|Vintage Pulp||Feb 7 2016|
The cover art by Robert Bonfils makes The Passion Cache look like a western but it’s actually set in the present day, or at least 1968, which is when Don Bellmore, aka George H. White, wrote the book. It deals with two fraternity buddies who go looking for twenty-thousand dollars worth of Spanish gold in the mountains above El Paso, Texas. But this is sleaze fiction, not adventure fiction, so the quest for gold is really secondary to the main character Jud’s quest to do some prospecting between the thighs of his friend’s wife Viola, an Indian girl named Desert Rose, and an eager virgin/tomboy named Sally. He’s successful on all counts, multiple times. Does he eventually end up with the gold? No, but he ends up with Desert Rose, and that’s pretty much what these books are all about.
|Vintage Pulp||Feb 5 2016|
You ever get the feeling publishers sometimes used whatever art they had sitting around? You certainly would in the case of David Dortort's 1948 paperback Burial of the Fruit, which is a “gripping novel of youth in the slums.” A slum that had a nice expanse of wetlands and recreational boating, apparently. Yes, there's nature around Brooklyn, where the novel takes place and the anti-hero takes his sweetheart out there, but you'd think this was a rural saga if not for the cover blurb. Later editions had more appropriate art. The book tells the story of Honey Halpern—a male—who becomes the leader of a gang of killers for hire. Basically, it's the story of Murder, Inc., turned into fiction. This was Dortort's debut and it got rapturous reviews and earned him comparisons to some of the greatest contemporary authors alive. But he wrote only one other novel and never did become an immortal in the literary world. Instead he's remembered for creating the television show Bonanza. Maybe that isn't as respectable as being a master novelist, but we bet he made way more money. The cover artist here is Ann Cantor.
|Vintage Pulp||Feb 4 2016|
There's something special about how a great talent handles his instrument, right? It becomes an extension of him. A real virtuoso uses every technique in his repertoire—double and triple tonguing, lip trills, circular breathing, and of course quick valve water emptying—until it all comes together in one climactic crescendo. By the way, if you don't know what quick valve water emptying is, well child, you better ask somebody. In the past most players were men, but of late there are plenty of women who blow masterfully. The best often do dates in the legendary Trumpet City. That place is tops... Um, yeah. 1961 on this, with Robert Bonfils art.
|Vintage Pulp||Feb 3 2016|
|Vintage Pulp||Jan 29 2016|
Steve Harragan isn’t only the author of Side-Show Girl—he’s its main character. Harragan, aka Bart Carson, aka William Maconachie wrote eleven thrillers starring himself in two years, including Cuban Heel. Side-Show Girl is set at Coney Island and gives Harragan a murder to solve that pits him against deadly lions, a murderous strongman, the hall of mirrors, the dangerously high rollercoaster, etc. It was the first of the Harragan series, coming in 1952.
|Vintage Pulp||Jan 28 2016|
Based on a 1949 novel of the same name by Frederic Brown, Screaming Mimi stars Anita Ekberg as a traumatized burlesque dancer who can’t shake the memory of being attacked by a knife-wielding maniac. She’s committed to a mental institution, where her psychiatrist promptly falls in love with her and helps her escape and create a new identity. Now dancing at a club in Laguna Beach, California, she’s the hottest draw in the area and her former doctor is her lover and protector, but also smothers and dominates her. Can the anonymity last? Of course not.
Enter stage right an entitled horndog who won’t take no for an answer. After Ekberg survives another knife attack the horndog—who’s also a reporter—has all the justification he needs to dog Ekberg’s every step, and the doctor tries to protect her fake identity and keep her and the reporter from falling into bed together. Chances of success? Zero. Screaming Mimi is an interesting noir—it was fertile enough to serve as inspiration for Dario Argento’s L’uccello dalle piume di cristallo, aka The Bird with the Crystal Plumage—but its b-movie budget really shows and we think Philip Carey is miscast as the reporter/hero. Carey has no charm at all in this, which renders Ekberg’s interest in him unbelievable. But his performance will be a treat for patrons of the Noir City fest—most will probably remember him from his twenty-four-year stint as the repulsive Asa Buchanan on the soap opera One Life To Live.
|Vintage Pulp||Jan 28 2016|
Above, top notch cover art by Jacques Thibésart, aka Nik, for Jo Claver’s Bombe atomique à Port-Lyautey, which was published by Éditions Le Globe and Éditions Le Trotteur in 1956. Claver was aka Georges Claver-Peyre, and this particular book is Cold War intrigue and romance set in Morocco. See more fine Thibésart here and here.
|Vintage Pulp||Jan 26 2016|
“Mother. Daughter. They Both Wanted Him!” That sums up Myron Brinig’s 1950 novel No Marriage in Paradise about as neatly as possible. The mother, whose unlikely name is Alix, and the daughter, whose even more unlikely name is Duff, end up rivals for the mother’s latest younger boyfriend, an artist named Pete. When the daughter steals Pete and runs away to marry him that throws Alix, who had never had trouble attracting men, into an existential crisis. Best way to solve that? Another man. Despite the seeming sleaze elements here, Brinig was a serious writer, often discussed as part of a cohort of pre-World War II Jewish writers born in the U.S. who mined their parents’ or grandparents’ immigrant experiences for fiction. Brinig, who worked between 1929 and 1958, was also among the first to explore gay characters in American novels. The uncredited cover art for No Marriage in Paradise almost—but not quite—fits into our themed collection of artists and models. You can see that amusing group here.
|Vintage Pulp||Jan 24 2016|
Above, Fraternity Pet by Edward McCallin, 1968 for Midwood Books. Good girl Charlene has to spend the night in a fraternity house and the brothers teach her to get in touch with her inner freak. Seven years ago we downloaded text files and pdfs of 1,300 sleaze books and this was among them, but without artist info. If we had to guess we'd say it’s Al Wagner but do not quote us on that.
|Vintage Pulp||Jan 24 2016|
Just a bit more on Rear Window today. The movie was based on Cornell Woolrich's story "It Had To Be Murder," which appeared in Dime Detective Magazine of February 1942. As might be expected story and film are substantially different. Lisa Fremont doesn't exist at all and neither does the insurance company nurse Stella. They were both derived from one character—a valet named Sam who does all the hard work while Jeffries watches from his wheelchair. The relationship between these two is warm, but with strong overtones of status and race, with Jeffries at one point showing his pleasure with Sam by saying, "Go and build yourself a great big two-story whisky punch; you’re as close to white as you’ll ever be." Screenplay choices are always interesting, and we can see the addition of Grace Kelly's Fremont character making sense (though this being Hitchcock, he'd have put a blonde in the movie no matter what, since they represented a fantasy woman for him), but we wish Stella had been left out and Sam kept intact. We understand that changing Jeffries into a rogue photographer from a rich Manhattanite meant taking away his valet, but Sam could have been transformed into the insurance company employee. But that's just our opinion. You can decide for yourself by reading or downloading "It Had To Be Murder" yourself at this link. It's well worth the time.