|Vintage Pulp||Nov 3 2020|
Never has a domestic employee done so little actual work.
It's Christina Lindberg again. Yes, eventually we're going to cover everything related to her. Thanks to the internet and some interest from modern filmmaker Quentin Tarantino, Lindberg rose from obscurity a while back and is now a staple on numerous blogs. She had become a journalist after her film career ended around 1982, and eventually ascended to the position of editor-in-chief of a Swedish aviation magazine called Flyrgevyn, but since 2000 she's been appearing in films again, and occasionally pops up at film festivals.
Her hit sexploitation flick Maid in Sweden premiered in the U.S. today in 1971, and you see the poster for that above. She plays a milkmaid, not a housemaid, by the way. Happy cows make tasty milk. There's nothing special about the promo poster, or the movie for that matter, but there's plenty special about Lindberg. We have proof below. We've had a lot of success locating promo shots of her that have never been seen online before, and this is another one. We have more, so you can bet we'll revisit her soon. Until then you can see a rare and pretty Japanese Maid in Sweden poster here, a sort of psychedelic Italian poster here, and plenty more Lindberg all around the site.
|Femmes Fatales||Oct 21 2020|
Or she did until she went into the Bermuda Triangle.
Above is a sultry shot of Julie Woodson, a U.S. born model and actress whose modeling work consisted of fashion and an April 1973 Playboy centerfold, and whose acting career consisted of only one credited role—1978's giant monster flick The Bermuda Depths. Basically, in the Bermuda Triangle, where legend claimed boats disappeared, a giant turtle is discovered to be the culprit. Woodson was pretty bad in the movie, though no worse than anyone else in the cast, in our opinion. But in the end, her film career disappeared into the Bermuda Triangle too, because it was her first and only shot at movie stardom. Well, at least she can have more than one shot on Pulp Intl. See below.
|Femmes Fatales||Sep 29 2020|
She's very angry with all of you.
Though we're a vintage art site, we sometimes look forward all the way into the 1980s for material, so today we have a brilliant photo and zoom of Japanese actress Mami Fujimura looking like trouble incarnate. Fujimura starred in several pinku movies in 1985 and 1986, notably the Nikikatsu roman porno Hana to hebi: Jigoku-hen, aka Flower and Rope: Sketch of Hell, and OL yûkaihan – Hagu!, which was part of the popular Office Lady series. Despite her short career, she's well remembered by Japanophiles thanks to her work in other areas. As we've noted before, Japanese actresses were relentlessly cross-marketed, and photo books were a go-to medium to raise a performer's profile. Fujimura starred in a photo book called Jōnetsu Airando, or “Passion Island,” but subtitled in English Sexual Message. It came from the publishers Shishobo in 1985, and we consider it one of the better examples of the photo book phenomenon. It's where the above image came from, and numerous others are noteworthy. To prove that, we've included the cover and a few interior pages below. No further words are needed.
JapanNikkatsuHana to hebi: Jigoku-henFlower and Rope: Sketch of HellOL yûkaihan – Hagu!Mami Fjuimura藤村マミpinkuroman pornonudity
|Intl. Notebook||Sep 15 2020|
Photographer blinded. Says pearly gates opened and heavenly light struck him in the eyes.
Marilyn Monroe was possibly the most photographed person of her era, but we bet most of you have never seen this shot. The divine Miss M. accidentally flashed a photographer while socializing at a May 1962 Democratic Party fundraiser in New York City. It was a semi-formal affair, but formality only applies to one's outer layer, clearly. To make matters even more interesting, this was the night she famously sang “Happy Birthday” to President John F. Kennedy.
The Pulp Intl. girlfriends love this shot, but when we pointed out that it might not be distinct enough, they got the implication right away and begged us not to do a zoom. Well, we can add that vain hope to the many others they've expressed over the years. Look below. The really interesting part is pondering whether Monroe's sugar cookie was out of the oven from the get-go, or if it happened during the fundraiser. Hmm... Were Monroe and Kennedy ever simultaneously absent that night? There's nothing quite like eating an extra dessert.
|Modern Pulp||Sep 12 2020|
Tetsuji Takechi comes out swinging hard in round two.
This poster was made for Hakujitsumu, aka Daydream, which premiered in Japan today in 1981. The movie is loosely based on a 1926 novel by Junichir Tanizaki, which director Tetsuji Takechi made into one of the first pinku films in 1964. The same director felt inspired to put together a porno remake and, blazing a trail once again, it was the first hardcore movie to be shown in Japanese cinemas. We wanted to see what Takechi did with his revision so we watched it, and it sets up pretty much the same way as the first movie, with Kyōko Aizome at her dentist's office, the dentist and his assistant administering gas, then both taking liberties once Aizome is helpless. The action is witnessed by another patient, who follows Aizome around town as she has a series of erotic interludes that spiral off into quasi reality designed to sow doubt concerning whether any of it really happened.
We can't say the hardcore action here is highly erotic, but certain non-sex sequences get there, including Aizome's nude hotel escape, and her naked lathering and rinse inside a car wash. Not that we're down on hardcore. It's just that we insist everything be made to look beautiful. In the sex scenes Takechi, seeking to prove that the action was indeed real, went anatomical. It's an understandable choice—if you can finally show it, why not show it, nutsacks, assholes, milky fluids and all? But even though we're from the generation that is supposed to reflexively love explicit hardcore, we're old souls, and particularly appreciate porn where we know it's real but don't see everything (maybe Aizome felt the same way—she directed her own remake in 2009). Regardless of the success or failure of Hakujitsumu, anytime we see the phrase “the first film that...” we're fully on board. Now we can say we saw the first Japanese film that went hardcore. That's something, at least. Below, Aizome inspires daydreams, and you can see more from her here.
|Vintage Pulp||Sep 8 2020|
Internal medicine has never been quite like this.
More pinku today, with a beautiful Nikkatsu Studios promo for the roman porno flick Kangofu nikki: Itazurana yubi, known in English as Nurse Diary: Wicked Finger. Etsuko Hara stars as a nurse who works at Murata Hospital and is having an affair with her boss, who hopes to inherit the chief of staff position from his wife's father. Side note for our female readers: never trust a guy who'll cheat on his wife. He'll certainly cheat on you too.
And that's exactly what happens to Etsuko, as her doctor boyfriend takes his internal medicine position literally, with any willing patient that comes along. In order to facilitate her affair with the doctor, Etsuko has moved out of the apartment she was sharing with family members, but now that looks like a mistake, as little sister Emi is left behind to suffer the tender mercies of a sexual predator—oldest sister Keiko.
Yeah, these roman porno movies go anywhere and everywhere, including places they really shouldn't, and that's before we even get to the wicked finger part. And since it wouldn't be roman porno without a totally leftfield subplot, Etsuko in her new apartment has drawn the attentions of a peeping tom, who is so driven to lust by Etsuko's yoga routine that he fantasizes about her while fucking a vacuum cleaner hose, and gets stuck.
And that's all the info we're going to give you. If you want to know where else the movie goes—and who wouldn't?—you'll have to watch it yourself. But first a test. Does the shot of Etsuko at bottom make you want to fuck a vacuum? Then take precautions and lock yours up before watching the movie. Your dick will thank you. Kangofu nikki: Itazurana yubi premiered in Japan today in 1979.
JapanKangofu nikki: Itazurana yubiNurse Diary: Wicked FingerNikkatsuEtsuko HaraAsami Ogawaposter artcinemapinkuroman pornonuditysexploitationmovie review
|Femmes Fatales||Aug 29 2020|
Suddenly petroleum products don't seem so bad.
Above, a beautiful photo of model Inga Vasa, who was touted as a soon-to-be-star for a hot minute back during the late 1960s. This shot was made by photographer Rico May, and came from a 1968 issue of the Dutch magazine De Lach. Was Vasa Dutch? We can't say. More likely Swedish. But she's so obscure we can't be sure either way. Nice shot, though.
|Sex Files||Aug 7 2020|
It's nice and warm inside.
This is obviously Marilyn Chambers fronting a poster for her x-rated extravaganza Behind the Green Door, which opened in the U.S. this month in 1972. We shared a Japanese poster for this a long while ago, as well as a another Japanese promo advertising this as a double bill with The Resurrection of Eve. Today we figured we might as well show you the original American promo too.
Why do we coming back to Chambers? Probably her connection to horror films via the David Cronenberg classic Rabid has something to do with it. Not many actors have straddled porn and maintream cinema. Chambers is top of the heap on that score. And she died young at age fifty-six, so that always brings about examinations of a star's legacy. And finally, it's always interesting to see what path porn stars take when they move on. Chambers' path took her to Southern California, where she died in a mobile home in Santa Clarita, a long way from the bright lights of New York City where she first became a star.
We had never watched Behind the Green Door, but we remedied that a few days ago, and for those who don't already know we can tell you the movie is a sexual awakening story, with Chambers the star of a live sex show about “the ravishment of a woman who has been abducted,a woman whose initial fear and anxiety has mellowed into curious expectation.” She appears in two vignettes of escalating explicitness, as masked onlookers observe à la Eyes Wide Shut. That's the entire plot.
Chambers looks very good in this movie. We can imagine what it must have been like for cinemagoers to see a woman in this raunchy role who was fully beautiful enough to be a Hollywood star. The party lifestyle she lived began to make almost immediate physical changes, but for a moment, here in the summer of 1972, she was really a goddess. We have a nice image of her below as evidence of that assertion.
|Vintage Pulp||Aug 4 2020|
They have a certain je sais exactement quoi.
Yes, we have yet another issue of Cancans de Paris, this time from August 1967, with Teffie Winters on the cover and inside. There are plenty of fun French burlesque and glamour magazines, but Cancans is a particularly convivial one. Generally, these focus strictly on women, but this issue has a horoscope, which we've included for those of you out there who read French. But you don't need astrology to predict the future. Just keep coming back to Pulp Intl. and the future will be filled with fun, films, fiction, and femmes fatales. We have five other issues of Cancans de Paris in the website. They're available various places online, so if you want them for yourself, they're out there for the getting. To see the issues we've shared, click the keywords below and enjoy a leisurely scroll.
|Vintage Pulp||Jul 28 2020|
Laura Gemser is a nun that likes to have fun.
Laura Gemser made more than fifty films, most of them of the erotic variety, which means we'll probably never run out of material on her to share. Above you see a Spanish poster for the her nunsploitation flick Sor Emanuelle, which was originally released in Italy as Suor Emaunelle. We already talked about the movie, but we wanted to share this unusual promo. We've never gotten the nun thing, we suppose because we aren't Catholic, or even religious for that matter, but for some reason these movies represent a full sub-genre of ’70s cinema. That being the case, it was only a matter of time before Gemser got into the habit.
She starred in this with Swiss actress Mónica Zanchi, who's billed as Mónika Zanchi. The two would pair up again a year later in Emanuelle e gli ultimi cannibali, aka Emanuelle and the Last Cannibals, another spectacularly bad sexploitation epic. In addition to the poster, we also—just because we can—wanted to share a couple of magazine images of Gemser and Zanchi, and those are just below. They're super naked. You've been warned. But these are beautiful shots. After its Italian opening in 1977 Sor Emanuelle premiered in Spain today in 1978. Check out our original write-up on the film here.
SpainItalySwitzerlandSor EmanuelleSuro EmanuelleSister EmanuelleLaura GemserMónica ZanchiMónika Zanchinudityposter artcinemasexploitationnunsnudity