you visit our site often, you know she's a mainstay, so today we're just adding to what was already a substantial treasure trove. All of these ethereal shots are Exponerad promos, and all are striking. We have many more Lindberg rarities, and you can bank on us sharing those down the line.
There are no small parts. Only small casting agents.
Above is a lovely shot of British actress Zoe Hendry, who we last saw in 1975's erotic epic Butterfly, and whose other credits read like a cautionary tale of cinematic ambition smashed on the rocks of rent paying reality. She's played, in no particular order, “naked college girl,” in 1974's Confessions of a Window Cleaner, “native dancer,” in 1976's Queen Kong, “topless patient,” in 1978's What's Up Nurse!, and, “other girl,” in 1974's The Man Who Couldn't Get Enough. And who can forget 1976's infamous Nastassja Kinski vehicle To the Devil a Daughter, in which Hendry played “first girl”?
Yes, it's quite a résumé Hendry accumulated, but since she originally got her break on The Benny Hill Show—which made an industry of scantily clad women—her stalwart appearances in sexploitation films are no surprise. But she eventually outflanked one-track-minded movie casting agents by shifting back to television during the 1980s, where she got a chance to act more seriously. Probably got paid better too. Still, we're irresistibly drawn to titles like Queen Kong. Maybe we have one-track minds too, but we have to watch that, right? Right. We'll do the heavy lifting so you don't have to, then report back.
Welcome to Wilson's house of pain and leather.
American actress Ajita Wilson was born in Brooklyn but became a big star in Italian sexploitation and porn movies. She was transsexual, having been born George Wilson, but opting for gender reassignment in the mid-1970s. She launched her career in New York City, making a name for herself in the red light district of the era, which back then was centered around Times Square, these days aka Disneyland east. Not long after she launched her adult career she was seen by a European producer and offered a chance to work across the pond in historic Rome. She jumped at the chance.
Wilson appeared in close to fifty movies, starting with 1976's The Nude Princess. In Perverse oltre le sbarre, which is known in the U.S. as Hell Behind Bars, she plays a killer and jewel thief named Conchita who gets tossed in the prigione and has to negotiate the usual women-in-prison staples—corruption, violence, lesbianism, and a sadistic warden. Oh, and let's not forget screechy girl fights, and sexual harassment showers. Did we leave anything out? Ah, cavity searches. Can't forget those. Torture by high voltage shock. Illicit drugs. Karate chopping double-crossers. Breathy sexploitation soundtrack. Maybe that doesn't count, though, because the prisoners theoretically can't hear it.
Yes, this prison Ajita ends up in is pretty bad, but it could be worse—at least the warden lets the women wear lingerie. Rita Silva and Linda Jones co-star in what becomes a standard WIP escape drama, and of course the escape is more fraught than anyone expected. As prison sexploitation Perverse oltre le sbarre is the same as most others, with the exception that the budget is obviously lower. With nearly fifty films to her credit Wilson almost certainly made something better. We'll take a look and see if we can find which efforts those might be, and you'd be advised to do the same and skip this one. We'll see Wilson again, though. Perverse oltre le sbarre opened in Italy today in 1984.
It took nearly two weeks, but she finally finished that New Year's champagne.
Is it just us or is the woman in this Technicolor lithograph sitting on a giant Champagne cork? Well, it certainly looks like a cork. She was a popular lithograph model of the 1950s—a fact we know because we've seen her on at least four different posters—but sadly we can't identify her. So we're throwing it to the readers. Know who she is? Drop us a line.
The mile high club and beyond.
Stefani Casini has appeared in dozens of films, playing notable roles in Suspiria, Blood of Dracula, and Andy Warhol's Bad. None of those parts are as notable, in our opinion, as these photos of her playing around on an old Itavia Aerolinee DC-9. Itavia went out of business in the early 1980s, but Casini kept right on going and she's still acting today, with a headlining role in the well reviewed 2019 drama Dafne. We couldn't locate an actual date on these pix, but they're probably from around 1978.
Hurray! It's a whole new decade!
It's been a long time since we featured Japanese actress Yayoi Watanabe. While she wasn't the most important pinku star of her era, she appeared in an absolute mass of cool promo photos, one of which appears above. This one captures our sense of optimism for the upcoming decade. We expect huge leaps of progress, wider horizons, amazing new discoveries, and limitless fun. We mean on our website. What—did you think we meant the world? No, that's totally screwed. Let's not think about that at all.
Vintage men's magazine stands at the threshold to a new era.
In many countries during the late 1960s the newsstands were still dominated by nudie mags that bore classical, studio nude-style depictions of women, but the transition toward magazines recognizable as modern porn was well underway. Knight, from Sirkay Publishing out of Los Angeles, is one of those transitional magazines. It debuted as Sir Knight in 1958 with a focus on fiction, humor, and demure photo features. The above issue published in 1967 is a bit racier, but still middle-of-the road for the time period. In another few years pubic hair would be on display in American men's magazines. Soon after that the pearly gates would appear, and in short order they'd be wide open. Did we really write that? Sorry—it's the booze talking.
On the cover here is Rita Rogers, touted as the next big thing, but who made only a few magazine appearances as far as we can tell. Inside you get William Holden, Turkish bellydancer Kiash Nanah, aka Aïché Nana, whose impromptu strip in a Rome cafe we talked about a while back, and actress Joi Lansing, whose age resistant DNA we talked about here. And you get some fantastic art, much of it with a psychedelic edge. There's also an article on psychedelic music, so that seems to have been a theme with this issue. We love these old nudie publications. They're so innocent by today's bizarro standards that if you caught your kid looking at one you'd probably hug him and go, “You've made me very, very happy!” Scans below.
You know, maybe I should stop storing my bras in the very top of the closet.
Above, another brilliant image of Japanese roman porno actress Hitomi Kozue, who always makes a genius out of any photographer she works with. See other spectacular visuals from her here, here, and here.
They don't have much in the way of maternal instinct but they make up for it with eagerness to please.
In the nudie flick The Muthers, which opened this month in 1968, two groups of people located somewhere in Southern California between No Budget and No Inhibitions spend an inordinate amount of time putting the ’60s ethos of free love to the test. You have the teens, who party and get laid, and the mothers, who do the same, but with more skill. The movie is just a lighthearted little softcore romp, quaint by today's standards, but notable for the fun attitude it brings to the proceedings. The plot, such as it is, eventually coalesces around one teen's feelings of neglect and tendency toward self-destruction, and the title derives from the fact that for some reason she can't spell “mother” properly.
But don't let our suggestion that there's a plot scare you—this flick is just one long sex scene after another. None of it is explicit, or even frontal for that matter. Mainly the performers just grind and wiggle. But it's still pretty stimulating because one of the moms is Virginia Gordon. For those unfamiliar, Gordon was an in-demand nude model, who, like a fine reposado tequila, just got more golden and more potent as time went by. She's in her thirty-second year in this film, and her body makes every other performer, including those twelve years younger than her, look like walking cookie dough. Safe to say your muther—or mother, even—never looked like that. I know—you can't take your eyes off them, can you?
Grinding is how I keep my muscle tone. Three-hundred fifty reps to go.
The headlines that mattered yesteryear.
1917—First Jazz Record Is Made
In New Orleans, The Original Dixieland Jass Band records the first ever jazz record for the Victor Talking Machine Company in New York. The band was frequently billed as the "Creators of Jazz", but in reality all the members had previously played in the Papa Jack Laine bands, a group of racially mixed performers who helped form the basis of Dixieland while playing under bandleader George Laine.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
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