Vintage Pulp May 8 2018
DRUMMING UP SUPPORT
For the last time! I gave all my spare change to the guy who pretends he's a statue!


Drum circles always end up sounding exactly the same. And we say that with respect, since both of us here at Pulp Intl. are what you'd call professional drummers. No joke. It's sort of how we met. During that auspicious encounter BB said to me, “Other drummers hate me.” Me: “Why is that?” BB: “Because I'm better than them.” True story. Charlotte Jay's thriller Beat Not the Bones marches to the beat of a different drummer. The novel, which first appeared in 1952 and in the above Avon paperback edition in 1955, involves a sheltered Australian woman who ventures to the fictional New Guinean town of Marapai to prove her husband, who worked there as a government anthropologist, was a murder victim rather than a suicide. The book was well received and won Jay, aka Geraldine Halls, the inaugural Edgar Award for best mystery novel of the year.

Our expectations, in that case, were high. But were they perhaps a bit too high? Jay's prose is evocative and the setting is fascinating, but the heroine of Beat Not the Bones, tender young Emma Warwick, tries the patience just a little as she sort of gasps, swoons, and palpitates her way toward the answer she seeks. Was her husband murdered because he refused to approve the application for a gold claim? Is there a more sinister plot afoot? She can only know by embarking on a journey to the country's steamy interior. This trip into the heart of darkness, the dramatic crux of the book, doesn't begin until more than three quarters of the way through. But we knew it was imminent, and that made us impatient. Just get to the jungle journey! Beat not the bones! Get to trekkin' already! Well, Emma gets there eventually.

As she draws closer to the center of the mystery she grows emotionally stronger, hindered by some and helped by others, particularly a local acquaintance named Hitolo who works for the state but still has jungle roots. This is the type of novel where grown Papuan men like Hitolo are all “boy,” rampaging predatory colonialism is “opening up the country,” and colonials are under the delusion that their presence is helpful to the locals. But Jay, the omniscient voice of the narrator, makes clear that none of these beliefs are true. While the question among the characters is whether the very environment corrupts white men, the suggestion made by the author is that the corruption is not found there, but brought there, stowed away in the colonials' own souls.

To put a finer point on it, what truly corrupts colonials is the blatantly evil act of stealing native people's past by destroying their traditions and beliefs, and also stealing their future by taking possession of everything that holds value in the modern world that awaits them. In the face of such a robbery that leaves its victims doubly impoverished all justifications are hollow; they're a farce, winkingly acted out as cover for a greedy rampage. But we anthropologize. The jungle journey is the key to this book, and whether you like it depends on whether you consider that section worth the wait. Like your average drum circle Beat Not the Bones could have been more varied, more streamlined, more nimble, but when the end comes it's with a thunderous crescendo and a sense of waking from a dream.

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Vintage Pulp Dec 18 2015
WESTERN FRONT
It's ironic they call this place the O.K. Corral, because things have not gone well since I came in here.


Above, Stag magazine published December 1957, with an uncredited cover and interior art from James Bama, Emile C. Shurmacher, Jay Smith, Charles Copeland, Jim Bentley, Lou Marchetti, and Mel Crair. We checked the auction sites this morning and saw this issue going for twenty dollars minimum, so we're feeling pretty smart because we got ours for four bucks. Probably the most interesting story is Bill Wharton's “Brother Chalmers,” about a pompous white missionary in Papua New Guinea who has very little in the way of morals. But it has a happy ending—he gets his brains bashed out. 

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History Rewind
The headlines that mattered yesteryear.
October 22
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
October 21
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
October 20
1947—HUAC Hearings Begin
The House Un-American Activities Committee begins its investigation into Communist infiltration of Hollywood, resulting in a witch hunt that destroys lives, ruins careers, and makes Senator Joseph McCarthy the most feared politician of the era.
1968—Jackie Kennedy Marries
Former First Lady Jacqueline Kennedy marries Greek shipping tycoon Aristotle Onassis. The marriage comes as a total surprise to the American public, and results in a terrible backlash against her and also makes her the number one target of paparazzi for years.
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