Vintage Pulp Nov 27 2014
FIRE AND VICE
In the heat of the moment anything can happen.

Above, front and rear cover art for A.A. Marcus’s Make Way for Murder, 1955. This was the first of four books in a series about private eye Peter Hunter. You can get a sense of what it’s about from the rear text. As for the artist, we checked a Graphic Books catalog, and of the 127 books they published Make Way for Murder is one of only a handful for which they don’t list artist information. At which point we thought what a shame, because he/she deserves recognition for this fiery tableau. And then we saw Barye Phillips’ signature. Front cover, lower left. Hey, we never claimed to be observant. As for why Graphic Publishing seemed to have missed it, no idea. 

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Reader Pulp Nov 23 2014
DEAD SET
Got room for one more corpse?


Guys, when I saw this cover I remembered your collection of pulps with women who’d died in bed. This is a worthy addition, I think. Her eyes aren’t open but the pose is exactly the same. Harry Schaare did the art. Amazing stuff on the site this week, by the way. Have no idea how you do it.
 
Submitted by Peter B.

Thanks, Peter. This is twice now you’ve added to one of our collections. You totally saved us from having to come up with a book post today, and we’re going to use the extra time wisely by getting into a cold white wine. Keep visiting. More good stuff to come.

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Vintage Pulp Nov 21 2014
LITTLE PEOPLE, BIG WOODS
She really isn’t dressed for this, but luckily neither is he

Andrew Garve’s The End of the Track was published in 1955, with this Berkeley Books paperback appearing in 1958. Garve, who was actually British author Paul Winterton and also wrote as Roger Bax and Paul Somers, livens up the thriller formula a bit here by pitting a forest ranger and his wife against two blackmailers, then mixing in a wilderness blaze that kills one villain but leaves the other missing. When police suspect the ranger of incinerating the blackmailer intentionally, he’s suddenly the focus of a murder investigation even as the other crook needs to be dealt with. The stunning, almost sepia toned art here brings to mind the infamous Slenderman, don't you think? It's uncredited—a crime in itself.

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Vintage Pulp Nov 17 2014
LAND OF 1,000 DANCES
Notice how the guy goes from an early, enthusiastic attempt to glumly watching from the sideline—that’s how it works for us too.


We’ve seen these paperback covers in different places around the internet and thought they’d make an interesting collective post showing the progression of their dance-themed covers. The first is from 1950 with art by Rudolph Belarski, the next is from an unknown who nonetheless painted a nice rear cover as well, and the last is from Harry Shaare. Macamba concerns a group of characters in Curaçao, and how one in particular struggles to deal with his biracial background as he grows to manhood. He first tries to become a witch doctor, then excels at conventional learning in university, and eventually ships off to World War II and becomes a hero. Returning home, he has many romances and seeks to find his place in the world. You may wonder if there’s any actual dancing in the book, and indeed there is—the main character watches a performance of the tamboe or tambú, a native dance and music that the Dutch colonizers of Curaçao had made illegal.  

Lilla Van Saher captures certain aspects of indigenous culture in Curaçao, even sprinkling the dialogue with some Papiamento, but the book is not derived directly from her personal experiences. She was born Lilla Alexander in Budapest, lived an upper class life, modeled, acted in French fims, married a Dutch lawyer named August Edward Van Saher, and through him was introduced to Dutch culture and its island possessions. During her first trip to Curaçao she claims to have been imprisoned by natives in a church because they thought she was a local saint.

In private life, she was a close friend of Tennessee Williams, traveling with him aboard the S.S. Queen Federica in the early 1950s, entertaining him in New York City, and accompanying him during a press junket of Sweden, acting almost as an agent and introducing him to the upper crust of Stockholm, where she was well known. During this time she was Lilla van Saher-Riwkin, and often appears by that name in biographies of Williams as part of his retinue of admirers and associates, though not always in a flattering light. Later she did what many globetrotting dilletantes do—published a cookbook. Hers was called Exotic Cooking, which is as good a description of Macamba as we can imagine.

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Vintage Pulp Nov 15 2014
HANG UP YOUR TROUBLES
A silk sash, a tight knot, and gravity equal suicide. Or do they equal murder?

Above you see the cover of British author James Hadley Chase’s 1953 revenge thriller I’ll Bury My Dead. It has what we consider unusually downbeat art, but with the body count in the story being so high maybe that’s to be expected. Basically, a shady P.I. dies of an apparent gun suicide, but his brother is convinced it’s murder and decides to investigate. He ends up uncovering a blackmail racket, getting on the wrong side of the police, and being connected to more corpses, including that of his brother’s wife, depicted in George Erickson’s cover art. Were these murders or suicides? This book was savagely reviewed for the most part but was reprinted as recently as 2009, which goes to show that pulp is critic proof. 

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Vintage Pulp Nov 11 2014
MO BETTER BLUES
For a lonely boy he sure has plenty of company.

Awesome cover art here for Alan Kapelner’s proto-beat novel Lonely Boy Blues, originally published in 1944 and dealing with a cast of NYC oddballs during the 1930s and leading into World War II. By proto-beat we mean it was a precursor to Kerouac and the like—verbally experimental, trying to capture with its prose the rhythm of jazz and bop. It was panned in its day but seems to be enjoying a bit of a revival. The person responsible for this masterpiece of a cover for Lion Books' 1956 re-issue is Arthur Sussman. 

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Vintage Pulp Nov 10 2014
LOVE'S LABOR LOST
This is a mean old world, baby, to live in all by yourself.

Above, the cover of Gli Amante Perduti, which means “the lost lover,” published 1962 by Grandi Edizioni Internazionali. The author, Horace Robinson, was in reality the prolific Maria Luisa Piazza, and the evocative cover art, showing a woman distressed and alone against a backdrop of blackness, is by the incomparable Benedetto Caroselli.

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Vintage Pulp Nov 10 2014
TOP HAT, WHITE TIE, AND TAIL
Under the circumstances you’d be singing too.

Maurice Dekobra’s Bedroom Eyes was originally published in 1932 as La biche aux yeux cernés (which means “doe eyes identified”), and this retitled Novel Library paperback appeared in 1949 with excellent Peter Driben cover art of a nightgown-clad temptress. We can’t see her companion, but he’s left a top hat, cane and gloves in view. We think it’s Fred Astaire. Like his song from that era goes, “I just got an invitation through the mails: Your presence requested this evening. It’s formal—a top hat, a white tie, and tail…” Or, er, tails.

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Vintage Pulp Nov 7 2014
UPSKIRTING THE ISSUE
Actually, from my perspective, I’m enjoying this just as much as if you'd taken your dress off.

Above, the cover of Al James’ Born for Sin, 1960, from Nightstand Books. James was aka Al James Hjerstedt, the son of writer Day Keene, who was born Gunard Hjerstedt. Harold McCauley art on this.

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Vintage Pulp Nov 5 2014
SPEED THRILLS
Oh boy, when you go really fast I feel it right here in my loins! Do it again!

Yet another subset of post-pulp literature was the hot-rod or racing novel. Henry Gregor Felsen made them his specialty and cranked out at least six books on the subject, but many other authors tackled the genre also. Above and below we have a collection of twenty covers with racing themes, with art by Harry Schaare, et.al. A few of these came from the racing forum theroaringseason.com, so thanks to the original uploader.

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History Rewind
The headlines that mattered yesteryear.
November 28
1942—Nightclub Fire Kills Hundreds
In Boston, Massachusetts, a fire in the fashionable Cocoanut Grove nightclub kills 492 people. Patrons were unable to escape when the fire began because the exits immediately became blocked with panicked people, and other possible exits were welded shut or boarded up. The fire led to a reform of fire codes and safety standards across the country, and the club's owner, Barney Welansky, who had boasted of his ties to the Mafia and to Boston Mayor Maurice J. Tobin, was eventually found guilty of involuntary manslaughter.
November 27
1934—Baby Face Nelson Killed
In the U.S., killer and bank robber Baby Face Nelson, aka Lester Joseph Gillis, dies in a shoot-out with the FBI in Barrington, Illinois. Nelson is shot nine times, but by walking directly into a barrage of gunfire manages to kill both of his FBI pursuers before dying himself.
November 26
1922—Egyptologists Enter Tut's Tomb
British Egyptologists Howard Carter and Lord Carnarvon become the first people to enter the tomb of Pharaoh Tutankhamun in over 3000 years. Though sometimes characterized as scholars, Carter and Carnarvon were primarily interested in riches, and cut up Tut's mummy to more easily obtain the jewels and gold affixed to him.

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