|Vintage Pulp||Jan 18 2017|
Actually, this book has nothing to do with cousins, but the art spoke to us that way. Guess we've read too many Midwood sleaze novels. Ace Books is generally a bit more highbrow. The main character in 1957's Desire in the Ozarks is Shoog Dawkins, a happy-go-lucky hillbilly stereotype who, after some years of matrimony to his sweetheart Docey and the birth of a son, has his head turned by a girl named Genevy Trone. He's constitutionally unable to resist the basic pleasures of life, so trouble soon results. This was marketed as an authentic slice of rural life in the vein of Erskine Caldwell—unsuccessfully it seems, because though Steger authored numerous short stories, this seems to have been his/her only novel. Turning to the art, it's uncredited. We did a little digging and found that the original painting for this recently went up for auction and the sellers confirmed that it's unsigned. We figure if they can't identify the artist, nobody can, so this one will likely remain unattributed.
|Vintage Pulp||Jan 14 2017|
Above, a cover for Lesbian Gym from Brandon House, by Peggy Swenson, aka Richard Geis, copyright 1964. This one caught our eye because the Pulp Intl. girlfriends are always mocking the guys in their gym, whose apelike nature—so they tell us—emerges rather strongly there. We can't comment because we don't go to the gym. We do a bit of heavy lifting at the local bar, though. Good thing we're naturally skinny. A couple of sources attribute this cover to Fred Fixler, but we think they're wrong. Keep this in the uncredited bin.
|Vintage Pulp||Jan 13 2017|
It's a good thing the real world isn't like the worlds of pulp and mid-century crime fiction. In those realms, when a woman receives an unexpected visitor the result is often disastrous. Bad cops, evil crooks, ruthless blackmailers, lecherous uncles, and all sorts of nasty characters usually await on the other side of the door. Above and below you see a collection of mid-century paperback fronts showing those fraught moments just after a woman opens her door to trouble, or trouble takes matters into its own hands and busts its way in. Our recommendation: in the event of an unexpected knock just go out the window.
|Vintage Pulp||Jan 12 2017|
We finally picked up a new scanner and life is good again. You may have noticed the difference in recent uploads. No moire patterns. No weird rainbows. All clean. You may also have noticed the website looks a bit different. We were making some changes over the holidays and got caught in the middle, but we'll finish everything as soon as we can and get it all working properly again. We know, we know. We're really slow with this stuff. But we'll get there.
Meanwhile, today we have for your enjoyment an issue of Australia's Adam magazine, published this month in 1972 with a cover illustrating Martin Rudyard's tale “The Mafia Oil Stakes,” about an organized crime cartel trying to take over a group of Oklahoma oil fields. Most of the owners sell out, but one stubborn cuss refuses, and sabotage followed by violence soon results. The climactic fight takes place against the backdrop of an oil well conflagration. A femme fatale is at the root of all this craziness, and her name is Angela Fierce. Sometimes writers try a little too hard, don't they?
The inside cover star, just above, is Lois Mitchell, someone we've been meaning to feature. She was a popular glamour model during the ’70s, and appeared in copious amounts of high quality images shot by men's magazine contributors Ron Vogel, Edmund Leja, and others. The photo appearing here is new to the internet as far as we can tell. We have thirty-some scans of today's Adam, forty-eight other issues inside the website, and about thirty more we plan on sharing down the line.
|Vintage Pulp||Jan 11 2017|
Originally published in hardback in 1942, with this Red Circle paperback appearing in 1949, Leg Artist is the story of a model named Lee Martin who rises to the top of her profession only to be targeted by a con man and felled by the tabloid press. The title refers to the photographic arts but is also a double entendre, as a “leg artist” is mid-century slang for a man adept at picking up women. Harvey revisited this theme later with 1950's Leg-Art Virgin. Red Circle was part of a publishing group put together by U.S. publisher Martin Goodman, and some of these companies evolved into Timely Comics, which in turn morphed into Marvel Comics. The art for this cover is by unknown.
|Vintage Pulp||Jan 10 2017|
Give a girl a whip and you'll find out who's the boss. Luisita is about a Mexican girl living in nowheresville whose beauty brings her both opportunities and problems. After a run of bad luck in her home town she moves to Los Angeles and eventually lands a job in a massage parlor. There she learns how depraved men really are, but also how easy they are to manipulate, and of course she uses to this new knowledge to try and get herself a piece of the pie. Basically, it's one of those books that's supposed to expose a shocking subculture, but it has the added bonus of pretending to offer insights about an entire ethnic group. However, the racism subplots are probably accurate. Loomis later went on to write House of Deceit and The Marina Street Girls. The excellent art on this is by Robert Maguire and the copyright is 1954.
|Vintage Pulp||Jan 6 2017|
|Vintage Pulp||Jan 2 2017|
Eunice Sudak was a prolific author, but one whose bibliography is padded by numerous film novelizations, including X—The Man with the X-Ray Eyes and The Raven, after Roger Corman's tongue-in-cheek version of the Poe tale. One of her original pieces of fiction was 1966's The Ice Pick in Ollie Birk, a comedic romp about a widow forced to become a prostitute to survive. That concept is just ripe for humor, right? Almost writes itself. Anyway, the widow discovers the eponymous Ollie Birk dead on her living room sofa with her ice pick in his ear, and of course must extricate herself from this sticky situation. Who did it? Perhaps the rowdy Russians down the hall. The novel is notable for its beat slang, if not its technical merit, and the Lancer Books paperback is notable for its unusual cover art of the lead character Leona Trafalgar dancing with an ice pick in her mouth. We love this image, but it's uncredited, sadly.
|Vintage Pulp||Dec 31 2016|
Kathleen Sully's Canal in Moonlight was titled Bikka Road in the U.S., and concerns a happy family of eighteen. Well, they're happy when the book starts. And they're soon to be nineteen, as the wife is pregnant yet again. But she dies in childbirth, a daughter whose beauty is garnering the attention of men disappears, a couple of major purchases go wrong, a revenge scheme is enacted against the man thought to have wronged the family, etc., and pretty soon nobody is happy anymore. This is pure literature rather than a pulp style novel, but we couldn't resist the cover art. It's by John Vernon, who painted numerous fronts for Ace Books during the 1950s. This nice effort is from 1957.
|Vintage Pulp||Dec 30 2016|