Vintage Pulp May 10 2016
FEAR AND MALAYS
Southeast Asia escape epic features murder, sex and everything between.


This issue of Male magazine published this month in 1958 features James Bama cover art illustrating Richard Farrington's story “The Incredible 'Blood and Bamboo' Escape,” which is the true tale of Dutchman Klaus van Tronk's flight from a Japanese internment camp in Malaysia during World War II. The story is a book-length special, and one of the more harrowing and interesting details involves one of the prisoners being tied spread-eagled on a bamboo mat elevated six inches above the ground. Beneath the mat were living bamboo shoots. As Farrington tells it (via van Tronk's account), “The shoots are tough, the tips as sharp as honed steel, and they can push through a plank floor [two inches thick]. They grow rapidly in the Pacific sun, about six inches on a good hot day. It had been a hot day.” When van Tronk's work detail came back that evening from a long grind of slave labor in the jungle the bound man already had bamboo shoots growing through his chest, and was still alive, screaming.

We did a verification check on this arcane torture and found that no cases confirmed to scholarly standards exist, but that it is well known in Asia, and experiments on substances approximating the density of human flesh have shown that it would work. As little as forty-eight hours would be needed to penetrate an entire body. Fascinating stuff, but what you really want to know in terms of veracity is whether scantily clad women helped the escapees paddle to freedom like in Bama's cover art, right? Well, this depiction is actually a completely accurate representation of what van Tronk described, or at least what biographer Farrington claims van Tronk described. The women were the daughters of a sympathetic Malay farmer, and indeed they wore virtually nothing, and were considered quite beautiful by the prisoners, save for the minor detail of having red teeth from the local tradition of chewing betel nuts.
 
The risk taken by these women was extraordinary. Other women who had helped van Tronk and his companions during their months-long odyssey were tortured and raped, and at one point a village was machine-gunned. Why would these Malays take up the foreigners' cause if the risks were so high? Van Tronk attributes it to a cultural requirement to help strangers in need, but we'd note that people have taken these sorts of risks everywhere, cultural norms or no. Often the suffering of others simply brings out the best in people. A historical check on Klaus van Tronk turned up nothing, though, so maybe the entire true story is a piece of fiction. If so, it's a very good one. We have some scans below with art by John Kuller, Joe Little, Al Rossi, Mort Kunstler, and Bruce Minney, and more issues of Male magazine at the keywords.

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Vintage Pulp Apr 22 2016
MALE PRIVILEGE
They reserve the right to kill everything in sight.


It's murder and mayhem in this issue of Male published this month in 1958. The carnage and gunplay span the Wild West era to World War II, and France to Xinjiang, China, with cheesecake model Diana Crawford thrown in to break up the monotony. The cover is an atypical effort from George Gross, and the interior art is by the always excellent Charles Copeland, along with Brendon Lynch, John Leone, Arthur De Kuh, and others. Looking for more Male? Click here. Or here.

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Vintage Pulp Apr 13 2016
ALPHA DOG
He probably smells your cat on you. Just scratch him behind the ear. He loves that.

Above are the cover and some interior scans from Adam, published April 1977, the forty-fifth issue of this great Australian magazine we've shared here on Pulp Intl. This one has yet another story from Mike Rader. We can't imagine there's much more of his output to be found, but we'll find out—we have more than twenty more examples of Adam to show you. The previous forty-four issues we've looked at are all buried inside the website but you can find them by using the search box or clicking the keywords below.

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Vintage Pulp Apr 6 2016
ONCE UPON A CRIME
Getting carried away south of the border.


Above, a very nice cover of Mundo Policiaco, which means “police world,” and was an obscure Mexican true crime magazine. All the examples we've seen look basically like this, though rendered by different artists, all unknown to us. In this case it's someone signing as “AZ.” This issue hit newsstands today in 1964.

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Vintage Pulp Mar 26 2016
ADVENTURE'S END
The last dangerous days.


Above, the cover and assorted interior scans from Man's Adventure of March 1971, a later issue with a cover seemingly put together from two separate pieces of art, both uncredited. We've seen no issues of this magazine dated later than above, so we're thinking it went under around this time. Normally these magazines increased their focus on nude models as they neared the end, but this one seems to keep the normal ratio, as editors offer up skin and sin, but substantially more literary fact and fiction. Interestingly there are no cartoons. Probably the cartoonists were ditched to save money. On another note, did you see the truly tragic instance of ’70s male fashion in the Eleganza ad? What can you say about something like that but wow? See a previous issue of Man's Adventure here.

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Vintage Pulp Feb 28 2016
KEEPING IT SHORT
The sun (almost) never set on Short Stories magazine.

We last wrote about Short Stories in December 2008 and said we’d get back to it soon. Seven-plus years? That’s about par for us. That last post was five covers from the British edition of the magazine, which lasted from 1920 to 1959. The covers here, featuring the familiar red sun motif or clever variations thereof, are from British and American editions. 


 
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Vintage Pulp Feb 15 2016
SPLITTING ADAMS
Getting down to the fine details.


Two issues of Adam to share—one from Australia and one from the U.S.—proved too much work for one day, so we posted Aussie Adam yesterday, and today we’re on to the American Adam. These magazines have no relationship to each other apart from coincidentally sharing a name. U.S. Adam relies on photo covers rather than painted art, shows a dedication to cheesecake photography that far outstrips its Australian cousin, and also has less fiction. However, what fiction it does offer extends beyond Aussie Adam’s adventure and crime focus, such as the short piece from counterculture icon Harlan Ellison called, “The Late Great Arnie Draper.” We’ve scanned and shared the entirety of that below if you’re in a reading mood. The striking cover model here goes by the name Lorrie Lewis, and inside you get burlesque dancer Sophie Rieu, who performed for years at the nightclub Le Sexy in Paris, legendary jazzman Charles Mingus, and many celebs such as Jane Fonda, Claudia Cardinale, Sharon Tate, and the Rolling Stones. There’s also a feature on the Dean Martin movie Murderer’s Row, with Ann-Margret doing a little dancing, and blonde stunner Camilla Sparv demonstrating how to properly rock a striped crop-top. We managed to put up more than forty scans, which makes this an ideal timewaster for a Monday. Enjoy.

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Vintage Pulp Feb 14 2016
THE BERN ULTIMATUM
Get your filthy mitts off her this instant! I told you before—under my rules everybody gets a piece!

This issue of Adam was published this month in 1977. It has a nice cover featuring a tussle on the Hudson River with New York City in the background, and Bernie Sanders looking very pissed off. And really who can blame him? This situation is inherently unequal and there’s no need for it because, clearly, there’s more than enough to go around. The story being illustrated here is Mike Rader’s “The Man They Killed at the Waldorf,” about a murder plot with national security implications. This is probably one of the last stories he published in the magazine, and it’s certainly one of his most fanciful, involving a weather control device, a kindly professor, Russian spies, and a murderous femme fatale. Also in this issue you get the usual assortment of great illustrations and pretty models. The final photo feature is called “Irish Eyes,” and for some reason we prefer that last shot upside-down, maybe because there’s a Dorian Gray sort of weirdness to it. Scroll to see what we mean. Go on—Bernie would want you to.

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The Naked City Feb 2 2016
FINE LINE-UP
Packed with mysteries inside and out.


Line-Up Crime Detective offers up a nice slate of true crime stories in this February 1952 issue, but the real crime here is that the cover art is uncredited. Curse you, lax editors at Astro Distributing Corp. Who could this artist be? We don’t think it’s George Gross—he generally liked women to have high, elegantly arched eyebrows. It could be the same artist that did this piece, posted at Sweetheart Sinner. The similarities are many, from the lacy outfit to the basic composition and perspective, but that piece is uncredited too. So the provenance of the above cover will remain a mystery for now. The inside content is also a bit of a mystery because it was posed by models. Did we mention that someone really needs to delve into the subject of crime magazine models? Not us, though. Please not us. Twenty scans below.

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Vintage Pulp Jan 24 2016
WINDOW SHOPPING
When Hollywood fleshed out source material it often changed the flesh tones too.


Just a bit more on Rear Window today. The movie was based on Cornell Woolrich's story "It Had To Be Murder," which appeared in Dime Detective Magazine of February 1942. As might be expected story and film are substantially different. Lisa Fremont doesn't exist at all and neither does the insurance company nurse Stella. They were both derived from one character—a valet named Sam who does all the hard work while Jeffries watches from his wheelchair. The relationship between these two is warm, but with strong overtones of status and race, with Jeffries at one point showing his pleasure with Sam by saying, "Go and build yourself a great big two-story whisky punch; you’re as close to white as you’ll ever be." Screenplay choices are always interesting, and we can see the addition of Grace Kelly's Fremont character making sense (though this being Hitchcock, he'd have put a blonde in the movie no matter what, since they represented a fantasy woman for him), but we wish Stella had been left out and Sam kept intact. We understand that changing Jeffries into a rogue photographer from a rich Manhattanite meant taking away his valet, but Sam could have been transformed into the insurance company employee. But that's just our opinion. You can decide for yourself by reading or downloading "It Had To Be Murder" yourself at this link. It's well worth the time.

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History Rewind
The headlines that mattered yesteryear.
May 24
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
May 23
1934—Bonnie and Clyde Are Shot To Death
Outlaws Bonnie Parker and Clyde Barrow, who traveled the central United States during the Great Depression robbing banks, stores and gas stations, are ambushed and shot to death in Louisiana by a posse of six law officers. Officially, the autopsy report lists seventeen separate entrance wounds on Barrow and twenty-six on Parker, including several head shots on each. So numerous are the bullet holes that an undertaker claims to have difficulty embalming the bodies because they won't hold the embalming fluid.
May 22
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.

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