French artist Jacques Puiseux spins us round with his pulp influenced vinyl art.
Pulp Intl. friend Jacques Puiseux staged a gallery show earlier this autumn and e-mailed over a few of his pulp influenced pieces. The exhibition was in Aup, a small town in the French Provence region, and Jacques' trompe l’œil pin-ups mimicking vinyl records managed to draw the attention of local feminists, female and male, who staged a protest concerning objectification of the female body. Apparently, they compared his work to the famed Pirelli calendars and said Jacques was almost as bad as Donald Trump.
Pulp Intl. would doubtless likewise be labeled sexist by these particular protesters, but of course a pulp history website could hardly fail to be. We would simply suggest that appreciation for beauty, whether male or female, is not inherently exploitative. While many feminists are actually quite vocal in their appreciation of beauty and sex (personified by the new wave of woman centered porn websites), a subset seem to believe that any male expression of appreciation for female beauty is a form of violence.
As we've mentioned before, since 99.9% of humans came into being through an act of sex, and sex drives our existence, biologically speaking, it follows that it's unreasonable to expect it not to be on people's minds much of the time. We're all wired that way. And since it is on people's minds, those thoughts and desires will be expressed. We agree there's a best and worst way to do it, and that a refusal should be taken at face value, and that safety is paramount, but we disagree that any expression of sexual interest by an unknown male toward a unknown female is wrong.
The feminist cause is right and moral, but we don't imagine the coming world as one in which women are never looked at by unknown men as sexual beings, or approached by unknown men at bars or parties, or complimented on their beauty by unknown men. We imagine a world in which those things happen and it goes only as far as a woman's consent permits. That might be no farther than a few exchanged words, but conversely it might go all the way to someone's bed for a lovely night. Doesn't that sound like a fun world?
Jacques, we think, would agree. He's a guy who thinks women are beautiful and that interest comes out in his art, as it has for countless other artists and always will. He also likes pulp, et voilà—what you get is what he's done above and below. We really like these, and they fit nicely into our conception of modern pulp. You can see a few more Puiseux pulp stylings at this link, and feel free to check out more of his record-like creations at the tumblr page Vinyles Passion.
French painter Jacques Puiseux returns with another batch of pulp influenced contemporary art.
Last year we shared some unusual pulp influenced crate paintings from a French artist named Jacques Puiseux, and this morning we received more scans of his Marxist themed pieces via email. Last time we shared Puiseux’s work, we mentioned that we avoid posting modern art, and that’s true, but we didn’t want to leave you with the impression that we find it inferior to vintage art (if that were true we wouldn't bother to have a "Modern Pulp" category on the website). What we find inferior is modern promotional art—e.g., book covers, movie posters and the like. And obviously we find modern movies inferior, but then who doesn’t? However modern fine art is something we very much like, and more to the point, we like the relationship it has to the viewer. We aren’t art majors or anything, so bear with us while we try to explain ourselves.
When it comes to classic art all the hard work is already done for you by the time you see it. You can go see Picasso’s blue portraits or Monet’s lilies or any run-of-the-mill Diego Rivera and know before you see it that you’re about to experience great art. But with contemporary art the viewer plays a role in deciding its ultimate worth. Certainly gallerists and museum curators have plenty of say, but the public is extremely important, and its influence can cut both ways. Sometimes, the public is wrong, as in the case of artists that never sold anything while alive, but whose flames were kept burning by critics and experts, eventually leading to a reevaluation of the work. Conversely, sometimes art is critically dismissed, but sustained public support brings about a reevaluation. That’s almost a description of the entire field of pulp art.
So, while we glorify vintage art on this website, and in the case of promotional art we don’t think there’s any possible doubt that 99% of today’s efforts are just lame (maybe they should try letting actual artists do the work), we do like contemporary art, which means that when Jacques Puiseux sends us something that exhibits such a strong pulp influence we feel like we might as well throw it out there for you to have a gander at. It’s different from looking at a famous artist’s work—in this case, you actually have a say. And that’s the beauty of contemporary art. So at top is a piece featuring Leon Trotsky called “Embrouille à Tijuana,” just below is our favorite, “Fidèle-au-poste,” and under that are four more interesting efforts, including the last—“Tsar bomba.” For some context on that one, go here. Enjoy.
French artist Jacques Puiseux shares a few of his pulp influenced crate paintings.
We don’t usually feature contemporary art on Pulp Intl., but when French painter Jacques Puiseux pointed out to us that there were some pulp elements in his work, we thought he was right. He described them as Marxist pulp, which is interesting, however we did not discuss his meaning or intent beyond that short description, which means you’ll have to interpret them however you want. The one above is called “La Veuve Mao,” which translates as “Mao’s Widow,” and the two below are “Lady Gargarine” and “Playmate Stalingrad.” All were painted on pieces of wooden crates, and there are more at the artist’s Tumblr page here.
The headlines that mattered yesteryear.
1981—Ronnie Biggs Rescued After Kidnapping
Fugitive thief Ronnie Biggs, a British citizen who was a member of the gang that pulled off the Great Train Robbery, is rescued by police in Barbados after being kidnapped. Biggs had been abducted a week earlier from a bar in Rio de Janeiro, Brazil by members of a British security firm. Upon release he was returned to Brazil and continued to be a fugitive from British justice.
2011—Elizabeth Taylor Dies
American actress Elizabeth Taylor, whose career began at age 12 when she starred in National Velvet
, and who would eventually be nominated for five Academy Awards as best actress and win for Butterfield 8
and Who's Afraid of Virginia Woolf?
of congestive heart failure in Los Angeles. During her life she had been hospitalized more than 70 times.
1963—Profumo Denies Affair
In England, the Secretary of State for War, John Profumo, denies any impropriety with showgirl Christine Keeler and threatens to sue anyone repeating the allegations. The accusations involve not just infidelity, but the possibility acquaintances of Keeler might be trying to ply Profumo for nuclear secrets. In June, Profumo finally resigns from the government after confessing his sexual involvement with Keeler
and admitting he lied to parliament.
1978—Karl Wallenda Falls to His Death
World famous German daredevil and high-wire walker Karl Wallenda, founder of the acrobatic troupe The Flying Wallendas, falls to his death attempting to walk on a cable strung between the two towers of the Condado Plaza Hotel in San Juan, Puerto Rico. Wallenda is seventy-three years old at the time, but it is a 30 mph wind, rather than age, that is generally blamed for sending him from the wire.
2006—Swedish Spy Stig Wennerstrom Dies
Swedish air force colonel Stig Wennerström, who had been convicted in the 1970s of passing Swedish, U.S. and NATO secrets to the Soviet Union over the course of fifteen years, dies in an old age home at the age of ninety-nine. The Wennerström affair, as some called it, was at the time one of the biggest scandals
of the Cold War.
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