|Vintage Pulp||Jul 29 2015|
Above and below, a July 1956 issue of Real Adventure magazine with uncredited art on the cover and throughout the issue. Inside you get model Peggy Ray, and a self-written feature by boxer Sandy Saddler in which he denies being a dirty fighter. The article includes a photo, which you see in panels three and four below, of Saddler mugging Willie Pep. That’s not the first appearance on Pulp Intl. for that image. Police Gazette featured it on one of its covers in February 1951 with a little photo-illustrative tweak. It’s worth glancing at and you can see it here.
Saddler won 144 bouts against only 16 losses, which would seem to indicate a considerable amount of talent. He retired in 1956, at the earlyish age of thirty, after he hurt his eye in a traffic accident. Afterward her became a trainer and counted among his clients a young George Foreman. He died in 2001 but was honored by The Ring magazine a couple of years later when editors ranked him as the fifth greatest puncher of all time. We have about twenty scans of Saddler, Pep, and others below.
|Vintage Pulp||Jul 28 2015|
Antonio Vera Ramirez’s aka Lou Carrigan’s Brigitte en Accion was first published by Rio de Janeiro based Editora Monterrey in 1965, but here you’re seeing covers from Barcelona based Editorial Bruguera. The artist was the same for both, though—Brazilian illustrator José Luiz Benicio, and his work is beautiful. The series features the adventures of Brigitte Montfort, nicknamed Baby, a CIA agent posing as a journalist and getting into all kinds of sticky situations during the Cold War. You can see a large collection of Brigitte en Accion covers at the website Bolsi Libros Bruguera.
|Vintage Pulp||Jul 27 2015|
|Vintage Pulp||Jul 25 2015|
The Smell of Murder has nothing to do with bodily fluids, but when we see yellow liquid in a test tube that’s where our minds go. Especially after a couple of nights in Magaluf, hereafter referred to as Malagoof, where the streets run with liquid gold. The rest of Mallorca, however, was very nice. The Smell of Murder is a mystery with a gangland focus and a secondary character who works for a perfume company—hence the test tubes. That character, interestingly, is named Grace Allen and is based upon the famous comedienne. Her Vaudeville partner George Burns appears too—he’s the owner of the perfume company. 1938 publication date, plenty of reviews online, unknown cover artist.
|Vintage Pulp||Jul 17 2015|
We have another collection today as we prepare to jet away on vacation with the girls. Since the place we’re going is known for rowdy British tourists (what place isn’t known for that?), we thought we’d feature some of the numerous paperback covers featuring fights. You’ll notice, as with our last collection, the preponderance of French books. Parisian publishers loved this theme. The difference, as opposed to American publishers, is that you almost never saw women actually being hit on French covers (we’d almost go so far as to say it never happened, but we’ve obviously not seen every French paperback ever printed). The French preferred man-on-man violence, and when women were involved, they were either acquitting themselves nicely, or often winning via the use of sharp or blunt instruments.
Violence against women is and has always been a serious problem in the real world, but we’re just looking at products of the imagination here, which themselves represent products of the imagination known as fiction. Content-wise, mid-century authors generally frowned upon violence toward women even if they wrote it into their novels. Conversely, the cover art, stripped of literary context, seemed to glorify it. Since cover art is designed to entice readers, there’s a valid discussion here about why anti-woman violence was deemed attractive on mid-century paperback fronts, and whether its disappearance indicates an understanding of its wrongness, or merely a cynical realization that it can no longer be shown without consequences. We have another fighting cover here, and you may also want to check out our western brawls here.
|Vintage Pulp||Jul 15 2015|
Remember those alpha covers we talked about in the past? This one can be added to that group. It’s a decidedly threatening tableau, and with the extra element of a tool taking on the role of phallic symbol. Robert Bonfils was behind this one, 1965, for Greenleaf Classics/Leisure.
|Vintage Pulp||Jul 13 2015|
If you run Spelen op het strand through the trusty ole translator you come up with “Playing on the Beach.” That doesn’t seem to match the front of this paperback at all, does it? Well, it doesn’t matter, because the art is great—it’s signed, but unreadable, so we can’t tell you who did it. But we can tell you Spelen op het strand is part of the Sexpress collection from Rotterdam, Netherlands based publisher De Vrije Pers, and it appeared in 1967. We’ll post more of these interesting Sexpress covers down the line.
|Vintage Pulp||Jul 11 2015|
Above is a very nice uncredited cover for L’homme san nom, aka The Man Who Was Nobody, written by Edgar Wallace in 1927 and republished by Hatchette as an entry in its Collection L’énigme, or Enigma Collection, 1940. The main character here isn’t the homme—this is actually part of a series starring Wallace’s crime solving creation Marjorie Steadman. It was later made into an episode of the television series The Edgar Wallace Mystery Theatre.
|Vintage Pulp||Jul 10 2015|
Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts. French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover. We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy.
|Vintage Pulp||Jul 8 2015|
In honor of Wimbledon, here’s a Horwitz cover for 1964’s The Love Game by Donald Hann. We had to search far and wide for a good tennis cover, but finally found this one at a webpage maintained by New Zealand’s University of Otago, which also has many other covers worth viewing. Donald Hann was a pseudonym belonging to author Ken Macauley, and the art here is uncredited.