Hemingway's lament for the downtrodden working class is supposed to be his worst novel. But is it really?
Don't let the cover blurbs fool you. In general To Have and Have Not is considered by critics to be Ernest Hemingway's worst novel. Originally published in 1937, it was completely rewritten and became a great 1944 movie with Humphrey Bogart and Lauren Bacall. If you've already seen the movie but never read the book, hold onto your hats, because this is extraordinarily rough stuff from Hemingway, a tale of desperation and murder in the depths of the Great Depression. Harry Morgan is a Key West boat captain who's stiffed for $825 after his three-week charter skips town. That would be about $15,000 in today's money, so it's no surprise that losing this bundle means Morgan, who's married, has three kids, the usual assortment of bills and responsibilities, and has spent his life fighting to get ahead, is now destitute.
If you opt to read the book, make sure not to gloss over exactly how far in the hole Morgan is. $825 dollars would bend the morals of most people in 1937, just as $15,000 would today. After being cheated out of this cash he makes a fateful decision to turn criminal himself by running illegals from Cuba to Florida. That's when things go from bad to worse. If you look closely at the cover art on this Perma Books edition from 1953 you'll see what the result of Morgan's criminal foray was. That's one reason cover art is so interesting. The scene the artist chooses to depict—in this case it's Tom Dunn—can sometimes be so specific as to give away an important plot point. If you can't tell what we're talking about by looking at the art we'll give you a hint. What happens to Morgan is the also title of an earlier Hemingway book.
But moving on, To Have and Have Not is—we'll just come out and say it—brutally racist. There are some who would like to gaslight you into thinking you're seeing something that isn't there, and others who would prefer you to ignore this, but you shouldn't, because racism is actually pivotal in the narrative. Morgan's initial foray into crime is against people he clearly feels are subhuman. They and other ethnic groups are referred to with slurs, and these come not just from Morgan's mouth, and from his thoughts, but from the writer's thoughts too. There are places where Morgan uses actual names to refer to characters that Hemingway still refers to by slurs. Think: “Hey Joe, give me a hand with these poles,” said Harry. The [slur] put down his coffee and helped Harry with the poles. So while it's always good to separate the author from their fiction so they have freedom to create any sort of characters they wish, it still raises an eyebrow when you read something like that.
Another aspect of To Have and Have Not that may jar is its lack of sympathetic characters. Morgan's ex-prostitute wife Marie is probably the nicest person in the book, and even she drops n-bombs all over place. But you have to root for someone, so it's her and Harry. You do it because they're at the economic mercy of terrible people. Most of these folks—who are generally of a better class—wouldn't use racial slurs, but they also wouldn't think twice about ruining someone for a few dollars. And while Harry employs a black man and gets along with him fine, you can be sure none of his rich charters would let a black man deign to speak to them. So in its way, To Have and Have Not is relevant in 2020 by starring a working class character who's uncouth, uneducated, and devoid of genuine empathy, but who constantly deals with people that think they're better than him and really aren't.
This is why losing the charter and those $825 bucks is such a clever way to open the novel. The charter, Johnson, flies away and doubtless never gives what he did much thought, but in shafting a working man creates wreckage that crushes not just the man he cheated, but those around him. We think this is the way to focus on the book if you read it—acknowledge the obvious deficiencies of Harry Morgan, but pay close attention to the secondary characters. This is what Hemingway wanted, which is why Morgan's narration lasts for only a while. Everything after his first crime caper is told from outside his point of view. As the book goes on, Hemingway drags you deeper into the lives of these ancillary characters, dispassionately leaving a struggling Morgan to recede into the distance.
So is To Have and Have Not Hemingway's worst book? We don't like it as much as his other works, but with its changes in point-of-view, mood, and even narrative tense, it's also more challenging than those books. Ultimately, the most serious indictment of To Have and Have Not comes from the author himself—he thought it was his worst book too. And who are we argue with Ernest Hemingway? But on the other hand, when you write The Sun Also Rises and For Whom the Bell Tolls, and win a Pulitzer Prize for The Old Man and the Sea, and later win a Nobel Prize for your body of work, your worst book can still be pretty good.
I knew you were really a guy all along, darling. There were clues—your walk, your love of violent sports, the bulge in your shorts...
We praise paperback art generally. We see merit in most efforts. But it raises the question: What is an unsuccessful piece of art? Well, we think this 1952 Pocket Books cover for Edgar Mittelholzer's 1951 novel Shadows Move Among Them is a major oops from illustrator Tom Dunn. He was better on other covers, but the guy Dunn wrong here. While it would be absolutely awesome if this book were about a love affair with a transvestite, it's actually a whites-in-the-tropics novel, with the overheated land this time being British Guiana.
Mittleholzer was born and raised there, so he was writing what he knew. Plotwise, you have an isolated colony of people, which in an eerie precursor to Jim Jones and Jonestown, is led by a charismatic minister. This person, Reverend Harmston, calls his enclave Berkelhoost, and its inhabitants are there to escape civilization for a more liberated way of living. Into this setting comes the main character Gregory Hawke, who's the reverend's nephew and is sorely in need of a life reset. He's described as a shadow of his former self, and others in the colony are suggested to be mere shadows also.
Mittelholzer is considered one of the most important novelists to originate from the Caribbean (for those inclined to lump a region so geographically and culturally diverse into its own genre). Mittleholzer was a serious, ambitious writer, and he was prolific too, cranking out twenty-six books. While his family was white, some genetic quirk left him “swarthy,” as he described himself, and it was a disappointment to his father. This burden of ethnic inadequacy informed his fiction, and gave his whites-in-the-tropics stories more than the usual emotional heft.
Mittelholzer never made a fortune writing, but he's had a small revival the last twenty years, and many of his books are available. Since he was born in 1905 he never got to experience this increased interest. In fact, he died earlier than he should have, via suicide at age sixty. Apparently, this act was partly caused by his inability to make more than a subsistence living at his chosen profession. It's a fate that's befallen everyone from Sylvia Plath to John Kennedy Toole, so he's in esteemed company. We haven't read Shadows Move Among Them but we may fit it into our reading list, because as foreigners living abroad we identify with these kinds of books. If we do we'll report back.
Once you open the package there's no returning the contents.
There are numerous vintage editions of James M. Cain's classic thriller The Postman Always Rings Twice out there, including one from the Spanish publisher Bruguera that we showed you years ago, but we recently got our hands on this 1947 Pocket Books edition, with a cover by Tom Dunn. We read the book, and there are several interesting aspects to the novel, including frightening violence, a generally amoral view of the world, and this:
I took her in my arms and mashed my mouth up against hers...
“Bite me! Bite me!”
I bit her. I sunk my teeth into her lips so deep I could feel the blood spurt into my mouth. It was running down her neck when I carried her upstairs.
Obsessive lust. We get it. Still, it's bizarre. Then there's this:
"Well, get this. I'm just as white as you are, see? I may have dark hair and look a little [Mexican], but I'm just as white as you are."
It was being married to that Greek that made her feel she wasn't white.
Caustic racism. Later the femme fatale, Cora, explains that she simply cannot tolerate having a child with the aforementioned husband, who she married for security. “I can't have no greasy Greek child, Frank. I can't, that's all.” Cain establishes with this style of banter that his two main characters are bad people. But The Postman Always Rings Twice is great, and nobody ever said literature is supposed to be easy to read. This is fast-paced pulp fiction that's about as good as you'll ever find. Highly recommended.
The headlines that mattered yesteryear.
Penguin Books is launched by Allen Lane and begins publishing cheap, no-frills paperbacks. Lane's idea of selling books not just in bookstores, but in train stations, pharmacies and corner stores, quickly revolutionizes the publishing market.
1957—Paar Takes Over Tonight Show
Today in 1957 Jack Paar begins hosting The Tonight Show
. During Paar's five year stint, his unpredictable antics
and strong comedic style help turn the program into a ratings juggernaut and a national institution.
1981—Charles and Diana Marry
Prince Charles and Lady Diana Spencer marry at St Paul's Cathedral before 3,500 invited guests and an estimated global television audience of 750 million, making it the most popular program ever broadcast.
1945—Plane Hits Empire State Building
A B-25 bomber crashes into the north side of the Empire State Building, between the 79th and 80th floors. One engine plows entirely through the structure, lands on a nearby apartment building, and sparks a fire that destroys a penthouse. The other engine falls down an elevator shaft. Fourteen people are killed in the incident.
1965—Vietnam War Heats Up
U.S. president Lyndon Johnson commits a further 50,000 US troops to the conflict in Vietnam, increasing the military presence there to 125,000. Johnson says about the increase, "I do not find it easy to send the flower of our youth... into battle."
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