|Vintage Pulp||Mar 22 2019|
So in The Thin Man Hammett was portraying Nick Charles not as the upper crust dilettante William Powell made famous in the film version, but as a tough guy outsider. People are a bit afraid of him. Filmgoers were definitely not afraid of pencil mustached William Powell. Hammett wanted the written Charles to possess street cred, to be a person who had been places and seen things others had not. Hammett was going for a different type of detective in more ways than merely his drinking habits. Charles' maverick role is just a little extra flavor in an already entertaining novel. The actual mystery is difficult to follow, but even so we highly recommend this if you haven't read it.
|Vintage Pulp||Mar 21 2019|
Mitchell Hooks handles the cover work on this Gold Medal edition of the 1957 Tarn Scott thriller Don't Let Her Die. The book concerns a well connected prison inmate who uses his outside-the-walls contacts to kidnap the warden's daughter and maneuver for a pardon in exchange for her life. We say maneuver rather than demand because the convict keeps deniability throughout, claiming to know nothing even as the warden daily receives anonymous ultimatums, with a little extra motivation provided by photos of his terrified daughter nude. The warden caves pretty quickly, appeals to the governor for the pardon, is refused, and that's where things get interesting. There's more grit than usual here, but certain lines will not be crossed, and the reader is well aware of that, despite all the menace injected into the prose. Even so, Scott—a pseudonym used by Walter Szot and Peter G. Tarnor—certainly showed promise. Sadly, the pairing only produced a few books.
|Vintage Pulp||Mar 20 2019|
This is an interesting cover for the 1962 novel Sweet Smell of Lust by Arnold Marmor, with its mirror perspective and extra large Oscar standing on the bureau. Basically, it's the story of two women vying for the same plum film role. One woman is older, desperate, and ruthless enough to pull dirty tricks for the role, while the other is young and naive to the point that she'll do whatever she's asked, even if it means ending up on her back. There's something in the air indeed—pheromones. Agents, directors, criminals, hardcore partiers, and the obligatory oversexed lesbian round out the cast. There are numerous vintage books in this Hollwood sleaze category, so many that the genre cries out for a cover collection. Maybe we'll put one together.
|Vintage Pulp||Mar 16 2019|
Senta Berger makes a second appearance on a Horwitz Publications paperback cover, this time for Carter Brown's Murder Is My Mistress. We showed you the Horwitz cover for Brown's Swan Song for a Siren a while back. That actually came second of the pair and was numbered 34 in the company's Reprint by Demand series. The above is number 19 and was published in 1960. We found it on the Nick Carter & Carter Brown blog, which is a stop you should make if you want to know everything about Brown. Anyway, we've been discussing these Horwitz paperbacks for a while because of their celebrity covers. In using Berger twice the publisher chose well.
|Vintage Pulp||Mar 14 2019|
|Vintage Pulp||Mar 12 2019|
|Vintage Pulp||Mar 11 2019|
We just wrote about a French werewolf novel—The Werewolf of Paris by Guy Endore—and now we've come across Les loups de la violence by Michael Shiofy. Some sources claim this was written by Belgian author Guy de Wargny under a pseudonym, but it's actually a 1966 reprint of a 1965 Italian novel called La dama dei lupi, which was written by Harry Small, a pseudonym used by Mario Penzauti. Yes, it's always complicated with these European books. It was published in France by Éditions Bel Air and was part of its Les Adventures de Dracula line, a twelve book series that featured all kinds of monsters, but not Dracula, strangely. However a vampire did star in entry nine, Frank Graegorius's Le vampire de la pleine lune, so that counts, we guess. We haven't read this. If it's as good as The Werewolf of Paris we'd be shocked. But the cover is comparable, we think. It was painted by James Hodges, whose artistic virtues we've extolled before. To see him at his best we suggest you check here and here.
|Vintage Pulp||Mar 9 2019|
They Died Healthy is a great title for a western. Logan Stewart was actually a pseudonym for an author named Les Savage, which we think is a far better name for a writer of westerns than Logan anything. Stewart/Savage authored more than twenty books and something like ninety published stories before dying young at age thirty-five. Was he gunned down healthy? Not so much— he was in poor health for a while due to diabetes and high cholesterol before succumbing to a heart attack. But his fiction lives on. He's considered by many to be one of the better western writers of his day. They Died Healthy is copyright 1951 with art by unknown.
|Vintage Pulp||Mar 6 2019|
This post was long overdue. Most pulp oriented websites do a collection of covers that have the word wanton in the title, so we're following suit. Basically because we couldn't think of anything else to do today. Numerous examples below. Enjoy.
|Vintage Pulp||Mar 5 2019|
Donald Hamilton's 1965 novel Assassins Have Starry Eyes was originally published in 1956 as Assignment: Murder. This could have been better. The lead character here, Dr. James Gregory, is a tough-guy physicist who sits so much he “wears his pants shiny,” yet has no problem physically outmatching adversaries in various deadly situations. We'll buy it, since the author asks it, but there's another issue with Dr. Gregory—he's a dick, all the more so as the narrative wears on.
Some sharp edges are to be expected, since people are trying to kill him—possibly due to his involvement in a government project tasked with creating an atomic super weapon—but he's snide and superior even in his interior dialogues and reminiscences. He especially hates peace protestors because they simply don't understand the need for world-threatening super weapons. Bah! Morons!
Books with difficult men are often fun, but it's clear Hamilton thinks he's writing Dr. Gregory not as an anti-hero, but as a no-nonsense everyman. The guy was impossible for us to like. We finished Assassins Have Starry Eyes mainly to see if he got his brains blown out. As for Hamilton, his writing is fine, so maybe he'll do better with a different character (like Matt Helm, who he's remembered for creating). We'll try one down the line.