|Vintage Pulp||Sep 23 2017|
What do you get when you put a bunch of convicts on an island? A lot of dead convicts.
Before Escape from New York there was Terminal Island. And before Terminal Island there was, well, we aren't sure. Maybe The Big Bird Cage or She Devils in Chains. Released in June 1973, and eventually making it to Denmark today in 1977, you see the Danish promo poster for Kvindefængslet på Djævleøen, aka Terminal Island above. The movie stars Don Marshall, Marta Kristen, Barbara Leigh, Ena Hartman, and cult fave Phyllis Davis, plus it features both Tom Selleck and Roger E. Mosley, a duo that would later be cast as besties Thomas Magnum and T.C. on the television show Magnum P.I. What's the plot? It follows the expected blueprint—tough convicts left to fend for themselves except for the occasional supply drop, women in mortal peril from every inhabitant with a functioning dick, and one good-hearted prisoner who doesn't belong there at all. The whole set-up degenerates into a savage confrontation between two opposing factions, predictably fighting over the possession of women, who can only hope to choose between abusers and protectors. While Terminal Island is an early entry in the fertile penal colony genre, what you really want to know is whether it's actually any good, right? Well, let's just say it's good enough to watch if you're a fan of seventies b-movies. We'd like to offer you a better endorsement, but we really can't.
DenmarkKvindefængslet på DjævleøenTerminal IslandDon MarshallMarta KristenBarbara LeighEna HartmanTom SelleckRoger E. MosleyPhyllis Davisposter artcinemamovie review
|Hollywoodland | Femmes Fatales||Mar 23 2016|
She had nothing to hide on stage, but she certainly did elsewhere in her life.
Liz Renay’s Washington Post obituary called her a “Cult Actress, Stripper and Mobster’s Girl.” That only touches on what she was. She was also an author, painter, streaker, charm school instructor, and convict. The latter designation came when a federal judge sent her up for perjury committed during the gangster Mickey Cohen’s 1961 tax evasion trial. Cohen was Renay’s boyfriend, and her bad taste and unshakable loyalty cost her more than two years on Terminal Island, years she says permanently damaged her prospects in Hollywood. After her release she became a professional celebrity, more famous for her associations and striking blonde appearance than anything she did, with her cult status reaffirmed by such people John Waters, who put her in his film Desperate Living, and author James Ellroy, who included her in his explosive 1995 novel American Tabloid. The sultry shot of Renay at top, pre-blonde, pre-Cohen, and pre-prison, dates from the mid-1950s. The second is from around 1960, and the one below shows her in 1961 entering the courtroom during Cohen’s trial.
Terminal IslandWashington PostAmerican TabloidDesperate LivingLiz RenayMickey CohenJames EllroyJohn Waterscinemaliteratureburlesque